Roland Emmerich Slams Superhero And ‘Star Wars’ Films; “It’s Ruining Our Industry A Little Bit”

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Owen Gleiberman Chief Film CriticIn “The Burning Sea,” which is your basic, everyday Norwegian oil-rig disaster thriller, Stian (Henrik Bjelland), a rig worker stationed on a drilling platform that’s about to collapse, must descend into the bowels of the rig to shut down a well that can’t be reached remotely. As the soundtrack fills with one of those flatulent brass musical scores that sounds like it’s heralding the arrival of the devil, a bureaucratically ominous title splashes across the screen: “D Shaft, Gullfaks A, 138 meters under the sea.” 138 meters? That’s pretty far down, though not necessarily deep enough to be, you know, scary.The disaster film started off as a “realistic” genre, one that gradually grew more over-the-top.

Cillian Murphy has spoken on his preparation for Christopher Nolan’s Oppenheimer, noting the similarities to his role of Tommy Shelby in Peaky Blinders.The actor will take on the role of the American theoretical physicist, whose work on the Manhattan Project led to the moniker the “father of the atomic bomb”, in Nolan’s new film.Ahead of its release next year, Murphy has opened up a bit about his work on the character, revealing in a new interview with The Observer that he has been doing “an awful lot of reading”.“I’m interested in the man and what [inventing the atomic bomb] does to the individual,” he said. “The mechanics of it, that’s not really for me – I don’t have the intellectual capability to understand them, but these contradictory characters are fascinating.”Comparing Oppenheimer to the paradoxical nature of Shelby, he went on to explain: “Tommy Shelby’s a complete contradiction, too.

Various directors have voiced their concerns about the state of modern studio films in recent years. And that means it’s unavoidable that they’ll eventually comment on the Marvel Cinematic Universe.

EXCLUSIVE: Following the box-office success of the most recent installment, Scream star Jack Quaid looks to have found his next big project as sources tell Deadline he is the latest top tier addition to Christopher Nolan’s next film Oppenheimer. The A-list ensemble already includes Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Rami Malek and Cillian Murphy, who is set to star in the title role as J. Robert Oppenheimer, the scientist who ran the Manhattan Project that led to the invention of the atomic bomb. The film will bow on July 21, 2023, a slot typically saved for Nolan films in the past. It’s also roughly two weeks before the anniversary of the dropping of the bomb on Hiroshima. Details behind who Hartnett will be playing are unknown at this time.

Director Roland Emmerich says it’s a lot harder for filmmakers to develop and release original ideas thanks to the prevalence of Marvel movies and “Star Wars” spin-offs.

Independence Day (and most recently, Moonfall) director Roland Emmerich has reiterated his disdain for IP-centric Hollywood blockbusters, saying in a new interview that franchises like Star Wars and the Marvel Cinematic Universe are “ruining” the film industry.The filmmaker’s latest assertion that such properties are void of creativity comes via Den Of Geek, where he reflected on the evolution of the disaster film as a viable genre for summer blockbusters. “Naturally Marvel and DC Comics, and Star Wars, have pretty much taken over,” he told the publication.

John Bradley is poised to save the world in “Moonfall.” The epic sci-fi film from Roland Emmerich sees the actor portray an unlikely hero whose contributions prove that anyone can make a difference. For Bradley, its significance goes well beyond a standard popcorn flick.

Brent Lang Executive Editor of Film and MediaWith much of the country bracing for or digging out from a nasty winter storm, two new releases are hoping to provide so much sizzle that moviegoers will brave the ice and snow to hit up their local multiplexes.In one corner: Lionsgate’s “Moonfall,” a disaster epic from Roland Emmerich, one of the most successful purveyors of cinematic destruction. In the other: Paramount’s “Jackass Forever,” the latest entry in the long-running series in which Johnny Knoxville, Steve-O and Wee Man risk life, limb and nether regions in the service of comedy. “Jackass Forever” scored a stronger Thursday previews showing, netting $1.7 million.

You’ve probably seen the endless TV spots and trailers for Roland Emmerich’s new disaster film, “Moonfall.” And while that film looks appropriately dumb and ridiculous, it’s unlikely going to be one of the best disaster films of all time, right? Thankfully, The Playlist Podcast is here to give you a few recommendations in this particular world-ending subgenre to explore if you’re content with skipping “Moonfall” this weekend.

Roland Emmerich is known for directing some of cinema’s highest-grossing action and sci-fi epics. From the natural disasters of “The Day After Tomorrow” to the otherworldly invaders of “Independence Day,” the filmmaker’s decades of work have become pop culture phenomena.

Paramount’s Jackass Forever counted $1.65M from 2,650 theaters from shows that began at 7PM.

“Jackass Forever,” the return of Johnny Knoxville and company’s absurd and R-rated prank and stunt show to the big screen, brought in $1.65 million at the box office in its Thursday box office previews from approximately 2,650 locations and screenings starting at 7:00 p.m. It opens on approximately 3,590 screens this weekend.

the hallmarks of an Emmerich blockbuster — natural disasters, parents separated from children, the total annihilation of Manhattan — but with a twist so baffling, you pinch your arm to make sure you are really awake. No need to reach for your dream journal — it’s all painfully real.The lunar-cy begins during a routine space station mission in outer space with Jocinda (Halle Berry), Brian (Patrick Wilson) and another astronaut.

Over the course of his almost four-decade career, Roland Emmerich is a filmmaker who has become synonymous with big-budget, CG-infused epics whose screenplays often challenge the laws of space and time. Few moviegoers who saw “The Day After Tomorrow,” “2012” or even “White House Down” thought they were anything more than overblown extravaganza and a nice escape from the monotony of the real world.

Peter Debruge Chief Film CriticThe joke of Netflix’s recent “Don’t Look Up” is that scientists discover a meteor headed straight for earth, and even with six months to plan, humanity is too skeptical and disorganized to prevent it. Meanwhile, in Roland Emmerich’s latest eye-roller, “Moonfall,” the joke is pretty much flipped: Everybody’s favorite satellite is set to collide with earth in, oh, a day or so, and that’s just enough time for two space jockeys to suit up, shuttle out and set things right.I say “joke” because “Moonfall” is designed to elicit incredulous laughter as its ludicrous plot snowballs from a high-concept hypothetical question (what if the moon suddenly changed course and came crashing toward earth?) to increasingly implausible complications on the theme, all while requiring Halle Berry, as acting director of NASA Jocinda Fowl, to keep a straight face while saying things like, “Everything we thought we knew about the nature of the universe has just gone out the window!” Like gravity, logic and how we define good acting.

this — this insipid, hackneyed, laughable joke of a motion picture — is actually really cool. And the weirdest part of all is, they’re kind of right.