Oscar-Nominated Yalitza Aparicio to Executive Produce Sweatshop Drama ‘Bonded’ with Infinity Hill (EXCLUSIVE)

The Oscars’ annual In Memoriam segment on Sunday included a live performance of the song “Calling All Angels” by Lenny Kravitz.

Jamie Lee Curtis gave her late parents, Janet Leigh and Tony Curtis, a sweet shout-out during her win for Best Supporting Actress at the 2023 Oscars on Sunday. Curtis teared up as she noted that they were both nominated for Oscars in their lifetime.Curtis won for her performance in.

Zoe Saldana has one word in mind when it comes to  being nominated for an Oscar at the 95th annual Academy Awards on Sunday: grateful. «Sometimes I wake up and I know what it means,» Saldana told ET's Kevin Frazier and Nischelle Turner about the film's Best Picture nomination. «And other times, I just know what it feels like, and it just feels really beautiful to know that I am a part of a story that has touched so many people across the globe.

In preparation for his Oscar nominated role as Elvis, Austin Butler has claimed that he connected to the late singer's ghost, ahead of the star studded awards ceremony happening tonight.

Charna Flam Production designers from the Oscar-nominated films “All Quiet on the Western Front,” “Avatar: The Way of Water,” “Babylon,” “The Fabelmans” and “Elvis” are joining the Art Directors Guild (ADG) and Set Decorators Society of America (SDSA) for an in-person panel on Saturday at 3 p.m. PT, which will also be available to stream. Sponsored by Variety, the upcoming panel will bring together the Oscar-nominated production designers and set decorators to discuss their craft and the production process ahead of Sunday night’s ceremony. The panel will feature Christian M. Goldbeck and Ernestine Hippe from “All Quiet on the Western Front”; Dylan Cole, Ben Procter and Vanessa Cole from “Avatar: The Way of Water”; Florencia Martin and Anthony Carlino from “Babylon”; Catherine Martin, Karen Murphy and Bev Dunn from “Elvis”; and Rick Carter and Karem O’Hara from “The Fabelmans.” Former ADG president Thomas A. Walsh and SDSA member Jan Pascale will join together in moderating the panel.

Peter Debruge Chief Film Critic How long does a documentary need to be? Frederick Wiseman frequently goes long, and Oscar-winning “OJ: Made in America” ran nearly eight hours. Lately, with “Bill Russell: Legend” and “Boom! Boom! The World vs. Boris Becker,” streamers have embraced the so-called “two-part documentary” — a fancy term for what used to be called a miniseries. So, while there are no limits on how much longer docs can get, it’s refreshing to see a compelling subject covered in 40 minutes or less, and doubly rewarding to realize that four of the five packaged in ShortsTV’s “2023 Oscar Nominated Short Films: Documentary” found audiences on their own merits, even without theatrical distribution.

, the Indian film starring Ram Charan and Jr NTR as two revolutionaries fighting against the British colonialists in the 1920s, has not only enjoyed crossover success in the United States, but it made history when the breakout musical number, «Naatu Naatu,» was nominated for Best Original Song at the 95th Academy Awards. " is about friendship. It's celebrating friendship," NTR says. While speaking to ET's Ash Crosson, both actors reacted to all the accolades for the film, which is now streaming on Netflix, and what it was like filming the epic dance number for the Indian Telugu-language song written by the now-Oscar nominees, M.

Marc Malkin Senior Film Awards, Events & Lifestyle Editor “Close” director Lukas Dhont’s discovery of one of his film’s stars, Eden Dambrine, is straight out of a book of Hollywood legends. Dhont approached Dambrine on a train in their native Belgium and asked if he’d like to audition for his movie. “I was a bit worried,” Dambrine, 16, recalls. “I asked my friends to search on Google to see if it was really Lukas Dhont who was talking to me. It was so I felt a bit more safe.” Fast forward to 2023, and “Close” is up for best international feature at the Oscars. The A24 film is a drama about 13-year-old best friends Leo, played by Eden, and Rémi (Gustav De Waele). Tragedy occurs when Leo begins to distance himself from Rémi after they become the target of school bullies who believe the boys are a couple.  

Peter Debruge Chief Film Critic Of the 10 films up for best picture, no fewer than six run 199 minutes or more. On one extreme, James Cameron’s punishing “Avatar” sequel is long enough to require bathroom breaks. At the other, Daniels’ ADHD-styled “Everything Everywhere All at Once” proves equally exhausting, dedicating every hyperkinetic second to stimulating easily distracted audiences. It’s enough to make folks grateful for the lower-profile but still engaging live-action shorts category, where nominees are bound by a strict 40-minute time limit. This year’s crop — the so-so “2023 Oscar Nominated Short Films: Live Action” program — clocks in at under two hours. Available in theaters and on myriad streaming platforms, the international assembly may be a hit-and-miss affair, but never outstays its welcome.

nominees luncheon, and we came upon Steven Spielberg, as one does…he said, ‘I’ve seen your film three times now and I’ve cried in a different spot,” Malala said. Spielberg is nominated as director, cowriter and a producer of his majorly autobiographical drama “The Fabelmans” for this year’s Oscar ceremony.Malala remembers this vital moment as being singular as well.

The Oscar-nominated documentary “Fire of Love” is getting the narrative remake treatment. The acclaimed non-fiction movie, concerning the scientific research and on-the-job romance of French volcanologist filmmakers Katia and Maurice Krafft, will become a live-action narrative feature film.

EXCLUSIVE: Searchlight Pictures is making a deal to turn Fire of Love into a narrative feature. The film, which tells the story of the scientific research and romance of preeminent French volcanologist filmmakers Katia and Maurice Krafft, is a frontrunner in the Oscar race for Best Documentary after premiering at 2022 Sundance, winning a Jury Prize and being acquired by National Geographic Documentary Films.  

“Sorry I’m a few minutes late, I’m just trying to situate my lap dog,” apologizes Brendan Fraser from his upstate New York home. “Isn’t it funny in this age of Zoom, we can’t pretend we’re not at home anymore,” he laughs.

Peter Debruge Chief Film Critic On Oscar night, “Guillermo del Toro’s Pinocchio” will almost certainly win the Academy Award for feature animation. For many of those following along at home, it will look as though the director of “Pan’s Labyrinth” and “The Shape of Water” is being rewarded for some kind of secondary passion, as if del Toro had scaled Everest and then set his sights on a smaller peak on which to plant his flag. But that’s not how it happened at all. Way back in Mexico, del Toro started his filmmaking career doing animated shorts: Obsessed with Ray Harryhausen, the amateur future auteur built rudimentary armatures, painstakingly repositioning the puppets one frame at a time. Decades later, once established in Hollywood, del Toro accepted a side gig at DreamWorks Animation, serving as a story consultant on films such as “Megamind” and “Kung Fu Panda 2” as a pretext for teaching himself the trade. With “Pinocchio,” he put those lessons to work on a stop-motion passion project that’s every bit as challenging as his most impressive films.

Nominees Quinta Brunson (Abbott Elementary), Janelle James (Abbott Elementary), and Jenny Slate (Everything Everywhere All At Once), along with Orlando Bloom (Carnival Row), James Marsden (Dead To Me), and Mark Wahlberg (Me Time) are set as presents for the 29th annual SAG Awards.

own memoir for the 26-minute film and was also on the call, offered this tidbit: “I sent a link to Dick’s Sporting Goods. It’s not a lie. I slid into their DM’s and was like, ‘Hey.

this year he’s the only previous nominee in the category.Chatting from London, Nielsen discussed his repeat trip to the Oscars, the difficulty of mixing comedy and tragic tones in the cutting room, and his personal opinion about the running time of movies. When you won the Oscar two years ago for “Sound of Metal,” the ceremony was held in a train station. So this year will be a different experience for you.It will.

Karen Idelson The subtleties of war. The struggle with loss and grief. The search for a home and belonging. The terror of puberty. The realization of mortality. This year’s Oscar nominees in the animated feature category never shied away from the big issues. Underneath the bold exteriors of their artistic and technological achievements, each one embraced difficult, rich themes. “I think there’s a way that young and old can both feel the emotion and the meaning of the story,” says “Puss in Boots: The Last Wish” helmer Joel Crawford. “Puss’ story is something we can all relate to in a way. He’s this fearless hero who has this moment where when he comes across the wall, feels fear for the first time because he knows he’s run out of lives and that he’s mortal — like all of us — for the first time. That moment is an impression of fear that I think everybody can feel. But then we are also able to tap into to some brighter kind of themes as well like hope through this impressionistic style we used in the animation. 

Fresh off her big performance at the 2023 Super Bowl, Rihanna is gearing up for another performance at the 2023 Oscars.