‘Shucked’ Broadway Review: Pure Corn-try

Elizabeth Wagmeister Senior Correspondent For the past two seasons, Kelly Clarkson has filmed her talk show’s premiere weeks in New York City, but now, she is taking her show to the Big Apple for good. “The Kelly Clarkson Show” will move production from the Universal lot in Los Angeles to NBC Studios in 30 Rockefeller Plaza in New York next season, Variety has confirmed with a NBCUniversal spokesperson. The talk show will film in front of a studio audience in the iconic studio 6A, which has been home to Jimmy Fallon, Conan O’Brien and David Letterman. A new state-of-the-art studio will be built for Clarkson’s show, as well as technical facility and support space.

Naman Ramachandran Following the success of “Purple Hearts,” Embankment will launch global pre-sales of new romantic movie, “The Upside of Falling Down,” at the Cannes film market. The film is directed by Oran Zegman (“Honor Society”) and stars Antonia Gentry from worldwide hit “Ginny & Georgia” alongside Calam Lynch (“Lord of the Rings: The Rings of Power,” the second season of “Bridgerton”). The film is written by Rebekah Crane, based on her own acclaimed novel of the same name, and Kelly Walker. The official synopsis of the film reads thus: “Clementine (Gentry) has lost her memory in an accident and runs away from the hospital with the help of a stranger, Kieran (Lynch) to discover who she is now, before she can reconnect with who she used to be. As she allows herself to free dive into new beginnings, new joys, new loves, and finds the courage to grow into a new version of herself, she begins to fall for this super-cute, charismatic, warm and enigmatic stranger. As Clem puts together the puzzle of her past to find the truth of who she really is, she pieces together returning memories of her past life. Clem and Kieran fall deeply in love, and Clem finds she isn’t the only one with secrets… and when the truth is told, lives are turned upside down…”

announced, and Broadway’s corniest new musical picked up nine including Best Musical — tying “& Juliet” and “New York, New York” for the second-most nominated show of the year. What’s the musical, you’re wondering? “Shucked.” What’s it about? Ask any cast member or audience member alike and they’ll tell you the same thing.

2023 Tony Awards.And now that all 27 nominated productions have been announced for the 76th annual Tonys, it’s time to see them all live — well, the 16 shows that are still running as of now which feature stars nominated for the first time like Jessica Chastain, Josh Groban and Jodie Comer — on the Great White Way before theater’s biggest night of the year.To make your life easy, we’ve compiled a list of all the shows from the most nominated — this year, the musical adaptation of “Some Like It Hot” led the way with 13 nods — to the least that only nabbed a single selection like the buzzy “Summer, 1976.”Best of all, we found tickets for all 16 shows that are still running as of now.Want to go to a show in person so you’re in the know come awards night?Keep reading, dramaphiles.We’ve got all the details you need below.13 nominations include Best New Musical, Christian Borle and J.

Ain’t No Mo, Cost of Living, Leopoldstadt, Good Night, Oscar, and now, The Thanksgiving Play (★★★★★), a dark and devilish satire by Larissa FastHorse.While gratitude should be a reflection and practice we incorporate into our daily lives, it is a virtue most closely associated with the fourth Thursday of November. That’s when we gather with friends and family, stuff ourselves silly with turkey, watch football, and fall asleep on the couch — all in the name of a long-perpetuated myth.FastHorse is having none of it.

Life of Pi leaves audiences in a state of wonder. Not only one that is spiritual, philosophical, and intellectual (more on that later), but one that is more practical. One that forces us to question why other producers sell ticket buyers short when it comes to delivering a quality product on Broadway.

Imagine a New York where construction workers tap dance on steel girders high above the city, sorta like that famous photograph you’ve seen a million times, and where kindly landladies who once played Carnegie Hall might tutor a young Holocaust refugee to a Julliard scholarship, and breezy jam sessions do away with generations of friction between races, genders and sexual identities. You’d go there, right?

Broadway can be a loud place, with belters belting and orchestras swelling and actors playing to rafters in the theater across the street, so it’s both comforting and mesmerizing to see a play as quietly poignant as David Auburn’s Summer, 1976.

New York, New York,” opening Wednesday at the St. James Theatre, ends with the iconic title number that kicks off with the lyric “Start spreadin’ the news!”It’s an ear-worm everybody knows.

Good Night, Oscar,” there is no doubt. Whether the end result is a human being or a bag of tricks depends on your taste for ham.One hour and 40 minutes with no intermission.

If ever a play had good reason to front-load itself with exposition, Good Night, Oscar is it. Once among America’s premiere wits and raconteurs, Oscar Levant has gone the way of many another once-famous wits and raconteurs. Which is to say, he needs lots of exposition.

Prima Facie,” which opened Sunday night on Broadway, the audience is hit by two wildly different sensations.First, as we become fully absorbed by the harrowing story of Tessa, a brilliant young barrister whose life is horribly upended, there is great pain and sadness in watching her go through a trauma nobody should ever have to experience. Some viewers will be understandably overwhelmed by it all.One hour and 40 minutes with no intermission.

good news for you.Eight times a week, the curtain goes up on “The Lion King” at the Minskoff Theatre on Broadway and each show is more magical than the last.Better yet, since the show has been running since 1997, tickets are fairly affordable by Broadway standards to the Great White Way staple.At the time of publication, we found some seats going for as low as $120 before fees on Vivid Seats.Not a bad price to see a six-time Tony Award winner (!) in person.Can’t wait to hear “I Just Can’t Wait To Be King?”Here’s everything you need to know and more about how to see “The Lion King” live as soon as today.All prices listed above are subject to fluctuation.Like any well-oiled Broadway machine, “The Lion King” can be seen eight times a week.As expected, matinees fall on Wednesdays, Saturdays and Sundays.There are no Monday shows either.Want to find the right show at the right time for you?Check out a complete calendar including all dates, start times and links to buy tickets here.“The Lion King” has a run time of two hours and 30 minutes with one intermission.Who plays Simba these days? What have I seen Scar in before?Great questions.To ease any confusion, here are the five main actors, what part they play and where you may have seen them in TV or film over the years.Brandon A. McCall (Simba): This is McCall’s Broadway debut; he is an Alabama State University alum.L. Steven Taylor (Mufasa): You may recognize Taylor from PBS’ “The Electric Company” or the HBO pilot “Last Of The Ninth.”Michael Hollick (Scar): Hollick has appeared in “Law & Order,” “Sex and the City,” “Guiding Light,” and “Hawaii Five-O” among many other credits.Ben Jeffrey (Pumbaa): Jeffrey has had roles in “The Good Wife” and “Louie.” This is his Broadway

Eight years is pretty close to eternity when it comes to sell-by dates for topical humor, which might be one reason that the jokes in Larissa FastHorse’s Broadway comedy The Thanksgiving Play fall flat as an underbaked pie. We can only surmise that when she first began writing this satire on Liberal guilt, woke sensitivities and Goopy indulgence back in 2015, words like “decoupling” and “soy milk” seemed like terrific punchlines.

Peter Pan Goes Wrong,” the happily hyperactive comedy that opened Wednesday night on Broadway, provides: missteps, mayhem, incapacitations, faulty sets and, in a roundabout way, “Fawlty Towers.”The very funny British play’s premise is the season’s simplest. The amateur Cornley Polytechnic Drama Society tries to put on “Peter and Wendy” and fails epically. 2 hours and five minutes, with one intermission. At the Ethel Barrymore Theatre, 243 W.

All’s right in the world when Peter Pan Goes Wrong.

Soundgarden have reached a settlement in their ongoing legal battle with the widow of the band’s late frontman Chris Cornell. It means that new songs Cornell was working on with the band prior to his death in 2017 will now be released.That new material was at the heart of the legal battle, with a dispute over who owns the recordings and how they might be released.

The widow of singer Chris Cornell and his former bandmates in Soundgarden said Monday that they have resolved her lawsuit against them, clearing the way for the release of the band’s final recordings more than five years after his death.

Soundgarden and late frontman Chris Cornell‘s widow Vicky have settled their long-standing legal dispute and will release the band’s final recordings.In 2019, Cornell filed a lawsuit against the remaining members of the band and their manager over the rights to several unreleased Soundgarden songs, claiming the tracks entitled her to “hundreds of thousands of dollars” in royalties.The case was finally settled earlier in 2021 as a judge ruled that there was no evidence to suggest that the band’s surviving members are withholding royalties from Cornell.Elsewhere, Cornell filed a separate case in court against the band after they attempted to buy out her stake in her late husband’s band for what she has called a “ludicrously low” price, while the band also took Cornell to court in 2021, claiming that she had locked them out of the official Soundgarden social media accounts.Now, a joint statement from the band and Cornell reveals that they have settled their dispute and “reached an amicable out of court resolution”.It added: “The reconciliation marks a new partnership between the two parties, which will allow Soundgarden fans around the world to hear the final songs that the band and Chris were working on.”“The two parties are united and coming together to propel, honour and build upon Soundgarden’s incredible legacy as well as Chris’s indelible mark on music history – as one of the greatest songwriters and vocalists of all time.”A post shared by Chris Cornell (@chriscornellofficial)Chris Cornell died by suicide on May 18, 2017. He was 52-years-old.

Chris Cornell, and the surviving members of Soundgarden — Kim Thayil, Matt Cameron and Ben Shepard — have settled a contentious legal battle that will allow the release of new music the band had been working on up to the time of the singer’s death from suicide in 2017. “The reconciliation marks a new partnership between the two parties, which will allow Soundgarden fans around the world to hear the final songs that the band and Chris were working on,” reads a statement by the relevant parties. “The two parties are united and coming together to propel, honor and build upon Soundgarden’s incredible legacy as well as Chris’s indelible mark on music history — as one of the greatest songwriters and vocalists of all time.”