Silvio Soldini Sets Cast for ‘The Tastemakers,’ About German Women Forced to Sample Hitler’s Food, as Vision Distribution Launches Sales in Cannes (EXCLUSIVE)

EXCLUSIVE: The movie Donald Trump doesn’t want people to see is going global.

Nick Vivarelli International Correspondent Plans for a “Gomorrah” series prequel are moving forward, with shooting now scheduled to start in winter 2025 on the hit crime drama’s previously announced origin story. News that the “Gomorrah” prequel show is firmly on track surfaced as Sky Italia celebrated the 10th anniversary of the country’s top TV export, with a special aired on Sunday – of which Variety has been given an exclusive clip – in which key cast traded anecdotes about how their onscreen roles wound up seeping into their real lives.

Elsa Keslassy International Correspondent Ahead of its broadcast premiere on France’s TF1, “Cat’s Eyes,” the anticipated live-action show set in Paris and based on the cult manga series, has been sold by Newen Connect to a flurry of European broadcasters. The eight-part action-packed show was picked up by Germany’s ZDF and Italy’s Rai, among others. The show was previously sold to Belgium (RTL) and Switzerland (RTS).

It’s not all doom and gloom at the global box office as a handful of films reached milestones this week. 20th Century Studios/Disney’s Kingdom of the Planet of the Apes has topped $300M worldwide, while Paramount’s IF and Sony/Alcon’s The Garfield Movie crossed the $100M mark.

Elsa Keslassy International Correspondent Rolling off the Cannes Film Festival where it won several awards, Mohammad Rasoulof‘s “The Seed of The Sacred Fig” has been acquired by a flurry of high profile distributors in major international territories. Films Boutique, which represents the critically acclaimed political drama globally, has sold it to Lionsgate for the U.K.

The Match Factory has finalized a raft of international deals for Coralie Fargeat’s Cannes Palme d’Or contender The Substance, following its buzzy premiere over the weekend in the presence of co-stars Demi Moore, Margaret Qualley, and Dennis Quaid.

Welcome to Global Breakouts, Deadline’s regular strand that shines a light on breakout series and films that are shaking up the international market. In a globalized industry, a hit show can come from anywhere and local success stories can become international sensations.

Elsa Keslassy International Correspondent Cannes Film Festival president Iris Knobloch said she learned about the “power of cinema to carry messages, liberate speech and accomplish a duty of remembrance” from her parents, who are Holocaust survivors. Speaking at the Kering Women in Motion Talks at the Cannes Film Festival on Tuesday, the Munich-born Knobloch said her parents took her to the movie theater several times a week.

Manchester United attacker Marcus Rashford has been left out of England's provisional squad for the European Championship in Germany this summer.

Leo Barraclough International Features Editor Swedish director Ruben Östlund, who won Cannes Film Festival‘s Palme d’Or for “The Square” and “Triangle of Sadness,” was among the guests at the German Films and Medienboard Reception on May 18 in the garden of the Mondrian Hotel in Cannes. Östlund, who is in the Riviera resort to promote his latest production, “The Entertainment System Is Down,” was accompanied by Philippe Bober of Coproduction Office, one of the film’s producers, and Erik Hemmendorf of Plattform Produktion, Östlund’s Swedish producer. (They are pictured above.) German Films, which is celebrating its 70th anniversary this year, was represented at the event by managing director Simone Baumann, and Medienboard, which is a film fund for the Berlin-Brandenburg region, was represented by its CEO Kirsten Niehuus.

Marta Balaga German Films celebrated its 70th anniversary at Cannes on Sunday, with its guests looking back but also looking forward. “It has gotten much better,” Managing Director Simone Baumann told Variety at the event. “We’ve had Oscar-winning ‘All Quiet on the Western Front,’ Oscar-nominated ‘The Teachers’ Lounge’ [for best international feature], films by Wim Wenders and with Sandra Hüller! Sure, Wim showed a Japanese movie and Sandra a French one [‘Perfect Days’ and ‘Anatomy of a Fall’], but it doesn’t matter: It’s more ‘mixed’ these days and I am proud of it, to be honest.” At Cannes, 11 German productions and co-productions have been selected this year, including Match Factory’s main competition offerings “Motel Destino” by Karim Aïnouz – who also attended the bash – and Miguel Gomes’ “Grand Tour.” Run Way Pictures is behind Mohammad Rasoulof’s anticipated “The Seed of the Sacred Fig.” As festivals get “more competitive,” underlines Baumann, international collabs are here to stay.

Refresh for latest…:  After starting early offshore release on John Krasinski’s IF last weekend, Paramount expanded the imaginary friends film to another 56 international box office markets this session. The overseas frame was worth $20M, bringing the international running cume to $24M. With domestic’s $35M debut, the worldwide total is now $59M.

Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed the first international sales for Iranian director Mohammad Rasoulof’s “The Seed of the Sacred Fig,” ahead of its world premiere on Friday in the Competition section of the Cannes Film Festival. The film has been acquired in Italy by BiM Distribuzione and Lucky Red, Benelux by September Film Distribution, Spain by Bteam Pictures, Greece by Ama Films, Hungary by Cirko Film, Norway by Selmer Media, Portugal by Leopardo Filmes, Taiwan by Hooray Films and Turkey by Bir Film.

EXCLUSIVE: Studiocanal has been rolling out sales on the first instalment of Germany-language film trilogy Woodwalkers in Cannes.

Ed Meza @edmezavar Writer, director and actress Toni Kalem (“The Sopranos“) is adapting Lore Segal’s internationally acclaimed 1964 semi-autobiographical novel “Other People’s Houses,” about a Jewish child refugee who finds asylum in Britain via the Kindertransport rescue effort. The story follows a 10-year-old Jewish girl from Vienna who is sent to England as part of the 1938 children’s transport that followed Nazi Germany’s annexation of Austria. She spends the next several years living in wildly disparate households, from wealthy families to modest working-class folks, an experience that presents her with stark impressions of England’s class system.

Elsa Keslassy International Correspondent Reflecting the breadth of Mediawan CEO Pierre-Antoine Capton‘s vast network and friendships, an impressive roster of film industry players flocked to celebrate him as he received Variety‘s International Visionary Award at the Cannes Film Festival on Thursday. Attendees included CAA’s co-chairman and CEO Bryan Lourd, who said a few words about Capton on stage, as well as AGC Studios’ Stuart Ford, SPC’s Tom Bernard, Netflix’s Larry Tanz and Pauline Dauvin, and Mediawan executives including Elisabeth d’Arvieu and Justine Planchon.

Prime Video’s German series Maxton Hall – The World Between Us has been handed a swift recommission after becoming the streamer’s most-watched international show of all time in its first week.

John Hopewell Chief International Correspondent Chile’s Quijote Films, behind Cannes 2023 Un Certain Regard Fipresci Prize winner “The Settlers,” has tied down a powerful alliance of international partners on “The Mysterious Gaze of the Flamingo,” the first feature of 2018 Cannes Cinéfondation top winner Diego Céspedes. An LGBTQ-themed drama, “The Mysterious Gaze” is set in a mining town where a strange illness is said to be transmitted between men who fall in love with each other.

Leo Barraclough International Features Editor After four Oscar wins for “All Quiet on the Western Front” last year and the Oscar nomination for “The Teachers’ Lounge” this year, Germany’s film sector seemed to be on the up, but while a government plan to revamp the country’s film funding system is broadly welcomed, its painfully slow progress is also causing some anxiety. The fact that Cannes’ various sections contain not one feature by a German filmmaker may be seen as a cause for concern, but 13 German productions and co-productions have been selected.

Rebecca Rubin Senior Film and Media Reporter Disney and 20th Century’s “Kingdom of the Planet of the Apes” climbed to $72.5 million at the international box office in its first weekend of release. The newest film in the long-running “Apes” series also notched No. 1 in North America with $56.5 million, bringing its initial global tally to a promising $129 million.