Oscar Shortlists Announced for 10 Categories: ‘Barbie’ Leads the Way

Amid the flood of awards-season nominations comes AARP, whose Movies for Grownups Awards noms arrived today. Oppenheimer leads the way with six mentions, followed by Killers of the Flower Moon with five. Both will vie for Best Picture alongside Barbie, The Color Purple and Maestro.

Golden Globes took place last night (January 7) and saw many of this year’s highly anticipated films and television shows taking home awards.The ceremony, which took place at the Beverly Hilton in Los Angeles, was the first to air live on CBS in the US since 1982. Hosted by stand-up comedian, Jo Koy, the ceremony saw the celebration of ‘Barbenheimer’, with the two highly-acclaimed movies (Barbie and Oppenheimer) receiving 17 nominations between them.But it was Oppenheimer which swept the awards, its lead and supporting actor both being recognised, along with winning Best Motion Picture – Drama.

81st Golden Globes.The ceremony, which honors American movies and TV shows, will be broadcast live from the Beverly Hilton in Los Angeles, California, starting at 8 p.m. EST on CBS, immediately after an NFL doubleheader.Barbenheimer will be in full effect as 2023’s top movies “Barbie” and “Oppenheimer” lead the list of nominees. “What Was I Made For?” by Billie Eilish and “I’m Just Ken” from “Barbie” are also up for Best Original Song, dominating that category as well.

If you plan on entering a Golden Globes pool, make sure to check out our predictions before making your final selections!

Clayton Davis Senior Awards Editor The British Academy of Film and Television Arts, or BAFTA, has become a crucial indicator on which films and performances could garner support for the Academy Awards due to the huge overlap of voting members. Over the years, its influence on the Oscars has been undeniable, with many of its winners often helping to shape a narrative. After getting ignored by all the major guilds, last year’s German-language film “All Quiet on the Western Front” made a big showing before going on to nab nine Oscar nominations and winning four.

Martin Scorsese‘s Killers Of The Flower Moon will be available to stream globally on Apple TV+ from Friday, January 12.Led by Leonardo DiCaprio, Robert De Niro and Lily Gladstone, the film is based on the non-fiction book of the same name published in 2017. It tells the true story a series of murders of Osage Native Americans over the rights for the oil under their land in Oklahoma.Since premiering at Cannes Film Festival in May, the three-and-a-half-hour drama has been positively received by critics and audiences alike, and currently holds a score of 92 per cent on Rotten Tomatoes.Going into awards season, Killers Of The Flower Moon boasts 12 Critics Choice Award nominations and 7 Golden Globe Award nominations.

Clayton Davis Senior Awards Editor Greta Gerwig‘s blockbuster comedy “Barbie” has been deemed an adapted screenplay by the Writers Branch executive committee of the Academy of Motion Picture Arts and Sciences, despite campaigning for original screenplay, Variety has exclusively learned. When official Oscar nomination voting opens Thursday, Jan. 11, eligible voting members of the branch will only be able to cast votes for the script written by Gerwig and Noah Baumbach in adapted screenplay.

Alliance of Women Film Journalists have announced the winners of the annual AWFJ EDA awards. “Barbie” took home multiple awards in the “Best Of” category, including Best Director for Greta Gerwig, Original Screenplay for Gerwig and Noah Baumbach, Supporting Actor for Ryan Gosling, and the film’s casting directors Lucy Brava and Allison Jones also took home an award.

Zack Sharf Digital News Director John Williams recently told The Times UK that he’s not ruling “anything out” when it comes to staying retired from film scores. The five-time Oscar winner turns 92 years old on February 8. Back in June 2022, Williams teased his retirement by telling the Associated Press that his work on “Indiana Jones and the Dial of Destiny” would probably be his last.

Olivia Rodrigo has revealed that listening to Lorde‘s ‘Royals’ changed “the trajectory” of her life.Speaking to Dua Lipa, Billie Eilish, Jon Batiste, Cynthia Erivo and Julia Michaels’ Songwriter Roundtable interview with The Hollywood Reporter, Rodrigo spoke of the first time she had heard the Lorde song on the radio and went on to explain how it had impacted her so deeply.“I remember hearing that song on the radio at the time… It was one of those ‘pinch me’ moments where you always remember, a snapshot memory, like, ‘Oh my God, what is this?!’ Changes the trajectory of your life,” Rodrigo called to her fellow musicians.“I remember listening to it as I first started writing songs and just being blown away by her lyrics that are just about being a teenager living in the suburbs,” Rodrigo went on to explain. “I just remember never hearing my life be put into a song like that where it just made being young and doing these seemingly unimportant things feel so sacred.”Most recently, the singer-songwriter discussed the inspiration behind some of the “emo” lyrics in her recent songs ‘Lacy’ and ‘All-American Bitch’.Speaking on the Kelly Clarkson Show, Rodrigo gave insight into how she conceived the lyrics for the outro of ‘Lacy’ – “And I despise my jealous eyes and how hard they fell for you / Yeah, I despise my rotten mind and how much it worships you.”“Very emo of me, writing that,” Rodrigo told Clarkson, laughing.

Catching up on some things we missed over the holidays. Following Kelly Reichardt’s criticism of “Barbie” (“They are part of a huge marketing machine, but they are sold as art.

range of nonfiction film — the subjects, the styles, the voices — is extraordinary in its reach. Does that mean that we’re in a renaissance era? You might say that. But you could also say that when it comes to this form of filmmaking, the art of reality knows no season.

The Color Purple often succeeds as a thoughtful fusion of two other adaptations of Alice Walker’s landmark novel that still confidently hums its own tune.In shakier moments, though, confidence gives way to nostalgia, when the film hammers home its reinterpretations of quotable scenes and dialogue from the Quincy Jones-produced, Steven Spielberg-directed 1985 adaptation with an insistence that borders on flashing “Hey, remember this?” in bold type onscreen.Creating and saying something new with such proven material, while also purposely coaxing audience sentiment for a beloved original, surely posed a formidable challenge for Bazawule and company. And having Jones, Spielberg, and Oprah Winfrey — the big guns and big breakout from the 1985 film — onboard as producers must have eased and complicated the gig in unfathomable ways.Oprah and Jones also had a hand in the original Broadway musical adaptation, which has spun off its own lore and legacy, and adds another meta layer of pop-lit gloss to what this film aims to freshly reinterpret.The stage musical — with a book by Marsha Norman, and lyrics and music by Brenda Russell, Allee Willis, and Stephen Bray — has amassed its own roster of breakout stars, including American Idol winner Fantasia Barrino, who made her 2007 Broadway debut stepping into the lead role of Celie, and Orange Is the New Black‘s Danielle Brooks, Tony-nominated for playing Sofia opposite Cynthia Erivo in the 2015 Broadway revival.Barrino and Brooks reprise their respective roles here with a lived-in grace and fortitude that does freshly illuminate Walker’s moving narrative, the lifeblood that courses through every iteration.

Clayton Davis Senior Awards Editor Oscar voters tend to be big-screen enthusiasts. But the reality is that not every awards contender will be seen in the cinema — and that’s especially true during the holiday season, when all the family commitments, shopping and big meals can turn even a movie theater evangelist like Christopher Nolan into a couch potato. The allure of a theater’s dim, cool ambience and sharing the experience with strangers is what many filmmakers envision for their creations.

Clayton Davis Senior Awards Editor Who says you can’t laugh and win Oscars, too? In a stunning year for cinema, the candidates for the coveted best picture category are overflowing with prime comedic endeavors that surpass their dramatic counterparts. From a toy doll to an author with a triumphant “Black book” to a reverse Frankenstein tale that shows a whole lot of sex, the Academy has an opportunity to invite the softer side of cinema to its ceremony.

American Symphony, the Obamas-executive produced documentary about Grammy-winning musician Jon Batiste, scored a remarkable hat trick today as the Oscar shortlists were revealed, but a couple of documentary icons were left on the bench.

As we head into Oscar season, one thing seems inevitable: while so many new contenders have officially entered the race just in November or December, “Poor Things,” “Maestro,” “The Holdovers,” “American Fiction,” and “Killers Of The Flower Moon,” the 2024 Oscars may be the first Academy Award season that boils down to two summer blockbuster movies: “Barbie” and “Oppenheimer.” And yes, it’s funny to think of those two films as summer blockbusters in the traditional sense, given they’re not superhero movies or action franchises, but let’s face it, they are; one grossed over 1 billion dollars (Greta Gerwig’s “Barbie”), and one came super close to that exact figure (Christopher Nolan’s movie).

Clayton Davis Senior Awards Editor The Oscars shortlist voting period has closed as of 5:00 p.m. PT. The Academy of Motion Picture Arts and Sciences will announce the finalists in 10 categories — documentary feature (15), documentary short subject (15), international feature (15), makeup and hairstyling (10), sound (10), original score (15), original song (15), animated short film (15), live action short film (15), and visual effects (10) — on Thursday, Dec.

Thania Garcia The numbers are in: Nicki Minaj‘s “Pink Friday 2” is the No. 1 album in the United States, touting the biggest debut sales week for a rap album by a woman in the last four years. The record joins the original “Pink Friday,” Minaj’s 2010 debut album, as her third overall record to hit the peak of the list alongside 2012’s “Roman Reloaded.” With this, Minaj now claims the most chart-topping albums to date for a female rapper.

The Australian Academy of Cinema and Television Arts is out with the nominations for its 13th annual AACTA International Awards, and some familiar awards-season faces lead the pack.