Mediawan CEO Pierre-Antoine Capton Celebrated With Variety’s Intl. Visionary Award at Cannes Event

Elsa Keslassy International Correspondent Rolling off its acquisition of Francis Ford Coppola‘s “Megalopolis,” Italy’s leading independent distributor Eagle Pictures has scooped Italian remake rights to French smash hit “A Little Something Extra,” along with a raft of high-profile projects shopped at the Cannes Film Market. The company, which is owned by veteran producer-distributor Tarak Ben Ammar, will produce and distribute the Italian remake of “A Little Something Extra” (“Un Ptit truc en plus), Artus’ heartwarming family comedy which has taken the French box office by storm, selling a whooping 3.4 million tickets in theaters in three weeks. “It’s a delightful film about a father and his son who rob a little jewelry shop in a small town and as they’re looking a place to hide, they get on a bus without realizing that it’s taking them to a summer camp for young adults with disabilities,” Ben Ammar said.

Marta Balaga Mohammad Rasoulof’s “The Seed of the Sacred Fig” won the Fipresci award at Cannes. The jury of the International Federation of Film Critics called it “a courageous story set in modern-day Iran that deals with the conflict between tradition and progress, depicted in a very powerful and imaginative way.” Following a rapturous screening and 2024 record 12-minute standing ovation, the film became a Palme d’Or frontrunner, reported Variety.

Clayton Davis Senior Awards Editor The Cannes Film Festival is nearing its conclusion, with plenty of films making a splash on the starry Croisette on the French Riviera. However, one studio executive tells Variety, “There aren’t many Oscar-buzzy titles to be excited about, not even in the international feature space.” This year’s main competition jury, led by president Greta Gerwig and including J.A. Bayona, Ebru Ceylan, Pierfrancesco Favino, Lily Gladstone, Eva Green, Hirokazu Kore-eda, Nadine Labaki and Omar Sy, will name its winners on Saturday.

French producer Dimitri Rassam is enjoying a high-profile Cannes Film Festival as producer of Competition title Limonov: The Ballad and The Count Of Monte Cristo, which scored a rousing 12-minute ovation at its Out of Competition debut.

The Match Factory has finalized a raft of international deals for Coralie Fargeat’s Cannes Palme d’Or contender The Substance, following its buzzy premiere over the weekend in the presence of co-stars Demi Moore, Margaret Qualley, and Dennis Quaid.

Anita Gou is no stranger to the festival circuit. Her L.A.-based Kindred Spirit banner saw a raft of its first projects debut at Sundance (think Lulu Wang’s Mandarin-language comedy The Farewell, which made $23M worldwide, Shia LaBeouf-starrer Honey Boy and Sam Levinson’s Assassination Nation) but, more recently, her co-production Silent Twins was selected in Un Certain Regard in 2022, while Dominic Savage’s Close To You premiered in Toronto last year. The company’s Mubi-acquired doc The Last Year of Darkness, which explores the lives of alternative Chinese youth, was awarded a Special Mention prize in the Next:Wave section at the Copenhagen International Documentary Film Festival last year.

Elsa Keslassy International Correspondent Cannes Film Festival president Iris Knobloch said she learned about the “power of cinema to carry messages, liberate speech and accomplish a duty of remembrance” from her parents, who are Holocaust survivors. Speaking at the Kering Women in Motion Talks at the Cannes Film Festival on Tuesday, the Munich-born Knobloch said her parents took her to the movie theater several times a week.

Elsa Keslassy International Correspondent Sideshow and Janus films (“Drive My Car”) have acquired all North American rights to Payal Kapadia‘s “All We Imagine as Light,” the first Indian film to screen in official competition at the Cannes Film Festival in 30 years. The movie will world premiere on Thursday, May 23. It’s also one of only four films in the Competition directed by a woman.

French film finance, production and distribution group Logical Pictures is out in force in Cannes this year with connections to 11 films, including Competition titles Emilia Perez, Limonov and Parthenope.

Mediawan CEO Pierre-Antoine Capton into France’s Legion of Honor last October, calling the exec “the ultimate French success story.” In a country rarely known to promote social mobility, Capton-esque career trajectories are scarce. A self-made entrepreneur born into a middle-class Normandy family, Capton began his professional life as a teen with an entry-level internship, eschewing elite universities, making the exec a rare bird among France’s top media execs.

Mediawan Pictures managing director Elisabeth d’Arvieu. With five in-house productions premiering in the official selection and another in Critics’ Week, the exec and her team will hit the Croisette with cause for celebration. As an ardent cinephile, she bolstered an extracurricular passion for movies while getting an MBA from Baruch College in New York.

Nick Vivarelli International Correspondent German actors Elisa Schlott (“Das Boot” TV series), Max Riemelt (“Sleeping Dog”) and Alma Hasun (“Corsage”) are set to star in Italian director Silvio Soldini‘s drama “The Tasters,” which reconstructs the untold true story of the women conscripted to be Adolf Hitler’s food tasters. Shooting is set to start on Friday in Italy’s northern Alto Adige region on the Nazi-era drama, which is being pre-sold at the Cannes Marché du Film by Rome-based Vision Distribution, headed by sales agent Catia Rossi.

EXCLUSIVE: Mike Goodridge has been on a rare journey. Not many in the industry can boast a CV that includes running a trade publication, an international sales company, a film festival and being the producer of multiple Cannes Film Festival movies.

Meryl Streep has made her big arrival for her 2024 Cannes Film Festival photo call!

Nick Vivarelli International Correspondent European powerhouse Mediawan has appointed Italian film and TV producer Carlo Degli Esposti – who is founder and chief of its Rome-based Palomar shingle – as a member of its board of supervisors and strategic committee. Degli Esposti in his new role will be involved “in all strategic decisions” at Mediawan, a statement said, adding that he “will make his experience available to the group’s activities in the Italian market and, in particular, for future development operations and acquisitions in this important European territory.” Mediawan, which is a global production conglomerate comprising more than 85 labels around the world — it recently announced its acquisition of German production-distribution outfit Leonine — is clearly in expansion mode in Italy where, besides Palomar, they are in final stages of acquiring a 51% stake in Our Films, the new company being launched by prominent producers Mario Giananani and Lorenzo Mieli after their recent exit from the Fremantle fold.

Elsa Keslassy International Correspondent “Asterix,” the popular French comics franchise, is set for a new animated journey. Matthieu Delaporte and Alexandre de la Patelliere, whose latest film “The Count of Monte-Cristo” is premiering at the Cannes Film Festival, have penned “Asterix, the Kingdom of Nubia.” SND, the commercial arm of French network M6, has boarded the film and will kick off international sales at the Cannes Film Market, where they will present a sizzle reel to buyers.

EXCLUSIVE: Paris-based Nour Films has acquired French rights to Saudi director Tawfik Alzaidi’s first feature Norah ahead of its world premiere in the Cannes Film Festival’s Un Certain Regard.

EXCLUSIVE: Francis Ford Coppola‘s Megalopolis has sold to key independent buyers in Europe’s top five territories, we can reveal.

EXCLUSIVE: Ahead of the Cannes market, Lionsgate has taken North American rights off the table on one of the bigger-budget new packages that’ll be on sale next week: that’s action-thriller Mutiny, which will star action evergreen Jason Statham (Fast & Furious) and be directed by Jean-François Richet (Plane).

Elsa Keslassy International Correspondent Studiocanal has unveiled an exclusive first-look still of Matt Dillon and Anamaria Vartolomei (“Happening”) starring as Marlon Brando and Maria Schneider in Jessica Palud’s movie “Maria,” which is slated to bow at the Cannes Film Festival. Palud’s film sheds light on the tragic life of Maria Schneider, who starred opposite Marlon Brando in Bernardo Bertolucci’s “The Last Tango in Paris” at the age of 19 and never recovered from the shoot. The film depicts how Schneider was imposed an un-simulated rape scene on the set of “The Last Tango in Paris” by Bertolucci and Brando.