Ridley Scott Latest Celebrity News & Gossip

Paul Mescal is hoping he doesn’t get any more famous than he already is.Mescal – who has starred in Aftersun, All Of Us Strangers, Normal People and Foe – is next set to star in Ridley Scott‘s Gladiator 2 alongside Pedro Pascal, Denzel Washington and Connie Nielsen.With Gladiator 2 gearing up to be the most mainstream project Mescal has been attached to so far, it will likely introduce a new audience to the gifted Irish actor. With that attention will come new heights of fame; something Mescal isn’t too eager about.Speaking to The Sunday Times, Mescal shared that he isn’t sure what differences Gladiator 2 will introduce into his life but that he hopes it doesn’t put him in a “bad spot.”“I don’t know what the difference will be.

Zack Sharf Digital News Director Paul Mescal is already an Oscar-nominated actor with a diehard fanbase thanks to his roles in “Normal People,” “Aftersun,” “All of Us Strangers” and more, but his fame is surely going to explode this fall when Ridley Scott’s “Gladiator 2” opens in theaters. Mescal is headlining the sequel opposite a heavyweight supporting cast that includes Pedro Pascal and Denzel Washington. The original “Gladiator” made Russell Crowe one of the world’s most famous actors and won him the Oscar for best actor.

As we recently noted, it’s time to move over Ridley Scott and Steven Spielberg (and maybe even Steven Soderbergh) because if not the hardest-working man in film showbiz, director Guy Ritchie might be the fastest-moving director in showbiz. Ritchie just announced a new movie, “The Fountain Of Youth,” with Natalie Portman and John Krasinski, but it’s possible he may release two other films in 2024.

Caroline Brew editor “Fargo” showrunner Noah Hawley teased his new FX series “Alien” in a recent interview with KCRW’s The Business. Though plot details are being kept under wraps, Hawley’s “Alien” series is set on Earth and roughly 70 years in future, predating the original film series. Hawley was asked whether or not he would incorporate the backstory in Ridley Scott’s “Prometheus” (2012) and “Alien: Covenant” (2017) into his FX series.

After strategically withholding Napoleon from the festival circuit, Ridley Scott went guerilla instead, launching his controversial military epic into cinemas like a carefully-thrown hand grenade. The tactic worked, overriding critical reviews that tore apart its history, its script and even its star, Joaquin Phoenix, to give Scott a $200 million worldwide gross. Overlooked in the fallout was a terrific performance by Rupert Everett as the Duke of Wellington, the stiff-upper-lip Brit who proves to be Napoleon’s nemesis at the Battle of Waterloo. Here, the laconic British actor reflects on the influences that fed into his portrayal of the Iron Duke.

One of the most anticipated TV shows of 2024, which actually might land in 2025, we’ll see (the creator has contradicted himself a bit on the timeline, so let’s stay hopeful is FX’s “Alien” series. Created by Noah Hawley, also the creator of FX’s long-running “Fargo” series, many genre fans are chomping at the bit to learn every detail they can about the show.

Kathy A. McDonald Utah is one of Hollywood’s real-world backlots. The scenic state’s close relationship with moviemakers began 100 years ago during the silent film era when cowboy star Tom Mix shot “The Deadwood Coach” in Southern Utah, and continues today through projects from the likes of multi-hyphenate Kevin Costner.

And you used to think that Steven Spielberg and Ridley Scott were fast. But is any filmmaker working as quickly and diligently these days as Guy Ritchie? The “Sherlock Holmes” and “Lock, Stock and Two Smoking Barrels” filmmaker has been on a crazy roll since around 2019.

Adam B. Vary Senior Entertainment Writer At the Cannes Film Festival in 2018, Kristen Stewart announced that her feature directorial debut would be an adaptation of “The Chronology of Water,” the 2011 memoir by author Lidia Yuknavitch. Since then, Stewart has been pounding the pavement to drum up financing for the project.

A film panned by critics when it debuted ten years ago has suddenly become one of Netflix's most-watched.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Napoleon, David Scarpa‘s screenplay that fuels Ridley Scott‘s historical epic starring Joaquin Phoenix.

Alex Ritman Ridley Scott has found the god of music for his upcoming “Gladiator” sequel. Harry Gregson-Williams has been hired to compose the score for the hotly-anticipated Paramount feature, which is due out Nov.

EXCLUSIVE: Olivier Award nominee Moe Bar-El (The Peripheral) has been tapped for a major recurring role in the first season of Noah Hawley’s Alien series for FX, Deadline has learned. Details as to his characters are under wraps.

Owen Gleiberman Chief Film Critic Every few years, the Golden Globe awards have a category hiccup. In 2015, the Ridley Scott/Matt Damon Robinson-Crusoe-in-space sci-fi movie “The Martian” was nominated (and won) for best motion picture — musical or comedy, even though the movie contained no songs and no one thought it was a comedy. A month ago, in that same category, the Globes gave a nomination to “May December,” Todd Haynes’ acclaimed but hard-to-categorize film based, not so loosely, on the true story of Mary Kay Letourneau.

Adam Driver is fired up about criticisms of his recent role choices. On an episode of the “SmartLess” podcast, the actor defended playing famous Italian figures in both of his last two movies, “House of Gucci” and “Ferrari.” “So many people have been like, ‘How many Italians… ?’.

Adam Driver has had enough of journalists asking him why he’s played two Italian roles in quick succession on the press tour for Ferrari.The actor made an appearance on the SmartLess podcast with Will Arnett, Jason Bateman and Sean Hayes on Monday (January 1), where the subject of him playing two Italian men in two recent movies came up. Driver played Maurizio Gucci in 2021’s House Of Gucci and Enzo Ferrari in Michael Mann’s biopic Ferrari.Speaking about how he hasn’t been very strategic in his acting career so far, Driver joked that the decision to play the two roles in quick succession was a “good example of not being strategic in a way that I probably should”.“So many people have been like, ‘How many Italians…?’ I’m like, it’s just kind of worked out that way,” Driver said, noting that someone on his PR team should have warned him it would “come up a lot” on the Ferrari press tour.“But I’m like, you know, it’s Ridley [Scott] and it’s Michael [Mann] and they’re in my mind some of the best filmmakers,” he said.

Adam Driver is opening up about his career and how he has not been strategic in booking his role and instead going by instinct to work with great filmmakers.

Adam Driver is tired of defending his recent roles.

Crazy Rich Asians and Harry Potter are among the film highlights on New Year’s Day.After wishing 2023 a boozy farewell, the TV schedules are loaded with films to help ease you into the new year.Highlights include Ridley Scott’s Gladiator, which is set to receive a sequel starring Paul Mescal later this year. For something lighter, there’s Crazy Rich Asians on BBC Three and Harry Potter And The Philosopher’s Stone on ITV2.Elsewhere, Liam Neeson action flick The Commuter is on Sky Showcase, while the 2020 remake of The Witches starring Anne Hathaway is on BBC One.See all the films airing on New Year’s Day below.If you want new films, streaming services have added a bunch in recent weeks.

Glastonbury festival founder Michael Eavis has been awarded a knighthood in the 2024 New Year Honours list for services to music and charity.The 88 year-old was among a host of stars including Shirley Bassey, Ridley Scott, Leona Lewis and Emilia Clarke who have been recognised by King Charles.Eavis, who previously received a CBE in 2007, said of his latest honour: “Emily came up with the official letter. I was really surprised to see it, actually.

England goalkeeper Mary Earps, Glastonbury founder Michael Eavis and Game of Thrones actor Emilia Clarke are among the stars of sport, stage and screen recognised in the New Year Honours list, while the Archbishop of Canterbury leads those rewarded for their work on the King’s coronation. Singer Dame Shirley Bassey, who has sold more than 135 million records, is made Companion of Honour for her services to music, becoming the 64th living member of the order which can only have 65 members at any one time.

Ridley Scott’s Napoleon has crossed the $200M mark globally, getting to the milestone with Tuesday’s numbers included. The worldwide tally for the biographical epic is $200.7M, of which $141.1M is from the international box office. Through yesterday, the domestic cume is $59.6M.

Josephine Bonaparte was a woman with strength, elegance, and an unknowable nature that proved an irresistible combination for the French emperor Napoleon. In researching the role for Ridley Scott’s historical epic Napoleon, Vanessa Kirby discovered that behind this allure lay an unrelenting drive to survive, and, using that as a basis, she found a foothold: a way to show how this “internally mysterious” woman weathered a tempestuous relationship and its constantly shifting power dynamic. Although Josephine would ultimately fall from favor, due to her inability to produce an heir, Kirby notes that her integrity prevailed, in spite of the unbearable pressures she faced.

Two-time Academy Award winner Denzel Washington is clearly one of our finest actors (he’s been nominated ten times in total for various Best Acting and Best Supporting Actor turns). The actor, who has worked with many of the greats, Spike Lee, Ridley Scott, Tony Scott, Jonathan Demme, etc.

DC‘s 2019 film Joker is to be screened at London’s Royal Festival Hall with a live orchestra playing composer Hildur Guðnadóttir’s award-winning score.The show dubbed ‘Joker – LiveIn Concert’, will be staged at the venue on Wednesday, February 7 in 2024.It follows on from the previous concert series held in the UK in 2021.Pre-sale tickets go on sale this Wednesday (December 20) at 10am GMT before they go on general sale the following day (December 21) and can be purchased here.Reviewing the film starring Joaquin Phoenix previously, NME awarded it four stars and said it was a “melancholic psychodrama punctuated by splashes of shocking violence”.It added:”Todd Phillips isn’t clowning around. This is edge-of-your-seat stuff.

Refresh for latest…: After opening early in 37 international box office markets last weekend, Warner Bros/Village Roadshow/Heyday Films’ Wonka expanded its release this session to the rest of the world (save Korea which goes in late January). The results are sweet.

Denzel Washington’s casting as ancient Carthaginian general Hannibal in a new Netflix movie has sparked a race controversy in Tunisia, the home country of the military commander.Washington’s casting in Antoine Fuqua’s upcoming Netflix movie was announced recently. Washington has worked with Fuqua previously on The Equalizer and Training Day.It was also confirmed the film will be written by John Logan, the three-time Academy Award winner who has written films including Martin Scorsese’s The Aviator and Ridley Scott’s Gladiator.According to the official synopsis, the movie will be “based on real-life warrior Hannibal, who is widely regarded as one of the greatest military commanders in history.

Naman Ramachandran Warner Bros.’ “Wonka,” starring Timothee Chalamet, has debuted atop the U.K. and Ireland box office with £8.9 million ($11.2 million), according to numbers from Comscore. In its third weekend, Disney’s “Wish” climbed up to £1.9 million in second place for a total of £5.8 million.

Patrick Frater Asia Bureau Chief Fact-based political thriller “12.12: The Day” dominated the Korean box office for the third successive weekend and advanced its takings haul beyond $50 million. It was far ahead of “Napoleon,” which opened a disappointing third. The Kim Sung-soo-directed picture earned $11.4 million between Friday and Sunday, accounting for 75.8% of nationwide weekend cinema revenues, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). It has held up particularly strongly and dropped by only 12% in its third weekend.

according to IMDB’s Box Office Mojo.The Japanese animated fantasy, which The Washington Post called a “magical, otherworldly tale,” is expected to enjoy a $10.7 to 12 million opening weekend, Deadline reported.It is the only entirely foreign film to lead the weekend box office this year, the first since August 2022’s “Dragon Ball Super: Super Hero.”In second place was “Godzilla Minus One,” with a $2.25 million take. The film, which is the 37th in the Godzilla franchise, now holds the title ofBiggest Single-Day Domestic Box Office For A Foreign Live-Action Film, according to Screen Rant.Queen Bey was dethroned this week as Beyoncé’s film, which was in first place last week, fell down to third.Her documentary concert movie “Renaissance: A Film by Beyoncé” took injust $1.6 million, a drop of 75% since last Friday.“Trolls Band Together,” which debuted on Nov.

At 24, Edouard Philipponnat has already worked with powerhouse director Ridley Scott twice and his latest project Napoleon has him going toe to toe with the likes of Joaquin Phoenix and Vanessa Kirby.

Brent Lang Executive Editor Apple Studios has emerged victorious in a bidding war for “Two For The Money,” a hot package that has attached Oscar-winner Charlize Theron and ex-007 Daniel Craig. Justin Lin, who oversaw several “Fast & Furious” films, is set to direct and produce.

Elsa Keslassy International Correspondent Ridley Scott‘s “Napoleon” is a movie that French people love to hate. But despite harsh criticism in France, the historical epic smashed the box office and grossed over $9.76 million from 1.15 million tickets sold in its first two weeks in theaters.

Napoleon’s screenwriter, David Scarpa, has revealed that the opening scene of the movie was originally very “different”.In a recent interview with IndieWire, Scarpa has shared the creative process surrounding Ridley Scott’s new biopic, starring Joaquin Phoenix as the French Emperor, Napoleon Bonaparte.In the interview, Scarpa revealed details of Scott’s creative mind, nuances behind the film’s script and some of the challenges that faced the filmmakers.One detail upon which Scarpa opened up was regarding the film’s opening scene, which shows the execution of Marie Antoinette in 1793. In a four-star review, NME wrote that this “vivid and dramatic start sets the tone of a film that is never less than full-blooded”.However, when asked about this scene, Scarpa shared: “That’s not how we originally started it.

Patrick Frater Asia Bureau Chief Ridley Scott’s historical epic “Napoleon” was cruelly defeated at the mainland Chinese box office, where it opened in only fifth place on its opening weekend. Chinese crime thriller “Across the Furious Sea” headed the mainland China charts for a second weekend, earning $20.0 million (RMB142 million), according to data from consultancy Artisan Gateway. “Napoleon” earned just $2.8 million ($19.6 million) in China, according to the firm whose figures are generally considered as final, not estimates. The film earned generally mixed to positive reviews, but only a middling score of 6.6 out of 10 from users of the Douban movie fan site. But it appears that Chinese audiences found the travails of an ancient French emperor to be too much of a specialist topic.

Naman Ramachandran Sandeep Vanga Reddy’s blood-soaked Bollywood epic “Animal,” starring Ranbir Kapoor, emerged as the No. 1 film globally with $42.1 million, according to data published by ComScore. “Animal” released across 38 global territories.