Actor David Hayman has revealed he is set to appear in a new Star Wars series – after he was rumbled by suspicious locals in Argyll.
08.02.2022 - 06:33 / deadline.com
Robert Blalack, a towering figure in the world of visual effects, died on Wednesday. His wife Caroline Charron-Blalack confirmed the news to Deadline. He was 73.
Blalack said he specialized in “solving the Visual Effects requirements of ‘can’t be done’ Motion Picture productions.” He proved the truth of that statement on his second film project, a 1977 space opera by the name of Star Wars.
At the age of 29, he designed and supervised the Star Wars VistaVision Composite Optical production pipeline, which allowed all the groundbreaking 365 VistaVision VFX shots in Star Wars. Much of what he created for the film was built on a (relative) shoestring. With a VFX budget of just $1.6 million for the film, Blalack made use of obsolete VistaVision optical composite equipment from Hollywood’s Golden Years that could be had for a song.
“My task was to scavenge the Hollywood junkyards for any VistaVision Composite Optical mechanics,” he wrote, “figure out how to upgrade those relics with custom state-of-the-art optics, design a photographic process to mass-produce the movie’s 365 VistaVision composites, and then train and supervise the Star Wars Composite Optical crew.”
The result was what he called, “This Rube Goldberg assemblage of ancient composite printer hardware, state-of-the-art optics and the mass-production blue screen color-difference composite techniques were the backbone of the celluloid system…subsequently used on all ILM VistaVision VFX Composite Opticals.”
Blalack was part of the team that founded Industrial Light and Magic, and again the effort was driven by necessity.
George Lucas wanted cutting-edge effects for Star Wars but found that the studio, 20th Century Fox, effectively did not have a VFX department. So Lucas
Actor David Hayman has revealed he is set to appear in a new Star Wars series – after he was rumbled by suspicious locals in Argyll.
Santa was in the Tardis — a blue police box that’s bigger on the inside and can travel through time and space! One that I had seen on TV! And that had been on incredible imaginative journeys to other worlds inhabited by amazing aliens! Some of which try to kill you! Honestly, it was fantastic.Make the jump to lightspeed into 2022, and now I’m going into the “Star Wars” universe aboard a Galactic Starcruiser called the Halcyon. She will take guests on a cruise through the outer rim during a fully immersive three-day, two-night, all-inclusive stay, featuring space pod cabins, themed entertainment and experiences and, yes, stars flying past the windows.
has died. She was 84.The actress died Thursday morning from heart failure at her home in Woodland Hills, California, her rep, Alan Eichler, confirmed to .Kellerman is best remembered for her role as Major Margaret «Hot Lips» Houlihan in director Robert Altman's 1970 war dramedy.
Technicolor said it will spin off its creative studios division into a new independent entity specializing in visual effects and animation.
Lynwen Brennanm, Executive Vice President and General Manager of Lucasfilm, will be the recipient of this year’s Lifetime Achievement Award from the Visual Effects Society (VES) in recognition of her contributions to visual arts and filmed entertainment.
When you think of the classic movie themes, you can’t help but think of John Williams. He’s a legendary film composer who has worked on a number of iconic scores and themes for films.
Jon Burlingame editorMore than two years after completing his ninth “Star Wars” movie, composer John Williams is returning to the Jedi fold with a theme for “Obi-Wan Kenobi,” Variety has learned.Williams has written the musical signature for the continuing adventures of the character played by Ewan McGregor, airing on Disney Plus beginning May 25. He recorded last week with a Los Angeles orchestra under tight security, sources say.It is a coup for both Lucasfilm and Disney, considering the five-time Oscar winner rarely composes for television.
Nightmare Alley cat Guillermo del Toro is set to receive the Visual Effects Society’s career honor next month.
Jazz Tangcay Artisans EditorThe Visual Effects Society will present Guillermo del Toro with VES Award for Creative Excellence on March 8.del Toro will be honored for his consummate artistry and expansive storytelling that blends iconic visual effects and unforgettable narrative. Harnessing his intuitive vision, del Toro has created a distinctive cinematic style mixing the world of monster movies, comic books and exuberant visuals straight from his imagination.“Guillermo is a fiercely inventive storyteller, who has pushed the boundaries of filmmaking,” said VES Board Chair Lisa Cooke.
two-night experience isn’t just a hotel but it’s an attraction with a story to be told that will exist within the Star Wars universe. While the story being told will take place during the sequel era, it turns out that guests will be on board a ship that has been flying among the stars since at least the Original Trilogy, as Han and Leia took their honeymoon there. Today Star Wars.
With “The Book of Boba Fett” in the rearview, Lucasfilm is putting its attention towards other upcoming streaming series. The third season of “The Mandalorian” is the most recent “Star Wars” show to go in front of cameras, even though star Pedro Pascal has been shooting “The Last of Us” in Calgary, Alberta simultaneously.
Obi-Wan Kenobi, the new spin-off Star Wars series led by Ewan McGregor, has received a May premiere date at Disney+.The limited live-action series, which sees McGregor (Obi-Wan Kenobi) reunite with his old Star Wars castmate Hayden Christensen (Anakin Skywalker), will start airing on May 25.Obi-Wan Kenobi is set 10 years after the events of the 2005 Star Wars film Revenge Of The Sith, where Jedi Master Obi-Wan Kenobi witnessed the downfall of his best friend and Jedi apprentice, Anakin Skywalker, who turned to the dark side as evil Sith Lord Darth Vader.With the premiere news comes a poster reveal, which you can see below.Obi-Wan Kenobi, a limited Original series, starts streaming May 25 on @DisneyPlus. pic.twitter.com/XCV1xQZhDR— Star Wars (@starwars) February 9, 2022Last year Star Wars boss Kathleen Kennedy discussed the “incredibly emotional” reunion between McGregor and Christensen for the show.“The thing that was most exciting was being on the set and watching the two of them get excited,” Kennedy told Empire.She continued: “They hadn’t seen one another in a long time.“I was surprised at just how incredibly emotional it was for each of them to find themselves back in these roles, and just realising how important Star Wars was to each of them.
Douglas Trumbull was a visual effects legend and filmmaker who created groundbreaking effects for films including “2001: A Space Odyssey” and “Blade Runner.”Trumbull was new to the field of visual effects when he was hired to work on “2001” – his sole previous credit was a short about spaceflight for the 1964 New York World’s Fair, “To the Moon and Beyond.” But he created visual magic for “2001” as he built memorable effects including the “Star Gate” sequence. Trumbull innovated the use of slit scan photography for the sequence.
Denzel Washington’s nomination for best actor in the Joel Cohen film The Tragedy of Macbeth marks him as the most nominated Black actor in Oscar History, with ten nominations and two wins.
What’s the real story about Phil Lord and Chris Miller’s unceremonious dismissal from the directing job of “Solo: A Star Wars Story?” That’s a question that people have been wanting an answer to for years now, after the acclaimed comedic filmmakers were dumped after three months of filming and replaced by Ron Howard, who ended up reshooting almost the entire film. Well, even though the directing duo isn’t keen on spilling all of the details, they did shed some light on the learning experience that was “Solo.” Speaking to The Business podcast, hosted by Kim Masters, Lord and Miller talked as openly as we can expect about the “Solo: A Star Wars Story” situation.
Independence Day (and most recently, Moonfall) director Roland Emmerich has reiterated his disdain for IP-centric Hollywood blockbusters, saying in a new interview that franchises like Star Wars and the Marvel Cinematic Universe are “ruining” the film industry.The filmmaker’s latest assertion that such properties are void of creativity comes via Den Of Geek, where he reflected on the evolution of the disaster film as a viable genre for summer blockbusters. “Naturally Marvel and DC Comics, and Star Wars, have pretty much taken over,” he told the publication.
A YouTuber, after going viral for impeccably remastering and recreating “Star Wars” scenes with “deepfake” editing software, was hired by Lucasfilm’s Industrial Light & Magic, according to The Wrap. His jaw-dropping clips first came out last summer — and it didn’t take long for fans to notice.Diehards across the galaxy suspect that the man, known only by the username “Shamook,” is responsible for a noticeable improvement in the computer-generated imagery featured in “The Book of Boba Fett” compared to that from “The Mandalorian” in late 2020.Shamook, who got the CGI job thanks to the popular videos he created of enhanced “Star Wars” characters like Luke Skywalker (Mark Hamill), Obi-Wan Kenobi (Ewan McGregor/Sir Alec Guinness,) and Han Solo (Harrison Ford/Alden Ehrenreich), was especially known for the touch-ups on Luke in the Season 2 finale of “The Mandalorian.”The connection caused fans to speculate that Shamook was the reason why the de-aged Skywalker appeared noticeably more lifelike during yesterday’s cameo-filled “Boba Fett” episode, compared to how he looked in “The Mandalorian.”“It looked like Shamook’s work on “The Book of Boba Fett” Ep.
Star Wars project.Speaking in a new interview with Esquire, Stan responded to fan demands that he play Luke Skywalker in The Mandalorian.“Look, it’s really kind,” he said. “Never say never.”“Mark Hamill is my father, you know,” he went on to joke.
Director Roland Emmerich’s latest disaster film “Moonfall” returns him to the Moon yet again, after exploring it in “Independence Day: Resurgence” and in a greater capacity with his lesser-known 1990 sci-fi actioner “Moon 44.” He’s now on the press tour to promote his latest studio event movie and, of course, has been asked about the current state of cinema, blockbusters, and the movies business in general.