Thierry Frémaux Talks Bringing Classic Cinema Back To Life At The Lumière Film Festival & Nobel Prize Inspiration For Its Honorary Lumière Prize

Wim Wenders returned to the Croisette at the Cannes Film Festival in a big way this year with “Perfect Days.” The German director’s first film since 2017’s “Submergence” wowed audiences at the festival, with the movie nabbing the Prize Of The Ecumenical Jury and the Best Actor Award for star Kōji Yakusho. Now, after further screenings at Telluride, TIFF, London, and NYFF this Fall, it’s time for US audiences to see “Perfect Days” for themselves.

Jenelle Riley Deputy Awards and Features Editor The Hammer Museum has revealed its lineup for MoMA Contenders 2023, the annual film series organized by The Museum of Modern Art. Ten films will screen at the Hammer’s Billy Wilder Theater from Nov. 29 – Dec.

Born in Omaha, Nebraska, to two parents of Greek heritage, two-time Oscar winner Alexander Payne was awarded Greek citizenship last year around the time he was working on his latest feature, The Holdovers. 

Japan has dominated this year’s Asia Pacific Screen Awards (APSA), with German filmmaker Wim Wenders’ latest Tokyo-set pic and Ryusuke Hamaguchi’s Drive My Car follow-up taking the top prizes. 

The 20th edition of the Marrakech International Film Festival has announced its selection, opening with Richard Linklater’s comedy Hit Man. (scroll down for full list of films)

Christopher Vourlias When director Yorgos Lanthimos approached production designers James Price and Shona Heath with a vision for his latest feature, “Poor Things,” the Venice sensation and Golden Lion winner that’s landed the filmmaker and lead actress Emma Stone at the forefront of this year’s Oscar race, the notoriously meticulous and demanding director had no shortage of notes for the duo. Nor did he have any reservations about the scale of what he wanted to achieve.

Elsa Keslassy International Correspondent “Funny Birds,” an heartwarming comedy-drama starring Andrea Riseborough, Catherine Deneuve and Morgan Saylor, has sold in key territories in the run up to the AFM. Executive produced by Martin Scorsese, the movie is directed by Marco La Via and Hanna Ladoul.

Some movie theaters are implementing intermissions during screenings of Martin Scorsese‘s Killers of the Flower Moon, prompting Apple and Paramount to intervene.

Independents are out in force with high-profile fall festival fare from Pricilla to The Holdovers, a big Viva Pictures push with Inspector Sun (voiced by Ronny Chieng), Cannes documentary winner Four Daughters and Waikiki, the debut feature by Hawaiian filmmaker Christopher Kahunahana. the first homegrown feature to be shown there.

Nick Vivarelli International Correspondent The Marrakech International Film Festival has announced its full jury, signaling that the event is forging ahead with its 20th edition despite the Israel-Hamas conflict — which has caused cancellations of several other fests in the region — and the earthquake that hit the country in September. Joining Jessica Chastain – who is the fest’s previously announced jury president – will be Iranian actor Zar Amir; French actor Camille Cottin; Australian actor and director Joel Edgerton; British director Joanna Hogg; U.S. director Dee Rees; Swedish-Egyptian director Tarek Saleh; Swedish actor Alexander Skarsgård and French-Moroccan writer Leïla Slimani.

Wim Wenders introduced the cast and crew of “Perfect Days” at an outdoor stage, giving the opening ceremony of the 36th Tokyo International Film Festival a moment of European cool. Inside the Tokyo Takarazuka Theater, Wenders was brought on stage twice more. “I had a dream that with ‘Perfect Days,’ I’d make a film that would play at the Cannes Film Festival. I dreamed that it would win the best acting prize.

Close to 40 years after Wim Wenders won the Cannes Palme d’Or for Paris, Texas, its enigmatic ending continues to spark debate in cinephile circles.

Rebecca Rubin Film and Media Reporter Taylor Swift’s movie is presiding over Martin Scorsese’s in North American theaters, but the “Mean Streets” director has outstripped the “Mean” singer at the international box office. Scorsese’s “Killers of the Flower Moon,” a crime epic starring Leonardo DiCaprio and Robert De Niro, has generated $21 million from 63 overseas markets. In terms of weekend ticket sales, it’s pacing ahead of Swift’s “The Eras Tour,” which added $10.5 million in its second weekend of release.

Jean-Jacques Annaud has worked with an impressive roster of actors across his 60-year career including big names such as Sean Connery, Tony Leung and Brad Pitt as well as Christian Slater and Jane Marsh, who were emerging talents when he cast them in The Name Of The Rose and L’Amant respectively.

Actress Charlotte Gainsbourg made a moving presentation of her documentary Jane By Charlotte, capturing her complex relationship with her late mother Jane Birkin, ahead of a screening at the Lumière Film Festival on Saturday.

Wim Wenders and Thierry Frémaux signalled their support on Saturday for the Hollywood actors strike as the industrial action hits its 100th day.

Elsa Keslassy International Correspondent While at the Lumiere Film Festival in Lyon, German film master Wim Wenders said he shares Martin Scorsese’s deep concern over Hollywood’s obsession with sequels, and worries about AI in line with U.S. actors who are still on strike.

Lise Pedersen With typical modesty and humor, Wim Wenders opened his masterclass at the Lumière Film Festival in Lyon by answering the question: ‘Do you feel like a survivor in the history of cinema?’ with a ‘Yes, in a funny kind of way, I do sometimes feel like a dinosaur.” Expanding on his answer, the 78-year old director, who is being awarded the festival’s Lumière Award lifetime achievement prize later today, said he had been lucky enough to experience great changes in cinema throughout his lifetime and that he felt more like he had experienced rather than survived cinema –“vécu plutôt que survécu,” as he said in his fluent French. Looking back on his 1984 cult movie “Paris, Texas,” for which he won the Palme d’Or in Cannes, the German director explained it had been the culmination of one of his greatest lessons in life.

Editor’s note: This interview was originally published on May 16 during the Cannes Film Festival. It is being rerun now to coincide with the film’s domestic release and interviews were carried out prior to the SAG-AFTRA strike.

Lise Pedersen Lyon’s impressive Roman-style auditorium, normally used by the city’s symphonic orchestra, was sold out as U.S. writer and director Wes Anderson took to the stage as guest of honor of the Lumière Film Festival.