Last week, the city was full of joy, colour, and noise as LGBTQ+ people celebrated Pride.
15.08.2023 - 09:23 / variety.com
Christopher Vourlias To step inside Sarajevo’s Apollo cinema 30 years ago, you first had to find the door. The streets of the Bosnian capital were pitch black. Power cuts brought on by a crippling siege, which started in 1992 when Bosnian Serb forces surrounded the city, left the town plunged in darkness.
Residents fortunate enough to own gasoline-powered generators were reluctant to use them, for fear that lights would attract sniper fire. Shelling left giant holes in the streets and pavement. The locals referred to them as “rosebuds.” The Apollo was housed in the basement of the Sarajevo Academy of Performing Arts, where the Obala Art Center — a group that had risen to prominence in the 1980s — mounted acclaimed stage productions that traveled around the world.
Visitors entered through a hole in the wall ringing the perimeter of the academy, crossed a small courtyard to the building’s back door and descended a steep flight of stairs. As their eyes adjusted to the darkness, a faint light glowed in the distance. “To go into the Obala war cinema, where there was light from a generator, felt like stepping into a concrete, underground Oz,” recalls Scottish filmmaker and historian Mark Cousins (“The Story of Film”), who receives an Honorary Heart of Sarajevo Award this week at the Sarajevo Film Festival.
Cousins was then programmer of the Edinburgh Film Festival and was part of a cultural delegation that had been invited to Bosnia. “I grew up in Belfast in the 1970s, and during our war, cinema had been a lifeline for me, a window open onto other, better worlds,” he says. “War is a monotone.
Last week, the city was full of joy, colour, and noise as LGBTQ+ people celebrated Pride.
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