‘Rebel’: First Look At Adil El Arbi & Bilall Fallah’s Raw Family Drama Set For Cannes

Jean-Pierre and Luc Dardenne, the Belgian brothers who have directed a series of films notable for quiet naturalism, are a prime example of how at the Cannes Film Festival, familiarity breeds not contempt but contentment.Year after year, Cannes puts the Dardennes’ films in the Main Competition; they’ve made nine features since “Rosetta” in 1999, and every one of them has vied for Cannes’ top honor, the Palme d’Or, with “Rosetta” and 2005’s “L’Enfant” winning and four others taking additional awards. The Dardennes now have a chance to make significant Cannes history by becoming the first directors to ever win the Palme for a third time.If they win for “Tori and Lokita,” which premiered in Cannes on Tuesday, they’ll also set a new record for the longest time elapsed between Cannes wins, with the 17-year gap since “L’Enfant” breaking the record of 14 years between Shohei Imamura’s wins for “The Ballad of Narayama” and The Eel.”But familiarity may also be working against the Dardennes at this point.

You can pretty much bet that whenever the Dardenne brothers show up with a new film in Cannes, it will walk away with some sort of prize. That has been the case since 1999 when their first competition film, Rosetta swooped in at the last minute and won the Palme d’Or and Best Actress. They won a second Palme d’Or in 2005 for The Child, the Grand Jury Prize in 2011 for Kid With A Bike, Screenplay in 2008 for Lorna’s Silence, and Director in 2019 for Young Ahmed. No matter what the jury, the Dardennes continue to impress, yet none of their films has ever brought them an Oscar nomination. 2011’s Two Days, One Night did get a surprise Best Actress nomination for Marion Cotillard but that has been it.

K.J. Yossman “Rebel,” from Belgian directors Adil & Bilall, follows the story of a young Muslim boy called Nassim who longs to be reunited with his elder brother Kamal, who goes to Syria to help victims of the war before being forced to join a militia. Radical recruiters spot Nassim as an easy target, promising they can reunite him with Kamal.

EXCLUSIVE: Jeremy Strong (Succession) has revealed to Deadline at the Cannes Film Festival that he’s determined to build time into his schedule so that he can perform on the London stage. “I missed an opportunity to do The Shining for Ivo van Hove, and so next time I have to be ready,” he declared.

Child grooming is a tough subject to tackle, but Belgian director Emmanuelle Nicot takes a sensitive approach in her Critics Week feature Love According To Dalva. The key here is perspective: almost everything is shown from the point of view of a victim who has been taken into care, and who doesn’t realize she has been abused. Watching the truth slowly dawn upon her gives this film real tension, while also providing the possibility of recovery and enlightenment.

Elsa Keslassy International CorrespondentAdil El Arbi and Bilall Fallah, the Belgian directing duo behind “Bad Boys For Life” and Cannes’ Midnight Screening title “Rebel,” are developing “2000,” a film based on Dirk Bracke’s “Straks doet het geen pijn meer.” It will mark the pair’s return to Belgium after lining up “Ms. Marvel” for Disney+ and “Batgirl” for HBO Max.Bracke’s book, whose title translates into the phrase “soon it will be alright,” is being adapted by El Arbi, Fallah and Bulle Decarpentries (“Carnivores”).The project, which will be El Arbi and Fallah’s first film in Flemish, reteams the pair with Nabil Ben Yadir at 10.80 Films (“Les Barons”), with whom they made “Black,” their critically acclaimed sophomore outing that won a flurry of awards, including Toronto’s Discovery award.

other melancholy tale about two men forming and fostering a life-defining love at a steep elevation.Van Groeningen and Vandermeersch’s “The Eight Mountains” – which premiered in competition at the 2022 Cannes Film Festival on Wednesday – is more than just a Dudes Rock “Brokeback Mountain.” Still, there is something to the comparison. Not for any narrative likeness – as a story about friendship, “The Eight Mountains” explores a bond more fraternal than romantic.

For his most subdued film yet, Belgian director Felix van Groeningen, along with co-directing partner Charlotte Vandermeersch take to the Italian Alps for a decades-spanning story of friendship. Following Groeningen’s solo effort, 2018’s “Beautiful Boy,” “The Eight Mountains” is a quiet return to form with its stunning mountain scenery and strong performances from Luca Marinelli and Alessandro Borghi, but this elegiac personal epic is far too languid for its length.

After breaking out internationally in 2012 with his Oscar-nominated drama The Broken Circle Breakdown, and making his Hollywood debut in 2018 with Beautiful Boy, Felix van Groeningen makes his Competition debut in Cannes with The Eight Mountains, perhaps the most understated film of his career so far.

Holly Jones Encapsulating humanity’s weighty history and paths toward healing, director Véra Belmont (“Red Kiss”) takes a leap from live-action cinema to animated feature with her latest project, “My Father’s Secrets,” a Holocaust story that tackles generational familial trauma and redemption.Based on the graphic novel “Second Generation” by Israeli illustrator Michel Kichka, the film is set for its market premiere at the Cannes Marché du Film, with the incentive for international markets of Elliott Gould leading the English voice cast.“My Father’s Secrets,” set in Belgium, introduces two young brothers, Michel and Charly, who struggle with their father Henri’s reclusive nature surrounding his time at Auschwitz. Their imaginations get the better of them as their father retreats inward on a personal journey to recoup his life after surviving the tragedies of internment.

Nick Vivarelli International CorrespondentMoroccan director Maryam Touzani, whose is sophomore feature, “The Blue Caftan,” unspools in Un Certain Regard, has never been afraid to tackle topics that shatter her country’s social conventions.She’s made a doc about Morocco’s female prostitutes that sparked plenty of attention and a short about the exploitation of children as domestic workers. Her first feature, “Adam,” looked at the plight of single mothers (it also screened in Un Certain Regard).In “Blue Caftan” Touzani turns her gaze on the concealed homosexuality of a married man in Morocco where, in accordance with Islamic laws and customs, same-sex sexual activity is illegal and can be punished with imprisonment.

Scotland is set to be as roasting as Rio de Janeiro on Tuesday as the hottest day of the year nudges 22C (72F).

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Nick Vivarelli International CorrespondentFriendship, mountains, growing up, and our changed rapport with the planet in the wake of the pandemic are the main elements in Cannes competition title “The Eight Mountains” by Belgian directors Felix van Groeningen (“Beautiful Boy”) and Charlotte Vandermeersch. (Watch the trailer above.)The film is based on an Italian novel of the same title by Paolo Cognetti.

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Naman Ramachandran Indian origin, U.S.-born Belgian actor Rumana Molla (“Irada”) will make her directorial debut with Belgium-set Indian immigrant drama “Minimum,” which will commence principal photography in June.The film will follow newly-wed immigrant Fauzia, whose mother-in-law Ruxana keeps her captive. She finds out that everything she had been told about her husband Ali was a lie and loses hope until a French tutor, Laurie, is hired to teach her the basics.

Five people smugglers who locked desperate migrants inside 'coffin-like hides' have been jailed for a combined total of 24 years and two months, the Home Office said. The gang members were sentenced following a trial at Reading Crown Court on May 9.

Kaley Cuoco and Zosia Mamet get the sweetest matching tattoosIggy Azalea unveils new ink in honor of her 1-year old son: ‘My most special tattoo’Did Pete Davidson get a tattoo of Kim Kardashian and Kanye West’s kids’ initials?Studying alongside the greats, he felt motivated to continue expanding until he reached internationalization. The tattoo artist had several opportunities along the way.