EXCLUSIVE: Finnish director Aki Kaurismäki has achieved his best global box office in a decade with Cannes Jury Prize winner Fallen Leaves which has racked up a total gross of $12.4M, according to figures released by its producers.
27.12.2023 - 22:37 / deadline.com
Ridley Scott’s Napoleon has crossed the $200M mark globally, getting to the milestone with Tuesday’s numbers included. The worldwide tally for the biographical epic is $200.7M, of which $141.1M is from the international box office. Through yesterday, the domestic cume is $59.6M.
The Joaquin Phoenix-starrer produced by Apple Original Films and distributed by Sony Pictures originally debuted during the Thanksgiving stretch, exceeding expectations at the time with a $78.8M global opening.
Overseas, which was always the key play for this movie and where it has topped the lifetimes of Elvis, Killers of the Flower Moon and Scott’s own House of Gucci, is led by the European majors. The UK is the top market at $16.7M, followed by France ($14.4M), Germany ($10.9M), Spain ($10.1M) and Italy ($8.4M). Rounding out the Top 10 are Mexico ($7.5M), Australia ($7.3M), Netherlands ($5.5M), China ($3.9M) and Brazil ($3.9M).
Vanessa Kirby and Tahar Rahim also star in the story of the titular military leader’s origins and swift, ruthless climb to Emperor as viewed through the prism of his addictive and often volatile relationship with his wife and one true love, Josephine.
Sony spread the word globally with a world premiere in Paris, then premieres in the UK and Madrid (the latter at the Prado museum, which was a first). Having the stars out on red carpets helped, and even some harsh reviews didn’t stop people, including the mature audience, getting out to see it.
After its run in cinemas, Napoleon will stream globally on Apple TV+.
As Anthony reported when the movie released, Sony’s distribution deal is believed to be around 8% of the box office, with Apple backstopping marketing costs. Sony recoups its marketing costs before monies
EXCLUSIVE: Finnish director Aki Kaurismäki has achieved his best global box office in a decade with Cannes Jury Prize winner Fallen Leaves which has racked up a total gross of $12.4M, according to figures released by its producers.
Patrick Frater Asia Bureau Chief Sci-fi fantasy comedy “Alienoid 2” opened on top of the South Korean box office with $3.57 million on a weekend that otherwise saw five animation titles and a political documentary in the top ten. The big-budget, time-traveling “Alienoid 2” earned $3.57 million between Friday and Sunday with a market share of 39% and $4.77 million over its opening five days, according to data from Kobis, the tracking service operated by the Korean Film Council. Imax reports that some $370,000 of the film’s total was earned from 24 Imax screens. The film was made as a two-parter.
Patrick Frater Asia Bureau Chief Fish out of water comedy film “Jonny Keep Walking” kept its place at the top of the mainland China box office in its third week of release. Two newcomers broke into the top five, comedy “Follow Bear for Action” and imported action title “The Beekeeper.” “Jonny,” in which a man from the countryside struggles to hold down a corporate job in a big city, earned $19.7 million (140 million), according to data from consultancy Artisan Gateway. That was another strong hold after an opening weekend of $26.1 million (on Dec.
the 2004 Tina Fey movie, earned $28 million in its first three days in theaters according to studio estimates Sunday. Not accounting for inflation, that’s more than the $24.4 million the first movie made in its opening weekend.The “Mean Girls” competition over the Martin Luther King Jr.
Toho International’s sleeper hit Godzilla Minus One grossed an estimated $853k this weekend for a cume of $50.9 million at 605 locations in week seven as arctic blasts buffet much of the nation.
Refresh for latest…: Warner Bros/Village Roadshow/Heyday Films’ Wonka continues its sweet run, crossing the $500M mark globally this weekend. The worldwide cume through Sunday is $505.3M including $329.1M from the international box office and with Korea, which has a fondness for Hollywood musicals, still to release at the end of the month.
Rebecca Rubin Film and Media Reporter “Wonka” has crossed a sweet box office milestone. The fantasy musical, starring Timothée Chalamet as the eccentric chocolatier, surpassed $500 million in global ticket sales. After five weeks on the big screen, “Wonka” has generated $176.2 million domestically and $329.1 million internationally, bringing its global tally to $505.3 million.
After strategically withholding Napoleon from the festival circuit, Ridley Scott went guerilla instead, launching his controversial military epic into cinemas like a carefully-thrown hand grenade. The tactic worked, overriding critical reviews that tore apart its history, its script and even its star, Joaquin Phoenix, to give Scott a $200 million worldwide gross. Overlooked in the fallout was a terrific performance by Rupert Everett as the Duke of Wellington, the stiff-upper-lip Brit who proves to be Napoleon’s nemesis at the Battle of Waterloo. Here, the laconic British actor reflects on the influences that fed into his portrayal of the Iron Duke.
Globally, including most everywhere overseas, 2023 box office was led by a mix of Barbie, The Super Mario Bros. Movie and Oppenheimer, curious bedfellows who nevertheless proved that cultural phenomena can come in different forms and set turnstiles spinning.
Audiences didn’t have a lot of new choices, nor a mega late-December blockbuster to ring in the first weekend of the new year at the movies, but the studio titles on offer are still drawing crowds and seeing strong holds, particularly with ongoing holidays in many international box office markets. Milestones are also being set as Warner Bros/Village Roadshow/Heyday Films’ Wonka topped $300M overseas while Disney’s Wish crossed $200M worldwide and AMC touted a new benchmark for Taylor Swift: The Eras Tour.
Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Napoleon, David Scarpa‘s screenplay that fuels Ridley Scott‘s historical epic starring Joaquin Phoenix.
Global box office is estimated to have reached $33.9B for 2023, a 30.5% gain on 2022, according to Gower Street Analytics. While this represents continuing worldwide recovery, the figure remains 15% behind the average of the last three pre-pandemic years (2017-2019). Gower Street also recently estimated that, due in part to this year’s strike-impacted release calendar, 2024 is projected to drop to $31.5 billion, which, given today’s revised estimate for last year, would come in at 7% below 2023.
Brent Lang Executive Editor “Wonka,” a musical fantasy that has been the biggest hit of the holiday season, topped the box office on New Year’s Eve, closing 2023 on a sweet note. The film, which stars Timothée Chalamet as a more youthful Willy Wonka, grossed $22.7 million for the weekend and a projected $29.5 million for the four-day holiday. That brings the domestic gross to $140.2 million, a strong result for the $125 million production.
MONDAY AM writethru: Yes, Virginia, there is a Santa Claus, and he’s delivering the motion picture industry a $9 billion-plus year at the domestic box office, a feat many thought was unimaginable with the lack of a mega-tentpole over the holiday, coupled by a Q4 impacted by the double strikes. The numbers were compiled from Comscore data and Deadline calculations. Comscore called 2023 at $9.03 billion yesterday.
Releasing three tentpole movies into December, Warner Bros is walking away with bragging rights to giving the holiday season an important boost – particularly given the absence of an Avatar or a Spider-Man as in recent years.
according to IMDB’s Box Office Mojo.“Wonka” also surpassed the $100 million earning mark domestically this week, as per Variety. Last week, the Timothee Chalamet-led musical fantasy had been dethroned by “Aquaman and the Lost Kingdom,” which is now in second place with $6.75 million in earnings.
SATURDAY AM: Refresh for updates Yes, Virginia, there is a Santa Claus and he’s delivering the motion picture industry a $9 billion-plus year at the domestic box office; a feat many thought was unimaginable with the lack of a mega-tentpole over the holiday with a Q4 impacted by the double strikes. But it was a diversified crop of family and adult films which got us there including the Warner Bros.’ trifecta of Wonka (which is leading the 4-day New Year’s Box Office with $33M), Aquaman and the Lost Kingdom (4-day $26M) and The Color Purple ($16.2M 4-day); as well as adult movies like The Boys in the Boat ($11.6M 4-day) and even YA romantic comedy, Anyone But You ($11.3M 4-day). As we told you last week, 2024 is bound to shed about $1 billion for an $8 billion take due to a lower inventory of wide releases and Q1 sans several tentpoles.
Brent Lang Executive Editor Timothée Chalamet retained his holiday season crown as “Wonka” topped the box office on Thursday. The family film, which looks at chocolatier Willy Wonka and his quest to open the world’s most fantastical candy company, earned $8 million, pushing its domestic gross to $110.6 million. “Wonka” carries an $125 million budget and has been a success overseas, where it has earned more than $180 million.
Two Indian films Salaar Part 1 – Ceasefire and Dunki buoyed the North American box office on a relatively quiet holiday weekend as Searchlight Pictures’ All Of Us Strangers had a solid per-screen openings and Poor Things a nice expansion.
Rebecca Rubin Film and Media Reporter “Aquaman and the Lost Kingdom” opened to $80 million at the international box office, which isn’t all that super considering those ticket sales are on par with eventual big-budget superhero disappointments like “The Flash,” “The Marvels” and “Ant-Man and the Wasp: Quantumania.” The comic book sequel, starring Jason Momoa as the king of Atlantis and directed by James Wan, has generated $120 million globally to start, including a weak $40 million in North America. The Warner Bros.