Mohammad Rasoulof’s Cannes Prizewinner ‘The Seed of the Sacred Fig’ Lures International Buyers, Including for the U.K., Japan and Germany (EXCLUSIVE)

Patrick Frater Asia Bureau Chief Coralie Fargeat’s Demi Moore-starring feminist body horror film “The Substance” has been set as the closing night title for the New Zealand International Film Festival. The picture is one of 16 which premiered at the Cannes Film Festival last month selected for the NZIFF which is now under the artistic leadership of Paolo Bertolin.

EXCLUSIVE: Israeli romcom drama series The Baker and the Beauty is being remade for France’s TF1, with French singer-songwriter Amir Haddad playing the lead in his debut TV role.

Elsa Keslassy International Correspondent Warner Bros. Pictures has acquired Pedro Almodóvar’s English-language film debut “The Room Next Door” for key international territories, including the U.K., Spain, Italy, Germany and Latin America. Starring Julianne Moore, Tilda Swinton and John Turturro, “The Room Next Door” will also be released by Warner Bros.

Good afternoon Insiders, Jesse Whittock coming to you from Seriencamp in Germany this week. Strap in for the top TV and film news from the international sector this week. And sign up here.

Steven J. Horowitz Senior Music Writer Singer-songwriter The-Dream, best known as a solo performer and for his work penning massive hits for Rihanna and Beyoncé, has been accused of sexual and physical assault in a new lawsuit filed by a woman named Chanaaz Mangroe (a/k/a Channii Monroe). The suit, filed in California federal court today, lays out accusations of abuse, violence and manipulation.

Dakota Fanning wears a sleek green dress while arriving for the NYC premiere of her new movie The Watchers held at AMC Lincoln Square Theater on Sunday (June 02) in New York City.

EXCLUSIVE: Out of the Cannes market, Sony Pictures Classics has bought North American rights and a raft of international territories on Walter Salles‘ anticipated first narrative feature in more than a decade: I’m Still Here.

Rebecca Rubin Senior Film and Media Reporter “Furiosa: A Mad Max Saga” is stalling at the international box office with $33.3 million from 75 territories. The fifth entry in director George Miller’s post-apocalyptic series has generated $58.9 million globally in its first weekend of release, a rough start given its $168 million production budget. Domestically, the Warner Bros.

Marta Balaga Mohammad Rasoulof’s “The Seed of the Sacred Fig” won the Fipresci award at Cannes. The jury of the International Federation of Film Critics called it “a courageous story set in modern-day Iran that deals with the conflict between tradition and progress, depicted in a very powerful and imaginative way.” Following a rapturous screening and 2024 record 12-minute standing ovation, the film became a Palme d’Or frontrunner, reported Variety.

Nick Vivarelli International Correspondent Italian state broadcaster RAI’s new world sales arm is gaining traction in Cannes — following its soft launch in Berlin — with four new titles on its slate, including veteran auteur Roberto Andò’s historical drama “The Blunder” starring Toni Servillo (“The Great Beauty”). In “The Blunder,” which is currently shooting in Sicily, Servillo plays a Sicilian colonel at the head of a ragtag unit trying to outsmart the enemy during the 1860 battle led by Giuseppe Garibaldi that resulted in the unification of Italy (see first-look image, above).

The Match Factory has finalized a raft of international deals for Coralie Fargeat’s Cannes Palme d’Or contender The Substance, following its buzzy premiere over the weekend in the presence of co-stars Demi Moore, Margaret Qualley, and Dennis Quaid.

Anita Gou is no stranger to the festival circuit. Her L.A.-based Kindred Spirit banner saw a raft of its first projects debut at Sundance (think Lulu Wang’s Mandarin-language comedy The Farewell, which made $23M worldwide, Shia LaBeouf-starrer Honey Boy and Sam Levinson’s Assassination Nation) but, more recently, her co-production Silent Twins was selected in Un Certain Regard in 2022, while Dominic Savage’s Close To You premiered in Toronto last year. The company’s Mubi-acquired doc The Last Year of Darkness, which explores the lives of alternative Chinese youth, was awarded a Special Mention prize in the Next:Wave section at the Copenhagen International Documentary Film Festival last year.

Elsa Keslassy International Correspondent Cannes Film Festival president Iris Knobloch said she learned about the “power of cinema to carry messages, liberate speech and accomplish a duty of remembrance” from her parents, who are Holocaust survivors. Speaking at the Kering Women in Motion Talks at the Cannes Film Festival on Tuesday, the Munich-born Knobloch said her parents took her to the movie theater several times a week.

The Splendour of Life” (“Une splendeur de vivre”) is set to start principal photography at locations across Canada and the Philippines, the producers revealed at the Cannes Film Festival. The ensemble cast includes Camille Rutherford (“Anatomy of a Fall”), Garance Marillier (“Raw”), Sue Prado (“Your Mother’s Son”), Kyrie Samodio (“Hito”) and Amaryllis Tremblay (“Genesis”). Set against a lush countryside backdrop, Marie (Rutherford) questions her relationship, while Noée (Marillier) grieves her father.

Jamie Lang As part of this year’s Variety Global Conversations at the Cannes Film Festival, representatives from the Czech Republic engaged in a lively discussion about the industry’s state of affairs and celebrated 20 years of involvement at the Marché du Film. Markéta Šantrochová, head of the Czech Film Center at the Czech Film Fund; Pavlína Žipková, head of the Czech Film Commission at the Czech Film Fund; and Petr Tichý, CEO of Barrandov Studio, participated in the talk, moderated by Variety’s Leo Barraclough. According to Zipkova, the Czech delegation wanted to make one key point clear to everyone in attendance: “If there is only one thing you need to remember from this session, it is that the Czech Film Fund production incentives scheme is open.

Elsa Keslassy International Correspondent Sideshow and Janus films (“Drive My Car”) have acquired all North American rights to Payal Kapadia‘s “All We Imagine as Light,” the first Indian film to screen in official competition at the Cannes Film Festival in 30 years. The movie will world premiere on Thursday, May 23. It’s also one of only four films in the Competition directed by a woman.

Leo Barraclough International Features Editor Atoms & Void, the Netherlands-based production and sales company run by Sergei Loznitsa and Maria Choustova, has closed a French sale on Loznitsa’s most recent feature documentary “The Invasion,” which premiered on Thursday as a Special Screening in Cannes. Potemkine Films has taken all rights for France, while the film’s French co-producer ARTE France maintains its exclusive TV/VOD window.

Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed the first international sales for Iranian director Mohammad Rasoulof’s “The Seed of the Sacred Fig,” ahead of its world premiere on Friday in the Competition section of the Cannes Film Festival. The film has been acquired in Italy by BiM Distribuzione and Lucky Red, Benelux by September Film Distribution, Spain by Bteam Pictures, Greece by Ama Films, Hungary by Cirko Film, Norway by Selmer Media, Portugal by Leopardo Filmes, Taiwan by Hooray Films and Turkey by Bir Film.

Leo Barraclough International Features Editor Manila-based production outfit Parallax Studio and entertainment company Saga Film Studios have formed a joint venture that will distribute the two-part Western epic “Horizon: An American Saga” in the Philippines. The deal is the first of a number of acquisitions planned by the joint venture. The “Horizon: An American Saga” films are directed by and star Academy Award winner Kevin Costner.

Anna Marie de la Fuente With Maite Alberdi, twice Oscar nominated for her last two docus, “The Eternal Memory” and “The Mole Agent,” and Tana Gilbert whose feature debut “Malqueridas” won the Grand Prize at Venice’s Critics’ Week, Chilean documentaries are having a banner year. Five documentaries participate in the May 20 Chilean Docs-in-Progress Showcase at the Marché du Film’s docu section, Cannes Docs.