Int’l Critics Line: Penelope Cruz In ‘On The Fringe’
29.09.2022 - 20:19
/ deadline.com
Falling somewhere between Ken Loach’s most recent films about poverty (Sorry, We Missed You; I, Daniel Blake) and a telenovela, On the Fringe, Juan Diego Botto’s debut as a director sets out to give a snapshot of Spain’s eviction crisis. An end-title tells us that around a hundred households are evicted every day in Spain, but the story could be told in any city where jobs are scarce and wages are falling – in other words, almost anywhere.
Botto aims to give the crisis a human face – or, more exactly, human faces – by relating one day in the lives of several families whose lives are connected, whether they know it or not, by their imminent homelessness. It is overwrought, but certainly well-meaning. The film premiered in Venice’s Horizons section and also played San Sebastián.
Penelope Cruz, both the marquee name on this project and a producer, is transformed as scruffy mother and supermarket shelf-stacker Azucena. She and her husband Manuel – played by the director – have missed several mortgage payments since he lost his job; the bailiffs are due the next day. Constantly gulping back panic, she rushes between the bank and community support meetings and packing boxes at home.
Her small son is so paralyzed by her fear that he has stopped speaking; meanwhile, Manuel is working in a warehouse for four euros an hour. Ashamed of his failure to provide for his family, he taunts his wife, dismissing her attempts to save their home as pointless and regularly storming off to the bar. At work, by contrast, he nags a similarly shamed co-worker to return calls from his mother, who backed him in a business that failed, leaving them both penniless. A mother forgives everything, Manuel says. If he joined Azucena’s activist group, he