Andrea Arnold Latest Celebrity News & Gossip

Alex Ritman Andrea Arnold’s initial inspiration for her Cannes competition entry “Bird” was perhaps not what many people might have been expecting. “A very long time ago, I had the image a tall, thin man with a long penis, standing on a roof,” she explained at the press conference for the film on Friday when asked about her initial visual prompt. “But I didn’t know if he was good or bad or what he was.” From this bizarre starting point, Arnold crafted a social realist drama about a family on the fringes of society living by British seaside and an unexpected visitor who becomes close to a young girl entering puberty.

Barry Keoghan‘s forthcoming film Bird received a seven-minute standing ovation following its premiere at Cannes Film Festival.The Saltburn actor stars in the new drama directed by Andrea Arnold (American Honey, Fish Tank).Also starring Bafta-winning Top Boy actor Jasmine Jobson, Passages star Franz Rogowski, and child actor Nykiya Adams, Bird centres around a 12-year-old named Bailey (Adams) who, after searching for attention and adventure outside of her family, comes across a mysterious stranger named Bird (Rogowski) who asks for her help.The film premiered at Cannes on Thursday (May 16) and received a seven-minute standing ovation from the audience upon its conclusion. The festival is known for its lengthy applauses, with the longest-ever thought to last 22 minutes for Guillermo del Toro’s 2006 fantasy-horror Pan’s Labyrinth.Elsewhere at the festival, Furiosa: A Mad Max Saga received a six-minute standing ovation.

After prancing through the hallways showing his man-ness at the end of Saltburn last year, Barry Keoghan is back with a another illustrious ditty performance in Bird. In the Andrea Arnold movie that had its world premiere Thursday night at the Cannes Film Festival, Keoghan plays a young father, and at one moment he croons an off-key version of Blur’s “The Universal” in what is a sweet moment with dance involved.

Owen Gleiberman Chief Film Critic Eight years ago, the writer-director Andrea Arnold packed up her hand-held-camera brand of kitchen-sink British austerity and took it across the pond to make “American Honey,” a movie about a wolf pack of kids in a van who seemed to incarnate the tumult of the 21st century. The movie, crafted in a style that I thought of as hip-hop Dardenne brothers, was an indie explosion that felt like a landmark. Now, though, in “Bird,” the first dramatic feature that Arnold has made since (in between, she directed episodes of “Big Little Lies” and “Transparent” and made the documentary “Cow”), she’s back to chronicling the miserablism of aimless, scroungy British young folk who experience their lives as a dead zone.

Children forced to grow up too fast understand the pained nature of powerlessness like few others. This is true of the pre-teen at the center of director Andre Arnold’s “Bird,” Bailey (Nykiya Adams).

Barry Keoghan strikes a pose with his Bird costar Jackie Mellor on the red carpet at the 2024 Cannes Film Festival.

Barry Keoghan smiled from ear to ear as Andrea Arnold‘s latest film, “Bird,” earned a seven-minute standing ovation at its Cannes Film Festival premiere on Thursday. Festival favorite Arnold, who brought the Shia LaBeouf-starring “American Honey” to Cannes in 2016 and her documentary “Cow” in 2021, basked in appreciation as the audience applauded the drama. “Thank you, this is really lovely but I really want to go and party right now,” she said as laughter erupted in the room.

Andrea Arnold was last in Cannes with Cow in 2021, a documentary about a bovine’s pitiful existence on a farm from birth to death. Her new film, Bird, might switch animal classifications — and return her to narrative features about human beings — but there’s connective tissue between the two. Once more, Arnold is perfecting her meandering journey through marginalized existences.

Ellise Shafer The full Cannes Film Festival competition jury has been revealed. Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.” The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides” by Jia Zhang-Ke; Jacques Audiard’s “Emilia Perez” with Zoe Saldaña and Selena Gomez; “The Girl With the Needle” by Magnus von Horn; Miguel Gomes’ “Grand Tour,” Yorgos Lanthimos’ “Kinds of Kindness,” starring “Poor Things” actors Emma Stone and Willem Dafoe; “Beating Hearts” by Gilles Lellouche; “Limonov: The Ballad” by Kirill Serebrennikov; “Marcello Mio” by Christophe Honoré; Francis Ford Coppola’s epic passion project “Megalopolis,” starring Adam Driver; “Motel Destino” by Karim Aïnouz; Paul Schrader’s “Oh, Canada,” led by Richard Gere and Jacob Elordi; Paolo Sorrentino’s “Parthenope” with Gary Oldman; David Cronenberg’s “The Shrouds”; Coralie Fargeat’s body horror “The Substance”; and “Wild Diamond” from Agathe Riedinger.

Good afternoon Insiders, thanks for always sticking with us. Max Goldbart here talking you through a packed week in the global entertainment world. Read on, and sign up here.

Thanks to early official announcements a number of the movies debuting at this year’s 77th edition of the Festival de Cannes are already known. Quentin Dupieux’s “The Second Act” will open the festival.

The Cannes Film Festival has just revealed (another) a dazzling lineup for its 77th edition.

Russian filmmaker Kirill Serebrennikov returns to Cannes once again this year with Limonov: The Ballad starring Ben Whishaw, for which we can share a first-look image from above. 

Greek weird wave filmmaker Yorgos Lanthimos, known for Academy Award-nominated favorites like “Poor Things” and “The Favourite,” is heading back to the Cannes Film Festival once again this year with his new film, “Kind Of Kindness.” And Searchlight Picture is wasting no time celebrating by releasing a new trailer for the film. READ MORE: Cannes 2024: New Films From Yorgos Lanthimos, Frances Ford Coppola, Sean Baker & Andrea Arnold “Kind of Kindness” is an anthology film drama that follows three different stories.

Immediately off the back of its inclusion in the Cannes competition line-up, Ali Abbasi‘s The Apprentice has dropped a first look of Sebastian Stan as Donald Trump and Jeremy Strong as Roy Cohn.

Thanks to early official announcements a number of the movies debuting at this year’s 77th edition of the Festival de Cannes are already known. Quentin Dupieux’s “The Second Act” will open the festival.

The French Directors’ Guild (SRF) will fete UK director Andrea Arnold with its honorary Carrosse d’Or (Golden Carriage) award at the upcoming edition of its Cannes Directors’ Fortnight.

Elsa Keslassy International Correspondent At last year’s Cannes Film Festival, Leonardo DiCaprio, Harrison Ford and Scarlett Johansson hit the red carpet to premiere their latest big movies. But Hollywood may have a much lighter presence at the 2024 edition of one of the world’s most notable film festivals.

Scarlett Johansson, Margot Robbie, Cate Blanchett and Dave Bautista all star in projects at one of the biggest Berlin markets in recent memory, both post- and pre-pandemic. Whether this year’s high rollers will sell is the question that the 2024 European Film Market turns on.

EXCLUSIVE: Tessa Ross and Juliette Howell do not court publicity and when the duo welcome Deadline to their London office in early February, it is the first interview they have given about House Productions since they set up the film and TV outfit nearly seven years ago.

It’s been nearly eight years (2016’s “American Honey”) since we last saw a narrative feature from director Andrea Arnold. Since then, things haven’t been really easy for the filmmaker.

Scarlett Johansson is making her way to the true crime drama!

EXCLUSIVE: I’m hearing that Oscar nominee and Avengers star Scarlett Johansson (Marriage Story) is set to lead true-crime thriller Featherwood, which is one of the hottest new scripts ahead of next week’s EFM market in Berlin.

Alex Ritman “Bird,” Andrea Arnold‘s first narrative feature in almost a decade, has been picked up by Cornerstone Films with the company set to launch the feature at the upcoming European Film Market in Berlin. Little is known about the film, except that it was shot in the U.K.

Austrian filmmaker Michael Haneke has been relatively quiet of late and hasn’t made a film since 2017’s “Happy End,” but his exacting reputation has been coming under fire in recent weeks.

Guy Lodge Film Critic The list of Oscar-winning directors for short films who have gone on to major careers in the feature-length realm is shorter than you might imagine. Andrea Arnold, Martin McDonagh and Claude Berri achieved arthouse success; David Frankel made multiplex hits like “The Devil Wears Prada” and “Marley & Me.” But perhaps only Taylor Hackford, a winner in 1979 for an affecting little mockumentary titled “Teenage Father,” became a full-scale Hollywood brand — a name associated with a certain temperature of sleek studio gloss and versatile genre smarts.

Catherine Bray In a typical scene from “An Endless Sunday,” three teenage delinquents wander beside a canal. They end up killing a frog with a brick. Another group of children slightly younger than they are are also mucking about, and one of them is playing the recorder, blasting out a wobbly but recognizable version of Beethoven’s Ninth Symphony, the second movement.

EXCLUSIVE: Big World Pictures has acquired U.S. and Canadian rights from Paris-based sales firm Charades to Giacomo Abbruzzese’s debut feature, Disco Boy.

EXCLUSIVE: American Honey director Andrea Arnold next film is gearing up as Deadline has confirmed that Barry Keoghan and Franz Rogowski are in talks to star in Bird with Arnold directing. Not much is known about the film other then it begins filming next month which is why Keoghan had to part ways with Ridley Scott’s Gladiator sequel which shoots at the same time.

Although he is rightly judged as being in the vanguard of British independent cinema, Mark Jenkin nonetheless seems out of place in such company. Unlike his contemporaries—Peter Strickland, Lynne Ramsay, Andrea Arnold, Clio Barnard, and Jonathan Glazer, among others—he is a strict formalist, creating expressions through the rhythms and combinations of images and sounds rather than through conventional narratives or theatrical gestures.

Sundance has announced its 2023 lineup of episodic projects and 64 shorts, the latter culled from the fest’s highest number of submissions at 10,981.

Matt Donnelly Senior Film Writer The Gersh Agency has promoted literary agent Sandra Lucchesi and talent agent Matt Vioral to partners, expanding its total leadership to 28 people.  Gersh, which ranks as the lone privately-owned full service agency, makes the move amid consolidation and rapid ground-shifting in the representation landscape. A spokesperson told Variety the elevations serve to “highlight the strength and history of our resources while taking advance of our business around multi-hyphenate clients.” Agency co-presidents David and Bob Gersh, along with managing partner Leslie Siebert, said they were “very proud of the leadership Sandra and Matt have brought to the agency and their respective departments and how well respected they are by their industry peers. We are thrilled to promote them both to partner.”

Manori Ravindran International Editor Cohen Media Group has acquired producer Jeremy Thomas’ prestigious international sales company HanWay Films in a major deal. Cohen Media Group owns Landmark Theatres in the U.S. and British distributor-exhibitor Curzon. HanWay Films was founded by “The Last Emperor” producer Thomas and is co-owned with his partner Peter Watson. Under the deal, HanWay Films will continue to be branded as an independent label selling theatrical titles to its distribution partners worldwide. It’s still unclear how much an exclusive tie-in there will be to parent company-owned Curzon.

EXCLUSIVE: In an eye-catching independent deal, Charles S. Cohen’s Cohen Media Group, owner of Landmark Theatres and UK cinema group Curzon, has added to his arthouse fleet with the acquisition of blue-chip international sales company HanWay Films, co-owned by stalwart Brit producer Jeremy Thomas and his partner Peter Watson.

Annika Pham Swedish helmer Mika Gustafson, one of a roster of promising Swedish voices with “Clara Sola”’s Natalie Álvarez-Mesén at Stockholm-based Hobab, has finalised the cast for her directorial debut “Sisters.”  The feature is in final stages of filming, and co-produced by Italy’s Intramovies, Denmark’s Toobox and Finland’s Tuffi Films. Ida Engvoll, who broke out in Netflix romcom “Love & Anarchy,” plays Hanna, a young woman drawn into an unexpected adventure when she encounters Laura (16), eldest of a trio of socially-deprived sisters. 

Guy Lodge Film CriticIn “Medusa Deluxe,” the serpents aren’t in the hair, but all around it: a writhing, hissing collective of human predators slinking around the various parlors and platforms of a high-level hairdressing competition. Most are venomous, and at least one is deadly, or so it seems when a star stylist is found, not just murdered but quite literally scalped, the night before his widely expected victory in the contest.