A unique house is up for grabs on a remote Scottish island - complete with its own private cinema.
16.10.2023 - 13:25 / variety.com
Lise Pedersen Two-time Oscar-winning filmmaker Alexander Payne shared his passion for film and his thoughts on contemporary American cinema with the audience at the Lumière Film Festival in Lyon where he is premiering his eighth feature film, “The Holdovers,” under the French title “Winter Break,” on October 15th. In a conversation skilfully led and translated by Los Angeles-based French film journalist Didier Allouch, Payne drew laughs from the Lumière crowd when he explained that the secret to making good films was “keeping your budgets low.” “John Huston approached Luis Buñuel one day and asked him, ‘How is it that you make these wonderful films, like “Viridiana” and “The Exterminating Angel”?’ And Buñuel replied, ‘How much money do you make and how much money do you think I make?’” said Payne with a smile.
While he made no secret of his distaste for Hollywood blockbusters and said it was still possible to make movies like “Sideways,” which earned him his first Academy Award for best adapted screenplay in 2005, Payne noted the growing absence of what he described as “mid-range films” in American cinema. “One thing with these lower budget, humanist, anthropocentric – whatever what you want to call them – comedy dramas [they make now], is that I miss the mid-range, more expensive adult dramas with visual scope.
“Where is “Out of Africa,” where is “The English Patient” today?” he asked, adding: “Of course, the most difficult thing is always the screenplay. We can criticize financiers and studios and distributors for not making those movies anymore, but I criticize [American] directors and writers for not making them.” During the one-and-a-half-hour conversation, Payne, whose second Oscar was also for best adapted
.A unique house is up for grabs on a remote Scottish island - complete with its own private cinema.
Humza Yousaf has been urged to hand WhatsApp messages to the UK Covid Inquiry in a row over evidence.
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Spider-Man: No Way Home is the third outing for Tom Holland’s web-slinger in the Marvel Cinematic Universe.Directed by Jon Watts, the follow-up to 2019’s Spider-Man: Far From Home sees Spidey take on, thanks to multiverse shenanigans, villains from the superhero’s past – including Green Goblin (Willem Dafoe), Doctor Octopus (Alfred Molina) and Electro (Jamie Foxx).The sequel also features notable crossovers with past Peter Parkers, namely Andrew Garfield and Tobey Maguire, as they join forces to restore balance across multiple realities.After dealing with the villains, one of Green Goblin’s bombs takes out the confinement box holding Doctor Strange’s (Benedict Cumberbatch) botched spell. This leads to everyone across the multiverse knowing the identity of Spider-Man.To counter the spell, Peter Parker (Holland) decides that if everyone forgets who he is, then no one will know who Spider-Man is.
Filmmaker Alexander Payne (“Sideways,” “The Descendants,”) recently held a Q&A session during the Lumière Film Festival in Lyon, France (via Variety), with Los Angeles-based French film journalist Didier Allouch overseeing that conversation. Payne gave the French audience a big tease about what he’s currently working on, which could allow him to tackle a dream film genre.
Ellise Shafer Daniel Kaluuya world premiered his feature directorial debut, “The Kitchen,” at the BFI London Film Festival on Sunday night, calling it “one of the best days of my life.” Kaluuya was on hand alongside his co-director Kibwe Tavares, producer Daniel Emmerson and several of the film’s actors, including “Top Boy” star Kane Robinson and newcomer Jedaiah Bannerman. Set in a dystopian London where all social housing has been banned, the film follows the residents of a community called the Kitchen who must fight to save their home. Speaking before the premiere, Kaluuya and Tavares explained that it’s taken nearly a decade to bring the Netflix film to the screen.
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EXCLUSIVE: UK-based sales and distribution company Blue Finch Film Releasing has acquired worldwide sales rights, excluding Australia and New Zealand, to Jordon Prince-Wright’s WW1 war feature Before Dawn. First-look materials will be available to view at the American Film Market, where Blue Finch will begin sales.
J. Kim Murphy Stop reading if you’ve seen this movie before — a wooden mannequin with the face of Greta Thunberg greets a horde of kindergarteners emerging from a steampunk Trojan horse under a dome of gigantic smartphones bathing them in hot blue light. Alright, keep scrolling.