Roland Emmerich says Star Wars and Marvel movies are “ruining our industry a little bit”

Santa was in the Tardis — a blue police box that’s bigger on the inside and can travel through time and space! One that I had seen on TV! And that had been on incredible imaginative journeys to other worlds inhabited by amazing aliens! Some of which try to kill you! Honestly, it was fantastic.Make the jump to lightspeed into 2022, and now I’m going into the “Star Wars” universe aboard a Galactic Starcruiser called the Halcyon. She will take guests on a cruise through the outer rim during a fully immersive three-day, two-night, all-inclusive stay, featuring space pod cabins, themed entertainment and experiences and, yes, stars flying past the windows.

Gangs of New York), to choices that are more controversial (Hugh Grant in Love Actually? Yes, really!)And while you’re here, why not also sample the inverse of this strange occurrence – brilliant performances in otherwise terrible movies…Gyllenhaal is guilty of too much acting in Denis Villeneuve’s grimy child-abduction thriller. While the other A-listers that surround him (including Hugh Jackman and Viola Davis) bury themselves in grief and rage, Gyllenhaal seems to be in a different film entirely. He’s all twitches and facial tics, injecting off-putting weirdness in a movie that absolutely doesn’t need it.

Owen Gleiberman Chief Film CriticIn “The Burning Sea,” which is your basic, everyday Norwegian oil-rig disaster thriller, Stian (Henrik Bjelland), a rig worker stationed on a drilling platform that’s about to collapse, must descend into the bowels of the rig to shut down a well that can’t be reached remotely. As the soundtrack fills with one of those flatulent brass musical scores that sounds like it’s heralding the arrival of the devil, a bureaucratically ominous title splashes across the screen: “D Shaft, Gullfaks A, 138 meters under the sea.” 138 meters? That’s pretty far down, though not necessarily deep enough to be, you know, scary.The disaster film started off as a “realistic” genre, one that gradually grew more over-the-top.

Gangs of New York), to choices that are more controversial (Hugh Grant in Love Actually? Yes, really!)And while you’re here, why not also sample the inverse of this strange occurrence – brilliant performances in otherwise terrible movies…Gyllenhaal is guilty of too much acting in Denis Villeneuve’s grimy child-abduction thriller. While the other A-listers that surround him (including Hugh Jackman and Viola Davis) bury themselves in grief and rage, Gyllenhaal seems to be in a different film entirely. He’s all twitches and facial tics, injecting off-putting weirdness in a movie that absolutely doesn’t need it.

When you think of the classic movie themes, you can’t help but think of John Williams. He’s a legendary film composer who has worked on a number of iconic scores and themes for films.

Various directors have voiced their concerns about the state of modern studio films in recent years. And that means it’s unavoidable that they’ll eventually comment on the Marvel Cinematic Universe.

two-night experience isn’t just a hotel but it’s an attraction with a story to be told that will exist within the Star Wars universe. While the story being told will take place during the sequel era, it turns out that guests will be on board a ship that has been flying among the stars since at least the Original Trilogy, as Han and Leia took their honeymoon there. Today Star Wars.

With “The Book of Boba Fett” in the rearview, Lucasfilm is putting its attention towards other upcoming streaming series. The third season of “The Mandalorian” is the most recent “Star Wars” show to go in front of cameras, even though star Pedro Pascal has been shooting “The Last of Us” in Calgary, Alberta simultaneously.

Obi-Wan Kenobi, the new spin-off Star Wars series led by Ewan McGregor, has received a May premiere date at Disney+.The limited live-action series, which sees McGregor (Obi-Wan Kenobi) reunite with his old Star Wars castmate Hayden Christensen (Anakin Skywalker), will start airing on May 25.Obi-Wan Kenobi is set 10 years after the events of the 2005 Star Wars film Revenge Of The Sith, where Jedi Master Obi-Wan Kenobi witnessed the downfall of his best friend and Jedi apprentice, Anakin Skywalker, who turned to the dark side as evil Sith Lord Darth Vader.With the premiere news comes a poster reveal, which you can see below.Obi-Wan Kenobi, a limited Original series, starts streaming May 25 on @DisneyPlus. pic.twitter.com/XCV1xQZhDR— Star Wars (@starwars) February 9, 2022Last year Star Wars boss Kathleen Kennedy discussed the “incredibly emotional” reunion between McGregor and Christensen for the show.“The thing that was most exciting was being on the set and watching the two of them get excited,” Kennedy told Empire.She continued: “They hadn’t seen one another in a long time.“I was surprised at just how incredibly emotional it was for each of them to find themselves back in these roles, and just realising how important Star Wars was to each of them.

Robert Blalack, a towering figure in the world of visual effects, died on Wednesday. His wife Caroline Charron-Blalack confirmed the news to Deadline. He was 73.

Director Roland Emmerich says it’s a lot harder for filmmakers to develop and release original ideas thanks to the prevalence of Marvel movies and “Star Wars” spin-offs.

What’s the real story about Phil Lord and Chris Miller’s unceremonious dismissal from the directing job of “Solo: A Star Wars Story?” That’s a question that people have been wanting an answer to for years now, after the acclaimed comedic filmmakers were dumped after three months of filming and replaced by Ron Howard, who ended up reshooting almost the entire film. Well, even though the directing duo isn’t keen on spilling all of the details, they did shed some light on the learning experience that was “Solo.” Speaking to The Business podcast, hosted by Kim Masters, Lord and Miller talked as openly as we can expect about the “Solo: A Star Wars Story” situation.

director Roland Emmerich thinks Superhero and films are ruining the industry. He is among the many actors and directors that have lambasted the state of the movie business because these types of movies exist.

Roland Emmerich is known for directing some of cinema’s highest-grossing action and sci-fi epics. From the natural disasters of “The Day After Tomorrow” to the otherworldly invaders of “Independence Day,” the filmmaker’s decades of work have become pop culture phenomena.

the hallmarks of an Emmerich blockbuster — natural disasters, parents separated from children, the total annihilation of Manhattan — but with a twist so baffling, you pinch your arm to make sure you are really awake. No need to reach for your dream journal — it’s all painfully real.The lunar-cy begins during a routine space station mission in outer space with Jocinda (Halle Berry), Brian (Patrick Wilson) and another astronaut.

Star Wars project.Speaking in a new interview with Esquire, Stan responded to fan demands that he play Luke Skywalker in The Mandalorian.“Look, it’s really kind,” he said. “Never say never.”“Mark Hamill is my father, you know,” he went on to joke.

Over the course of his almost four-decade career, Roland Emmerich is a filmmaker who has become synonymous with big-budget, CG-infused epics whose screenplays often challenge the laws of space and time. Few moviegoers who saw “The Day After Tomorrow,” “2012” or even “White House Down” thought they were anything more than overblown extravaganza and a nice escape from the monotony of the real world.

Peter Debruge Chief Film CriticThe joke of Netflix’s recent “Don’t Look Up” is that scientists discover a meteor headed straight for earth, and even with six months to plan, humanity is too skeptical and disorganized to prevent it. Meanwhile, in Roland Emmerich’s latest eye-roller, “Moonfall,” the joke is pretty much flipped: Everybody’s favorite satellite is set to collide with earth in, oh, a day or so, and that’s just enough time for two space jockeys to suit up, shuttle out and set things right.I say “joke” because “Moonfall” is designed to elicit incredulous laughter as its ludicrous plot snowballs from a high-concept hypothetical question (what if the moon suddenly changed course and came crashing toward earth?) to increasingly implausible complications on the theme, all while requiring Halle Berry, as acting director of NASA Jocinda Fowl, to keep a straight face while saying things like, “Everything we thought we knew about the nature of the universe has just gone out the window!” Like gravity, logic and how we define good acting.

this — this insipid, hackneyed, laughable joke of a motion picture — is actually really cool. And the weirdest part of all is, they’re kind of right.