Cornerstone has closed worldwide distribution deals for Andrea Arnold’s latest feature film Bird, which debuted at last month’s Cannes Film Festival.
17.05.2024 - 02:57 / variety.com
Owen Gleiberman Chief Film Critic Eight years ago, the writer-director Andrea Arnold packed up her hand-held-camera brand of kitchen-sink British austerity and took it across the pond to make “American Honey,” a movie about a wolf pack of kids in a van who seemed to incarnate the tumult of the 21st century. The movie, crafted in a style that I thought of as hip-hop Dardenne brothers, was an indie explosion that felt like a landmark. Now, though, in “Bird,” the first dramatic feature that Arnold has made since (in between, she directed episodes of “Big Little Lies” and “Transparent” and made the documentary “Cow”), she’s back to chronicling the miserablism of aimless, scroungy British young folk who experience their lives as a dead zone.
Forgive me if I wish she hadn’t left the party so soon. For years, Arnold has been a Cannes darling, and a critics’ darling too. So I expect to be out of the loop when I say that “Bird,” which premiered at Cannes today, doesn’t fully cut it as a movie.
It certainly has Arnold’s empathy and integrity, as well as her raw-boned craftsmanship. It also has a couple of charismatic rising movie stars in key roles. Barry Keoghan, who now carries himself differently as an actor (he gives off the awareness that he’s a star), plays Bug, a single father of two who lives in a squatter’s flat in Kent and spends exactly no time looking after his children.
What Bug has devoted too much time to is getting tattoos. His pale upper body is a menagerie of inked creatures: a fly, a spider, and — starting on the right side of his face — a huge intricate centipede that snakes down and around his neck. But Bug’s children just bug him.
Cornerstone has closed worldwide distribution deals for Andrea Arnold’s latest feature film Bird, which debuted at last month’s Cannes Film Festival.
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Mubi has doubled down on Andrea Arnold‘s “Bird” — starring Barry Keoghan and Franz Rogoswki — swooping on North American and Turkish rights to the Cannes competition entry less than two weeks after it announced it had bought the film for the U.K. and Ireland. The acquisition — which Variety understands came after a fierce bidding war — marks another buzzy U.S.
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Barry Keoghan‘s forthcoming film Bird received a seven-minute standing ovation following its premiere at Cannes Film Festival.The Saltburn actor stars in the new drama directed by Andrea Arnold (American Honey, Fish Tank).Also starring Bafta-winning Top Boy actor Jasmine Jobson, Passages star Franz Rogowski, and child actor Nykiya Adams, Bird centres around a 12-year-old named Bailey (Adams) who, after searching for attention and adventure outside of her family, comes across a mysterious stranger named Bird (Rogowski) who asks for her help.The film premiered at Cannes on Thursday (May 16) and received a seven-minute standing ovation from the audience upon its conclusion. The festival is known for its lengthy applauses, with the longest-ever thought to last 22 minutes for Guillermo del Toro’s 2006 fantasy-horror Pan’s Labyrinth.Elsewhere at the festival, Furiosa: A Mad Max Saga received a six-minute standing ovation.
Barry Keoghan addressed his dance scenes and musical moments in his movies while attending the 2024 Cannes Film Festival.
Alex Ritman Andrea Arnold’s initial inspiration for her Cannes competition entry “Bird” was perhaps not what many people might have been expecting. “A very long time ago, I had the image a tall, thin man with a long penis, standing on a roof,” she explained at the press conference for the film on Friday when asked about her initial visual prompt. “But I didn’t know if he was good or bad or what he was.” From this bizarre starting point, Arnold crafted a social realist drama about a family on the fringes of society living by British seaside and an unexpected visitor who becomes close to a young girl entering puberty.
After prancing through the hallways showing his man-ness at the end of Saltburn last year, Barry Keoghan is back with a another illustrious ditty performance in Bird. In the Andrea Arnold movie that had its world premiere Thursday night at the Cannes Film Festival, Keoghan plays a young father, and at one moment he croons an off-key version of Blur’s “The Universal” in what is a sweet moment with dance involved.
The stars are hitting up the parties in Cannes!
Children forced to grow up too fast understand the pained nature of powerlessness like few others. This is true of the pre-teen at the center of director Andre Arnold’s “Bird,” Bailey (Nykiya Adams).
Barry Keoghan strikes a pose with his Bird costar Jackie Mellor on the red carpet at the 2024 Cannes Film Festival.