Daniel Pemberton Latest Celebrity News & Gossip

Universal Pictures and DreamWorks Animation are readying a sequel to their $250M-grossing 2022 hit, The Bad Guys, which will release on Aug. 1, 2025.

Outstanding Original Score for a Studio Film Joe Hisaishi – “The Boy and the Heron”Ludwig Göransson – “Oppenheimer”Laura Karpman – “American Fiction”Robbie Robertson – “Killers of the Flower Moon”Anthony Willis – “Saltburn” Outstanding Original Score for an Independent Film Jon Batiste – “American Symphony”Mica Levi – “The Zone of Interest”Fabrizio Mancinelli, Richard M. Sherman – “Mushka”Daniel Pemberton – “Ferrari”John Powell – “Still: A Michael J. Fox Movie” Outstanding Original Score for a Television Production Nicholas Britell – “Succession”Natalie Holt – “Loki”Martin Phipps – “The Crown”Carlos Rafael Rivera – “Lessons in Chemistry”Gustavo Santaolalla – “The Last of Us” Outstanding Original Title Sequence for a Television Production Chanda Dancy – “Lawmen: Bass Reeves”Nainita Desai – “The Deepest Breath”Kevin Kiner – “Ahsoka”Atli Örvarsson – “Silo”Carlos Rafael Rivera – “Lessons in Chemistry” Outstanding Original Song for a Dramatic or Documentary Visual Media Production Jon Batiste, Dan Wilson- “It Never Went Away” – “American Symphony”Nicholas Britell, Taura Stinson – “Slip Away” – “Carmen”Sharon Farber, Noah Benshea – “Better Times” – “Jacob the Baker”Lenny Kravitz – “Road to Freedom” – “Rustin”Olivia Rodrigo, Dan Nigro – “Can’t Catch Me Now” – “The Hunger Games: The Ballad of Songbirds and Snakes” Outstanding Original Song for a Comedy or Musical Visual Media Production Jack Black, John Spiker, Eric Osmond, Michael Jelenic, Aaron Horvath – “Peaches” – “The Super Mario Bros Movie”Heather McIntosh, Allyson Newman, Taura Stinson – “All About Me” – “The L Word: Generation Q”Billie Eilish O’Connell, Finneas O’Connell – “What Was I Made For?” – “Barbie”Mark Ronson, Andrew Wyatt – “I’m Just Ken” – “Barbie”Diane Warren

Wow. The Oscar nominations dropped Tuesday morning, and there were some pretty big omissions — led, of course, by the magical Margot Robbie, who inexplicably got shut out of the Best Actress race.

Albert Einstein had his theory of relativity, and Breaking Baz has his theory of party lift-off.

Clayton Davis Senior Awards Editor The Academy of Motion Picture Arts and Sciences has announced the shortlists in 10 categories for the upcoming 96th Oscars ceremony. Overall, Greta Gerwig’s meta-comedy “Barbie” had the most mentions with five including sound, original song for its three submissions from Billie Eilish (“What I Was Made For?”), Dua Lipa (“Dance the Night”) and Mark Ronson and Andrew Wyatt (“I’m Just Ken”), and original score, from the latter duo. The big miss for “Barbie” was in makeup and hairstyling, which was the category that yielded the most surprises.

Clayton Davis Senior Awards Editor The Oscars shortlist voting period has closed as of 5:00 p.m. PT. The Academy of Motion Picture Arts and Sciences will announce the finalists in 10 categories — documentary feature (15), documentary short subject (15), international feature (15), makeup and hairstyling (10), sound (10), original score (15), original song (15), animated short film (15), live action short film (15), and visual effects (10) — on Thursday, Dec.

Fortress Talent Management, a leading agency for composers and music supervisors, has promoted Jake Kozarec to partner.

Clayton Davis Senior Awards Editor Sony Pictures will conduct a live orchestra at the Academy Museum featuring the bombastic music from its animated feature (and best picture) contender “Spider-Man: Across the Spider-Verse.” At a special invitation-only event at the David Geffen Theater, the studio will feature an exhilarating arrangement of electronics, turntables and a live orchestra performing the original score from Columbia Pictures and Sony Pictures Animation’s box office smash by Oscar-nominated and Emmy-winning composer Daniel Pemberton. The concert will feature appearances by Oscar-winning producers and screenwriters Phil Lord and Chris Miller; the film’s directors Joaquim Dos Santos, Kemp Powers and Justin K.

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender.

Caroline Brew editor Billie Eilish and Finneas along with Lenny Kravitz and Diane Warren are among the nominees at the Hollywood Music in Media Awards. Eilish and Finneas landed a nomination for “What Was I Made For?” from “Barbie.

Jazz Tangcay Artisans Editor Composer Daniel Pemberton pushed a few boundaries and “made something really creative and different” when he scored 2018’s “Spider-Man: Into the Spider-Verse.” When he returned to score the sequel, “Spider-Man: Across the Spider-Verse,” he knew he would have to “push it as far as we can go.” Pemberton says he had to build the score from the ground up, which was complicated. “You’re trying not to make a score that sounds like other film scores. You’re trying to invent your own language.” Inventing that language took experimentation, research and failure. He explains, “I spent two years researching and developing this score, going through ideas, coming up with concepts and throwing them out.”

Spider-Man: Across the Spider-Verse (★★★☆☆).Diehard fans of Spidey comics, games, cartoons, and movies will have a field day trying to spot every iteration of Spider being, gathered from various storylines and product lines, some dating back decades, who pop up here. But there are far too many for our hero, Miles Morales, the bright Brooklyn teen introduced as the new Spider-Man in the 2018 animated Oscar-winner Spider-Man: Into the Spider-Verse, to fully grasp.Miles (Shameik Moore) is still stuck on Gwen Stacy (Hailee Steinfeld), a fabulous Spider-Woman from another dimension, who teamed with him and a loosely assembled squad of Spider-friends in the first film to defeat Kingpin and Doctor Octopus, and destroy the villains’ black hole-spawning collider.A masterpiece of style and storytelling, Into the Spider-Verse ended with the sound of Gwen’s voice ringing out from her dimension to contact Miles relaxing in his room.

Spider-Man: Across The Spider-Verse swung into cinemas this week, and it appears the high expectations of critics and fans alike have been exceeded.Initial reviews have suggested it’s even better than 2018’s Into The Spider-Verse, which drew major plaudits for its unique animation style, storyline and music.Having developed the original score for the first film – which also included a number of contemporary songs from artists such as Jaden Smith, Nicki Minaj, Lil Wayne, Post Malone, and Ty Dolla $ign – Daniel Pemberton returns once again to handle the sequel’s soundtrack. Several songs from record producer and DJ Metro Boomin also feature.The following songs have been officially confirmed as part of the soundtrack, with more set to be announced soon:Hummingbird (Metro Boomin x James Blake)Link Up (Metro Boomin ft. Don Toliver & Tolan)Self Love (Metro Boomin x Coi Leray)We’ll update this article when the remaining tracks are officially confirmed on June 2.

Fans of Spider-Man will be able to view the award-winning Into the Spider-Verse film with a live orchestra.

On Saturday during the BFI London Film Festival, Deadline hosted an industry party at The Twenty Two.

Jazz Tangcay Artisans Editor Hollywood Records is launching a new podcast series titled “The Big Score.” Each episode of the original series will offer first-person audio and video vignettes that delve deep into the creation of film and television music for influential and award-winning movies and shows from Searchlight Pictures, 20th Century Studios, Hulu, Freeform, FX, National Geographic, Onyx Collective and more. “The Big Score” gives audiences a chance to gain personal perspectives, stories and insights from some of today’s most innovative composers and artists, plus exclusive behind-the-scenes access into the recording process and creation of their scores.

Giveon has shared new solo joint "Time." The song is featured in Amsterdam, the new David O. Russell movie starring Margot Robbie, Christian Bale, and John David Washington.

Vangelis in Paris, France, at 79, Tesla founder Elon Musk decided to pay an emotional tribute to the “sweet maestro” known for his work in ‘Blade Runner’ and ‘Chariots of Fire.’Vangelis, full name Evángelos Odysséas Papathanassíou, died of heart failure, as it was confirmed by his assistant Lefteris Zermas. The Academy Award winner was recognized for his successful career, including ‘Alexander,’ ‘The Bounty,’ and ‘1492: Conquest of Paradise.’“Good night, sweet maestro, and flights of angels sing thee to thy rest,” Elon wrote following the sad announcement. Many of his fellow composers, musicians and friends also commented on the news, including ‘The Walking Dead’ composer Bear McCreary.“Chariots of Fire and Blade Runner were among the most innovative and influential scores in the history of the medium.

Deadline has launched the streaming site for its second annual Sound & Screen, an award-season composer showcase of original music for television.

Daniel Pemberton composed the music for Phil Lord and Chris Miller’s movie Spider-Man: Into the Spider-Verse. Lord and Miller then hired him for their Apple TV+ series The Afterparty, but the job was exponentially more complicated.

Seeing superstar Will Smith visit remote locations on the planet was the hook for the National Geographic docuseries Welcome to Earth. Daniel Pemberton’s job was to provide Smith’s journey with a sound, and he said during a panel for the series at Deadline’s Sound & Screen concert event that he used some he’d never played before.

Slow Horses composer Daniel Pemberton admits he still hasn’t entirely wrapped his head around the fact that he got to pen the song “Strange Game” alongside Mick Jagger, which the Rolling Stones frontman sang for the Apple TV+ series.

Deadline’s Sound & Screen, a showcase of television’s most moving and lauded original music from some of the industry’s top-most talent, has lifted the baton for its second edition tonight live and in person at UCLA’s Royce Hall.

Sound & Screen, Deadline’s inaugural live concert showcasing the composers, music supervisors and songwriters behind the music of television’s buzziest shows, has set the lineup for its in-person event May 5 at UCLA’s Royce Hall.

Jon Burlingame editorThere’s a classic sound to heist films, especially of the ’60s and ’70s – a little jazzy, a little stealthy, occasionally raucous and wild – and composer Daniel Pemberton cleverly channels it throughout “The Bad Guys,” the DreamWorks Animation action comedy that opens today.“The film in some ways is an homage to classic caper movies,” says the English composer, “and it’s a world I really love playing in. You get to be really bold: big breaks, big brass sections, big tunes and big grooves.”Pemberton’s high-energy music sets the mood and drives the action in Pierre Perifel’s animated adventure about a notorious criminal gang (a wolf, a snake, a piranha, a shark and a tarantula) that considers going straight after they cross paths with a guinea-pig philanthropist and their red-fox governor. “At its core, it’s a very joyous score, even though there’s sneakiness, tension, all that kind of stuff,” he notes.

Israeli drama The Lesson has won two prizes in this year’s prestigious Canneseries Longform Competition.

Mick Jagger has announced that a new solo track called ‘Strange Game’ is coming this week.The upcoming song serves as the theme tune to the new Apple Original series Slow Horses, the first two episodes of which land on Apple TV+ this Friday (April 1). The Rolling Stones frontman co-wrote the single alongside Academy Award-nominated film composer Daniel Pemberton.Teasing the collaboration yesterday (March 28), Jagger tweeted: “I’ve been working on a fun project with the composer Daniel Pemberton… look out for it coming soon!”Pemberton said in a statement: “Working with Mick Jagger has been one of the most exciting collaborations of my professional career.

Jon Burlingame editorMick Jagger has written his first TV theme, for the Apple TV Plus spy series “Slow Horses,” debuting April 1. And it might never have happened if he hadn’t already read and liked the Mick Herron book on which it’s based.“It’s a quite popular series of books, so I knew what it was about,” the iconic Rolling Stones singer tells Variety.

Call My Agent! creator Fanny Herrero has been unveiled as President of this year’s Canneseries Jury.

Leo Barraclough International Features EditorFanny Herrero, “Call My Agent!” creator and showrunner, will be president of the jury at television series festival Canneseries, which runs April 1-6.

Wilson Chapman editor“The Afterparty” on Apple TV Plus is a wildly ambitious storytelling exercise; over the course of its eight episode run, the series’ first season tells the story of a high school reunion that ends in murder in wildly different genres, as the various suspects recount their recollections of the night through the lens of their own worldviews. And in order to successfully embody the different genres, be they rom-com or thriller, the show needs to adapt itself to every episode: a single moment might be romantic one episode or comical the next, through the use of music and editing to change the mood of the scene.The music of “The Afterparty” is composed by Daniel Pemberton, who came to the project after working with creator and director Christopher Miller and executive producer Phil Lord on the critically acclaimed animated film “Spider-Man: Into the Spider-Verse.” He was attracted to working on the show because of the challenge and complexity of the score, which would require him to alter his musical style nearly every episode.

Jon Burlingame editorDaniel Pemberton’s score for Aaron Sorkin’s “Being the Ricardos” is unlike anything he’s written to date — a surprising choice for this think-outside-the-box composer, but one that would fit comfortably in the 1950s milieu of the film itself.“I felt it needed a kind of classic score that echoed the golden age of Hollywood,” Pemberton says from his London studio.

EXCLUSIVE: Deadline has the first exclusive track from Daniel Pemberton’s score for Being the Ricardos, which is set for digital release via Lakeshore Records on December 3—ahead of the film’s release in select theaters via Amazon Studios on December 10, and its Prime Video premiere on the 21st.

If you tuned in at 8:00 PM EST for the Academy Awards, then odds are you missed some of the best moments of the evening. As expected, the Academy broadcast the Best Original Song performances during the pre-show, with standout performances by Celeste, H.E.R., Leslie Odom, Jr., Laura Pausini, Daniel Pemberton, Molly Sandén and Diane Warren mixed in with red carpet moments galore.

H.E.R., Leslie Odom, Jr., Laura Pausini, Daniel Pemberton, Molly Sandén and Diane Warren performed five nominated original songs in their entirety at the 2021 Academy Awards pre-show special, .While four of the performances took place at the Dolby Family Terrace of the Academy Museum of Motion Pictures in Los Angeles, one performance was recorded in Húsavík, Iceland — Swedish pop singer Molly Sandén singing «Husavik» from, which she sang alongside a children's choir.

2021 Academy Awards are switching things up again.It was announced on Friday by producers Jesse Collins, Stacey Sher and Steven Soderbergh that the best original songs will be performed during a pre-show special, Celeste, H.E.R., Leslie Odom, Jr., Laura Pausini, Daniel Pemberton, Molly Sandén and Diane Warren will perform the five nominated original songs in their entirety ahead of the 93rd Oscars.