The Oscars’ annual In Memoriam segment on Sunday included a live performance of the song “Calling All Angels” by Lenny Kravitz.
24.02.2023 - 02:55 / thewrap.com
this year he’s the only previous nominee in the category.Chatting from London, Nielsen discussed his repeat trip to the Oscars, the difficulty of mixing comedy and tragic tones in the cutting room, and his personal opinion about the running time of movies. When you won the Oscar two years ago for “Sound of Metal,” the ceremony was held in a train station. So this year will be a different experience for you.It will.
I liked the show a lot last time, but it’ll be interesting to see how it normally works. And I get to have my family with me this time. Two years ago, that was not possible.Now that you’re an Academy member, have you seen a lot more films?Yes, and that has been a real eye-opener for me. Because I also get to see the 100 or more foreign-language films that were submitted, which is so good because a lot of them would never come to the cinemas and they’re so difficult to find anywhere.
Having the possibility to watch these, that’s very special.Aversion to backstory is something that is shared by both director Darius Marder (“Sound of Metal”) and Martin McDonagh. Neither of them are particularly interested in flashbacks or big exposition scenes. But that must bring some challenges for you?Yes, but it could also be used as a force.
What is so interesting about how Martin has written “Banshees” is that the audience is invited into the story with the characters. The film isn’t showy but it’s much more about character, character, character. You see everything and experience everything together with your main character.
It’s the simplicity of that which creates the possibility for the audience to get hooked into the character. And if you can create that kind of simplicity, then it can become really complex. There’s a
.The Oscars’ annual In Memoriam segment on Sunday included a live performance of the song “Calling All Angels” by Lenny Kravitz.
Zoe Saldana has one word in mind when it comes to being nominated for an Oscar at the 95th annual Academy Awards on Sunday: grateful. «Sometimes I wake up and I know what it means,» Saldana told ET's Kevin Frazier and Nischelle Turner about the film's Best Picture nomination. «And other times, I just know what it feels like, and it just feels really beautiful to know that I am a part of a story that has touched so many people across the globe.
Steven Spielberg’s new semi-autobiographical film,, won best picture (drama) at the 2023 Golden Globes and is nominated for best picture at the 2023 Oscars. With numerous honors and an impressive amount of Oscar buzz, you won’t want to miss out on watching Spielberg's latest movie.
Peter Debruge Chief Film Critic How long does a documentary need to be? Frederick Wiseman frequently goes long, and Oscar-winning “OJ: Made in America” ran nearly eight hours. Lately, with “Bill Russell: Legend” and “Boom! Boom! The World vs. Boris Becker,” streamers have embraced the so-called “two-part documentary” — a fancy term for what used to be called a miniseries. So, while there are no limits on how much longer docs can get, it’s refreshing to see a compelling subject covered in 40 minutes or less, and doubly rewarding to realize that four of the five packaged in ShortsTV’s “2023 Oscar Nominated Short Films: Documentary” found audiences on their own merits, even without theatrical distribution.
, the Indian film starring Ram Charan and Jr NTR as two revolutionaries fighting against the British colonialists in the 1920s, has not only enjoyed crossover success in the United States, but it made history when the breakout musical number, «Naatu Naatu,» was nominated for Best Original Song at the 95th Academy Awards. " is about friendship. It's celebrating friendship," NTR says. While speaking to ET's Ash Crosson, both actors reacted to all the accolades for the film, which is now streaming on Netflix, and what it was like filming the epic dance number for the Indian Telugu-language song written by the now-Oscar nominees, M.
Marc Malkin Senior Film Awards, Events & Lifestyle Editor “Close” director Lukas Dhont’s discovery of one of his film’s stars, Eden Dambrine, is straight out of a book of Hollywood legends. Dhont approached Dambrine on a train in their native Belgium and asked if he’d like to audition for his movie. “I was a bit worried,” Dambrine, 16, recalls. “I asked my friends to search on Google to see if it was really Lukas Dhont who was talking to me. It was so I felt a bit more safe.” Fast forward to 2023, and “Close” is up for best international feature at the Oscars. The A24 film is a drama about 13-year-old best friends Leo, played by Eden, and Rémi (Gustav De Waele). Tragedy occurs when Leo begins to distance himself from Rémi after they become the target of school bullies who believe the boys are a couple.
It’s not easy to tackle a gruesome subject matter with humor. And to make the Irish dark comedy work, its filmmakers drew inspiration from their own ideations of life and death. An Irish Goodbye, written and directed by Tom Berkeley and Ross White, follows a pair of estranged brothers who must learn to get along after their mother’s untimely passing. Lorcan (James Martin), an adult with Down syndrome, takes his mother’s death the hardest and soon fears that his brother will abandon him. While Turlough (Seamus O’Hara) grapples with whether he should ship Lorcan off to live with their aunt in London or learn to care for his brother. Though death is not a revolutionary topic in the cinematic medium, the unique and heartfelt way Berkeley and White explore grief through centering on the unusual brotherhood is poignant. Fresh off of a BAFTA win and headed to the Oscars, the filmmakers discuss their inspiration, casting actors with disabilities and creating a sentimental exploration of love and grief.
Peter Debruge Chief Film Critic Of the 10 films up for best picture, no fewer than six run 199 minutes or more. On one extreme, James Cameron’s punishing “Avatar” sequel is long enough to require bathroom breaks. At the other, Daniels’ ADHD-styled “Everything Everywhere All at Once” proves equally exhausting, dedicating every hyperkinetic second to stimulating easily distracted audiences. It’s enough to make folks grateful for the lower-profile but still engaging live-action shorts category, where nominees are bound by a strict 40-minute time limit. This year’s crop — the so-so “2023 Oscar Nominated Short Films: Live Action” program — clocks in at under two hours. Available in theaters and on myriad streaming platforms, the international assembly may be a hit-and-miss affair, but never outstays its welcome.
Carole Horst Kerry Condon earned her first Oscar nomination for Martin McDonagh’s “The Banshees of Inisherin,” in which she plays Siobhán, the complex sister of Colin Farrell’s simple Pádraic. Condon has worked with McDonagh for two decades; her first major role was in his play “The Lieutenant of Inishmore,” and in 2009, she starred in his drama “The Cripple of Inishmaan.” She also appeared in his film “Three Billboards Outside Ebbing, Missouri,” which won Academy Awards for Frances McDormand and Sam Rockwell. The actor, who hails from Thurles, Tipperary, Ireland, also shared that she shaved her head twice for McDonagh — once for “The Lieutenant of Inishmore” in London and four years later for the play’s New York premiere.
The Oscar-nominated documentary “Fire of Love” is getting the narrative remake treatment. The acclaimed non-fiction movie, concerning the scientific research and on-the-job romance of French volcanologist filmmakers Katia and Maurice Krafft, will become a live-action narrative feature film.
EXCLUSIVE: Searchlight Pictures is making a deal to turn Fire of Love into a narrative feature. The film, which tells the story of the scientific research and romance of preeminent French volcanologist filmmakers Katia and Maurice Krafft, is a frontrunner in the Oscar race for Best Documentary after premiering at 2022 Sundance, winning a Jury Prize and being acquired by National Geographic Documentary Films.
“Sorry I’m a few minutes late, I’m just trying to situate my lap dog,” apologizes Brendan Fraser from his upstate New York home. “Isn’t it funny in this age of Zoom, we can’t pretend we’re not at home anymore,” he laughs.
Peter Debruge Chief Film Critic On Oscar night, “Guillermo del Toro’s Pinocchio” will almost certainly win the Academy Award for feature animation. For many of those following along at home, it will look as though the director of “Pan’s Labyrinth” and “The Shape of Water” is being rewarded for some kind of secondary passion, as if del Toro had scaled Everest and then set his sights on a smaller peak on which to plant his flag. But that’s not how it happened at all. Way back in Mexico, del Toro started his filmmaking career doing animated shorts: Obsessed with Ray Harryhausen, the amateur future auteur built rudimentary armatures, painstakingly repositioning the puppets one frame at a time. Decades later, once established in Hollywood, del Toro accepted a side gig at DreamWorks Animation, serving as a story consultant on films such as “Megamind” and “Kung Fu Panda 2” as a pretext for teaching himself the trade. With “Pinocchio,” he put those lessons to work on a stop-motion passion project that’s every bit as challenging as his most impressive films.
Oscar nominations are in, and this year there are 10 films up for best picture — including , the biographical drama about the life, rise to fame, and death of the King of Rock and Roll. Austin Butler just bagged a BAFTA for his turn as Elvis Presley and you can catch his performance ahead of the Academy Awards on March 12. Written and directed by Baz Luhrmann, is available to watch at home on HBO Max, Amazon Prime Video, and Apple TV. is available to stream on HBO Max or you can rent the film on Amazon Prime Video. Austin Butler won his first-ever Golden Globe during this year's 80th annual awards for his portrayal of the rock & roll legend. «He was somebody who was so true to himself. It liberated a lot of people, even just audiences watching him,» Butler said of Elvis.
own memoir for the 26-minute film and was also on the call, offered this tidbit: “I sent a link to Dick’s Sporting Goods. It’s not a lie. I slid into their DM’s and was like, ‘Hey.
Club action returns this weekend as Manchester United host Championship side Durham in the fifth round of the Vitality Women's FA Cup.
Katie Reul editor The Elephant Whisperers Kartiki Gonsalves’ documentary debut, “The Elephant Whisperers,” released on Netflix, shines a spotlight on the ways in which climate change and human encroachment are rapidly destroying the habitats of Asian elephants. The film’s dire warning is subtly woven into a heartfelt narrative about forging family in unlikely places with elephant caretakers Bomman and Bellie at its core. The duo raise an orphaned elephant named Raghu, whom they’ve cared for since infancy, as well as another calf named Ammu. “[Bomman and Bellie] are still understanding the process of what the Oscars exactly are, but they’re just overwhelmed with messages and calls and really happy to share their lives with such a large audience,” Helmer Kartiki Gonsalves told Variety. “I don’t think they’ve ever had this kind of recognition before.”
Anna Marie de la Fuente Mexico’s Yalitza Aparicio, Oscar nominated for her career-launching turn in Alfonso Cuaron’s “Roma,” and Infinity Hill, producers of the Oscar-nominated Argentine drama “Argentina 1985,” have boarded sweatshop thriller “Bonded” as executive producers. The drama features a stellar cast that includes Golden Globe nominee Diego Calva (“Babylon”), Chile’s Alfredo Castro (“From Afar”), Mexico’s Paulina Gaitán (“Narcos”) and Jason Patric (“The Lost Boys”). The directorial feature debut of helmer-scribe Mohit Ramchandani, “Bonded” is produced by Mexican filmmaker Luis Mandoki (“Innocent Voices), Jon Graham (“The Vault”) and Kyle Stroud (“In Full Bloom”).
BAFTA Awards in London on Sunday night with a record-breaking seven wins, including for Best Director, Best Film and Best Film Not in the English Language. The tally means the World War One epic now holds the record for a film not in the English language. The previous record was held by 1988 film “Cinema Paradiso,” which won five BAFTAs. Meanwhile Colin Farrell starrer “The Banshees Of Inisherin” won the second largest number of awards of the night, including both supporting actor categories with wins for Barry Keoghan and Kerry Condon (who emerged as the correct winner after fellow nominee Carey Mulligan’s name was initially called in error.) Writer and director Martin Mcdonagh also won for Original Screenplay and Outstanding British Film, although his swipe at the film’s producer Searchlight – when he quipped that he had landed an award for the script without any notes from the studio – prompted a mixed response from the audience, with some possibly perceiving the comment as arrogant. The director quickly made it clear he wasn’t being serious, saying “kidding, kidding.”