EXCLUSIVE: Israeli romcom drama series The Baker and the Beauty is being remade for France’s TF1, with French singer-songwriter Amir Haddad playing the lead in his debut TV role.
30.05.2024 - 00:21 / deadline.com
It’s not all doom and gloom at the global box office as a handful of films reached milestones this week. 20th Century Studios/Disney’s Kingdom of the Planet of the Apes has topped $300M worldwide, while Paramount’s IF and Sony/Alcon’s The Garfield Movie crossed the $100M mark.
Through Tuesday, Apes is at $178.1M international and $306.8M global; this past weekend was its third frame. The Wes Ball-directed pic crossed the $300M milestone with Monday’s numbers.
The Top 5 markets through yesterday are China ($25.8M), France ($18.1M), Mexico ($15.9M), UK ($14.5M) and Brazil ($7.8M).
Meanwhile, Paramount’s IF from John Krasinski, which topped $100M with Sunday’s business, now has $43.7M from the international box office for a $110.5M running global cume through Tuesday.
Its friendliest markets so far are the UK ($8.2M), France ($6.9M), Mexico ($5.8M), Australia ($3.6M) and Germany ($2.3M).
Next to release are Israel, Czech Republic, Slovakia, Romania and Trinidad this coming weekend. Japan will open on June 14, followed by China on June 15.
And, the orange cat with the voracious appetite crossed $100M on Monday. Now through Tuesday, Garfield has gobbled up $105M worldwide. That includes $71M from overseas where the feline dug its claws in early, ahead of the domestic start this past weekend, playing in 51 markets.
The Top 5 to date are Mexico ($17.6M), Germany ($5.3M), Brazil ($5.2M), Spain ($5M) and UK ($4.6M).
Still to release on the Mark Dindal-helmed animated film are Indonesia, Australia and Poland next session, followed by France on July 31 and Japan on August 16.
Meanwhile, after coming in at a confirmed $32.8M for the opening overseas weekend, Warner Bros’ Furiosa: A Mad Max Saga has grossed $40 internationally
EXCLUSIVE: Israeli romcom drama series The Baker and the Beauty is being remade for France’s TF1, with French singer-songwriter Amir Haddad playing the lead in his debut TV role.
The Grand Jury Prize for International Competition at Sheffield DocFest has gone to At the Door of the House, Who Will Come Knocking, the feature directorial debut of Maja Novaković, a filmmaker from Bosnia-Herzegovina.
Elsa Keslassy International Correspondent Warner Bros. Pictures has acquired Pedro Almodóvar’s English-language film debut “The Room Next Door” for key international territories, including the U.K., Spain, Italy, Germany and Latin America. Starring Julianne Moore, Tilda Swinton and John Turturro, “The Room Next Door” will also be released by Warner Bros.
EXCLUSIVE: The movie Donald Trump doesn’t want people to see is going global.
Elsa Keslassy International Correspondent Rolling off the Cannes Film Festival where it won several awards, Mohammad Rasoulof‘s “The Seed of The Sacred Fig” has been acquired by a flurry of high profile distributors in major international territories. Films Boutique, which represents the critically acclaimed political drama globally, has sold it to Lionsgate for the U.K.
John Hopewell Chief International Correspondent A Berlin Generation Crystal Bear winner and the first foray into film of the Fremantle-backed The Immigrant, Sofía Auza’s “Adolfo” saw its premiere Monday night in Mexico City. With Fremantle handling international distribution, “Adolfo” has a lot to celebrate. Auza’s first feature, it also took best feature at Stockholm, screened as opening night film at last year’s TIFF Next Wave Festival and, testing home market waters, scooped best actress for Rocío de la Mañana at Mexico’s Guadalajara Festival in June.
Rebecca Rubin Senior Film and Media Reporter “Furiosa: A Mad Max Saga” is stalling at the international box office with $33.3 million from 75 territories. The fifth entry in director George Miller’s post-apocalyptic series has generated $58.9 million globally in its first weekend of release, a rough start given its $168 million production budget. Domestically, the Warner Bros.
Marta Balaga Mohammad Rasoulof’s “The Seed of the Sacred Fig” won the Fipresci award at Cannes. The jury of the International Federation of Film Critics called it “a courageous story set in modern-day Iran that deals with the conflict between tradition and progress, depicted in a very powerful and imaginative way.” Following a rapturous screening and 2024 record 12-minute standing ovation, the film became a Palme d’Or frontrunner, reported Variety.
The Match Factory has finalized a raft of international deals for Coralie Fargeat’s Cannes Palme d’Or contender The Substance, following its buzzy premiere over the weekend in the presence of co-stars Demi Moore, Margaret Qualley, and Dennis Quaid.
Anita Gou is no stranger to the festival circuit. Her L.A.-based Kindred Spirit banner saw a raft of its first projects debut at Sundance (think Lulu Wang’s Mandarin-language comedy The Farewell, which made $23M worldwide, Shia LaBeouf-starrer Honey Boy and Sam Levinson’s Assassination Nation) but, more recently, her co-production Silent Twins was selected in Un Certain Regard in 2022, while Dominic Savage’s Close To You premiered in Toronto last year. The company’s Mubi-acquired doc The Last Year of Darkness, which explores the lives of alternative Chinese youth, was awarded a Special Mention prize in the Next:Wave section at the Copenhagen International Documentary Film Festival last year.
The Splendour of Life” (“Une splendeur de vivre”) is set to start principal photography at locations across Canada and the Philippines, the producers revealed at the Cannes Film Festival. The ensemble cast includes Camille Rutherford (“Anatomy of a Fall”), Garance Marillier (“Raw”), Sue Prado (“Your Mother’s Son”), Kyrie Samodio (“Hito”) and Amaryllis Tremblay (“Genesis”). Set against a lush countryside backdrop, Marie (Rutherford) questions her relationship, while Noée (Marillier) grieves her father.
Elsa Keslassy International Correspondent Rolling off its buzzy world premiere at Cannes’ Un Certain Regard, Oscar-nominated Icelandic filmmaker Rúnar Rúnarsson’s poignant drama “When The Light Breaks” has sold to a raft of territories. Represented in international markets by The Party Film Sales, the movie has been picked up for Italy (Movies Inspired), Switzerland (Xenix), Norway (Arthaus), Denmark (Ost for Paradis), Finland (Cinemanse), Hungary (Vertigo), Greece (Cinobo), Israel (New Cinema), Poland (Aurora), Turkey (Bir Film) and Baltics (Estofilm).
Rebecca Rubin Senior Film and Media Reporter Disney and 20th Century’s “Kingdom of the Planet of the Apes” conquered the international box office again with $40.6 million in its second weekend of release. So far, the fourth chapter in the “Apes” reboot franchise has generated $136 million overseas and $237 million globally. It currently stands as the fourth-highest grossing movie of the year, behind “Kung Fu Panda 4” ($533 million), “Godzilla x Kong: The New Empire” ($561 million) and “Dune: Part Two” ($710 million).
Leo Barraclough International Features Editor Atoms & Void, the Netherlands-based production and sales company run by Sergei Loznitsa and Maria Choustova, has closed a French sale on Loznitsa’s most recent feature documentary “The Invasion,” which premiered on Thursday as a Special Screening in Cannes. Potemkine Films has taken all rights for France, while the film’s French co-producer ARTE France maintains its exclusive TV/VOD window.
Refresh for latest…: After starting early offshore release on John Krasinski’s IF last weekend, Paramount expanded the imaginary friends film to another 56 international box office markets this session. The overseas frame was worth $20M, bringing the international running cume to $24M. With domestic’s $35M debut, the worldwide total is now $59M.
Leo Barraclough International Features Editor Berlin-based sales agency Films Boutique has closed the first international sales for Iranian director Mohammad Rasoulof’s “The Seed of the Sacred Fig,” ahead of its world premiere on Friday in the Competition section of the Cannes Film Festival. The film has been acquired in Italy by BiM Distribuzione and Lucky Red, Benelux by September Film Distribution, Spain by Bteam Pictures, Greece by Ama Films, Hungary by Cirko Film, Norway by Selmer Media, Portugal by Leopardo Filmes, Taiwan by Hooray Films and Turkey by Bir Film.
Leo Barraclough International Features Editor Manila-based production outfit Parallax Studio and entertainment company Saga Film Studios have formed a joint venture that will distribute the two-part Western epic “Horizon: An American Saga” in the Philippines. The deal is the first of a number of acquisitions planned by the joint venture. The “Horizon: An American Saga” films are directed by and star Academy Award winner Kevin Costner.
Ed Meza @edmezavar Writer, director and actress Toni Kalem (“The Sopranos“) is adapting Lore Segal’s internationally acclaimed 1964 semi-autobiographical novel “Other People’s Houses,” about a Jewish child refugee who finds asylum in Britain via the Kindertransport rescue effort. The story follows a 10-year-old Jewish girl from Vienna who is sent to England as part of the 1938 children’s transport that followed Nazi Germany’s annexation of Austria. She spends the next several years living in wildly disparate households, from wealthy families to modest working-class folks, an experience that presents her with stark impressions of England’s class system.
Jim Jarmusch’s anticipated next film, “Father Mother Sister Brother.” They’re joining Cate Blanchett and Vicky Krieps, who were previously rumored to be starring after being photographed on set. “Father Mother Sister Brother” recently wrapped production in Paris following shoots in Dublin, Ireland and in the Northeastern U.S. Post-production has begun New York, and the film is expected to be finished later this year.
Marta Balaga Following “The Zone of Interest,” Jesse Eisenberg’s “A Real Pain” and Berlinale offering “Treasure,” about a Holocaust survivor, the latter starring Stephen Fry and Lena Dunham, Poland might be welcoming more foreign shoots in the future. “I would always be willing to return and shoot in Poland,” says “Treasure” director Julia von Heinz. “Our co-producer Mariusz Włodarski from Lava Films realized that during the tenure of the Law and Justice [PiS] government, there was no chance of obtaining public funding for a story where Polish people are portrayed not just as victims and heroes, but as complex human beings.