Penélope Cruz Wows, Tears Up at San Sebastian, Receiving Spain’s National Cinematography Prize

Ed Meza @edmezavar Juan Diego Botto’s feature film debut is a heart-breaking social drama and scathing critique of the neoliberal structures that have resulted in a catastrophic eviction crisis in Spain, where more than 400,000 people have been forced out of their homes over the past decade. “On the Fringe” screens in the Zurich Film Festival’s country focus sidebar, New World View, which this year showcases works from new Spanish filmmakers. The impressive achievement, which premiered in Venice, grew out of a conversation Botto had with friend Penélope Cruz after she saw a play he had written and was starring in. She suggested he write a script for a project they could do together, perhaps a relationship drama, something to do with jealousy, the Argentine-Spanish multi-hyphenate recalls.

Falling somewhere between Ken Loach’s most recent films about poverty (Sorry, We Missed You; I, Daniel Blake) and a telenovela, On the Fringe, Juan Diego Botto’s debut as a director sets out to give a snapshot of Spain’s eviction crisis. An end-title tells us that around a hundred households are evicted every day in Spain, but the story could be told in any city where jobs are scarce and wages are falling – in other words, almost anywhere.

Tom Cruise allegedly built a soccer pitch to "woo" David Beckham for the Church of Scientology. The 'Mission: Impossible' actor was reportedly keen to introduce famous faces to the faith, with the sportsman and his fashion designer wife Victoria Beckham at the top of his list, so it was agreed to have a "professional-grade" pitch constructed at the Gold Base headquarters in California in order for the Hollywood star to have a reason to bring the former England player to visit the site with him. Mike Rinder - a former high-ranking officer in the church - wrote in his new book 'A Billion Years: My Escape From a Life in the Highest Ranks of Scientology': [Tom] was doing his best to court celebrities other than those with whom he was working on films.

Colombian filmmaker Laura Mora has clinched the Golden Shell in the main competition of the 70th San Sebastian Film Festival with her latest feature The Kings of the World (Los reyes del mundo).

Guy Lodge Film Critic Colombian director Laura Mora’s coming-of-age drama “Kings of the World” has taken the Golden Shell for Best Film at the San Sebastian Film Festival, marking the third consecutive year that a female filmmaker has taken the top prize at the Spanish fest. Longer report to follow; full list of winners below. OFFICIAL SELECTION PRIZES Golden Shell for Best Film: “Kings of the World,” Laura Mora Special Jury Prize: “Runner,” Marian Mathias Silver Shell for Best Director: “A Hundred Flowers,” Genki Kawamura

Anna Marie de la Fuente Vying for the top Gold Shell at the 70th San Sebastian Film Festival, Basque native Mikel Gurrea’s debut feature “Suro” stems from Gurrea’s experience working in the cork forests north of Catalonia. He had just finished his studies and was at a loss when his then girlfriend’s parents suggested he work in the forests where they stripped cork from the trees. “I discovered a fascinating world that stayed with me; the work is tough but you’re in the middle of nature,” he said. “It was also a good workout!” he added. “Suro” revolves around a young couple, Helena and Ivan, who decide to leave Barcelona and start anew on the land that Helena has inherited. Ivan takes it upon himself to join the workers and learn how to strip the bark from the cork trees that now belong to them. But their contrasting viewpoints will jeopardize their future as a couple, the film broadening its sweep to examine modern-day capitalism and the rights to private property.

Anna Marie de la Fuente Ecuador’s Ana Cristina Barragán, an alum of San Sebastian’s post-graduate film school Elias Querejeta Zine Eskola (EQZE), has come full circle with her second feature “La Piel Pulpo” (“Octopus Skin”) as it competes at the San Sebastian Festival’s Horizontes Latinos, a year after it participated in the festival’s Work in Progress strand (WIP Latam). A coming-of-age family drama “La Piel Pulpo” turns on twins Iris and Ariel who live with their mother and younger sister on a remote island. Having grown up in this rarified environment with only the mollusks, birds and reptiles for company, the teens are inseparable and have formed a near transcendental connection with nature. Curious about the world beyond their island, Iris hitches a boat ride with a rare visitor to explore the mainland and search for their estranged father. The act of physically separating from her twin brother puts a strain on their relationship.

Anna Marie de la Fuente Woody Allen has announced his retirement from filmmaking. While in Europe to work on his 50th film, Woody Allen told Spanish newspaper La Vanguardia that he intended to retire from making movies and to dedicate more time to writing during his twilight years. What is now set to be his final film is set in Paris and will be shot entirely in French in a couple of weeks. Allen described his upcoming film to be similar to “Match Point,” in that it would be “exciting, dramatic and also very sinister.” Allen recently wrote his fifth collection of humor pieces, “Zero Gravity,” which will be published Sept. 27 by Alianza in Spain. In the U.S., it was published by Arcade and distributed by Simon & Schuster.

Olivia Wilde is looking stunning on the red carpet!

Penelope Cruz received a special honor at the 2022 San Sebastian Film Festival this weekend!

John Hopewell Chief International Correspondent Austrian director Ulrich Seidl has cancelled his visit to San Sebastian for the Sept. 18 world premiere of “Sparta,” amid allegations of impropriety and child exploitation made against the director. The world premiere will still go ahead at San Sebastian with the film playing in main competition contending for San Sebastian’s Gold Shell. Seidl’s decision comes after the Toronto Film Festival pulled “Sparta” and on Sept. 14, FilmFest Hamburg announced that it would no longer be giving Seidl its Douglas Sirk Award, though it would be screening “Sparta.”

Spain on Friday. The actress, 45, showed off her chic sense of style in a in a black dress with a plunging neckline. The tiered circle skirt flared out as she stood on the red carpet while posing for pictures.

Penelope Cruz is taken by surprise as she sees so many fans at the premiere of her new movie, On The Fringe, during the 2022 San Sebastian Film Festival held at Victoria Eugenia Theatre on Friday (September 16) in San Sebastian, Spain.

John Hopewell Chief International Correspondent Packing its first full-on onsite edition since the pandemic, Spain’s San Sebastian Festival has never been busier or bigger. 10 Takes on what is shaping up as a vibrant edition:    Playing Off Powerful Market Forces Nine of Netflix’s 20 Top 10 non-English-language films and TV series are sourced from Spain or Latin America. Platforms are battling to tie down talent.  This year, eight movies from Spain and Latin America play in competition alone at San Sebastian, the most important film event in the Spanish-speaking world. The fest’s main sidebar is its New Directors strand. San Sebastian’s focus on the Spanish-speaking world and new talent now aligns with powerful market forces. That fact plays out over the 2022 edition.

Glenn Close had to cancel plans at the 2022 San Sebastian Film Festival due to a family emergency.

EXCLUSIVE: Oscar-winning Spanish filmmaker Pedro Almodóvar will not be making his first English-language feature directorial debut with A Manual for Cleaning Women, which has Cate Blanchett set to star and produce under her Dirty Films, Deadline has learned.

Manori Ravindran International Editor Ulrich Seidl’s “Sparta” has been pulled from the Toronto International Film Festival amid allegations of impropriety and child exploitation against the director, but its premiere at next week’s San Sebastian Film Festival will continue as planned, Variety can reveal. A spokesperson for the Spanish festival tells Variety on behalf of festival management that “Sparta” will remain in competition. Providing a three-point list explaining their reasoning, San Sebastian said “the festival team assesses the films after their viewing according to their interest and quality” and that the event “does not have the ability to judge how a film has been shot and whether a crime has been committed in the course of the filming. If anyone has any evidence of a crime, they should report it to a judge.”

Heavy on Loachian social realism and undergirded by the intensity and heavy stakes of a Safdie Brothers flick, Juan Diego Botto’s gritty eviction thriller “On the Fringe” — produced by Penélope Cruz, who also lends her name to the billing sheet — makes for hard-hitting stuff. Premiering at the Venice Film Festival today in the Orrizonti section, here’s a slice of agitprop that feels as timely as ever, with the energy crisis surging across Europe, the costs of living rocketing from shore to shore, and society’s most marginalized left to pick up the tab.  Anyone with half a heart and half a brain will be quickly won over by its interweaving stories, following three different people in the same Spanish city living under the cold, foreboding shadow of red-stamp eviction notices: though a little baggy in the second act, the first and final thirty-minutes are appropriately earnest and affecting.

Penelope Cruz and Javier Bardem are wrapping up their time at the 2022 Venice Film Festival.