Patrick Frater Asia Bureau Chief Acclaimed film-making duo Kamila Andini and Ifa Isfansyah take a calculatedly side-on approach to Indonesian societal history in “Cigarette Girl,” a new Netflix series that releases on Nov.1 and which premiered its first episodes at the Busan International Film Festival earlier this month. Starting with a wealthy family about to lose its aging patriarch in 2001, the series uses flashbacks to the 1960s to uncover not only the origins of the family’s herbal cigarette or ‘Kretek’ fortune, but also the hidden romance underlying it. And it highlights the overbearing and only slowly changing societal pressures placed on women, from high and low ranks, even as Indonesian politics and government underwent tectonic shifts. Ahead of the Busan premiere Andini and Isfansyah told Variety how their lush and romantic treatment is both a product of changing society and a way of facing up to recent Indonesian history.Watch the new trailer here.
Nusrat Imrose Tisha, Mostofa Sarwar Farooki’s Busan Competition Title ‘Something Like An Autobiography’ Unveils Trailer (EXCLUSIVE)
05.10.2023 - 12:21 / variety.com
Naman Ramachandran A first trailer has been unveiled for Bangladeshi filmmakers Mostofa Sarwar Farooki and Nusrat Imrose Tisha‘s “Something Like an Autobiography.” The film has its world premiere at the Busan International Film Festival, where it is in the prestigious Jiseok competition. The film follows Dhaka-based married couple, the filmmaker Farhan (Farooki) and actor Tithi (Tisha), who are under societal pressure to have a baby. Tithi conceives and towards the end of her pregnancy term an incident occurs that throws into sharp relief some realities of contemporary Bangladeshi society.
The title, a nod to Kurosawa Akira’s celebrated memoir, is also reflective of the real lives of Farooki and Tisha, a real-life celebrity couple who are the most recognized filmmaker and actor in Bangladesh, respectively. Farooki previously directed and Tisha starred in “Television,” which closed Busan in 2012. More of the couple’s collaborations have played at Busan.
The screenplay of “Something Like an Autobiography” was written by Farooki and Tisha, who also serves as a producer alongside Redoan Rony for Bangladeshi streamer Chorki, Anna Katchko and Nina Lath. The film is part of Chorki’s 12-film “Ministry of Love” anthology. “I make a film simply because I have something to say on a particular subject.
I just can’t make a film just for the sake of telling a story. I need to be philosophically attached to the subject. In that way, the story of the others becomes my personal story.
That’s why I always say all my films are autobiographical. But for this film, we are the subject. I think the pandemic must have contributed in guiding our thought process.
‘The Wrestler’, ‘September 1923’ Win New Currents Awards As Busan International Film Festival Wraps Buzzy 28th Edition
The Wrestler, directed by Bangladeshi-Canadian filmmaker Iqbal H. Chowdhury, and September 1923, from Japan’s Tatsuya Mori, picked up the New Currents Awards as Busan International Film Festival wrapped a busy 28th edition on October 13.
Indonesia’s Reza Rahadian, Yosep Anggi Noen Talk Busan Premiere ‘24 Hours With Gaspar’; Visinema Pictures’ International Approach
EXCLUSIVE: Indonesian actor Reza Rahadian and director Yosep Anggi Noen are attending Busan International Film Festival with their dystopian crime drama 24 Hours With Gaspar, which is receiving its world premiere in the festival’s Jiseok competition.
QCinema Project Market Unveils Twenty Films in Development
Patrick Frater Asia Bureau Chief Some twenty aspiring film projects have been selected to participate in the inaugural edition of the Qcinema Project Market (Nov. 18-19) that this year represents and expansion of the QCinema Film Festival in The Philippines’ Quezon City. The selected titles include development projects by several of East Asia’s better known independent and art-house directors and projects.
Pema Tseden’s ‘Snow Leopard’ Among Asian Titles Acquired at Busan ACFM for U.K., Ireland by Day For Night (EXCLUSIVE)
Naman Ramachandran Distributor, Day for Night has acquired a trio of Asian titles for U.K. and Ireland at the Busan International Film Festival’s Asian Contents and Film Market. Day for Night is acquiring the late Pema Tseden‘s “Snow Leopard” from Rediance.
Manoj Bajpayee Busan Film ‘Joram’ to Get Global Theatrical Release From Zee Studios (EXCLUSIVE)
Naman Ramachandran Devashish Makhija’s survival thriller “Joram,” which is playing at the Busan International Film Festival, will be released theatrically worldwide by Zee Studios in December. The film, which premiered at Rotterdam earlier this year, is in Busan’s A Window on Asian Cinema strand. Eminent actor Manoj Bajpayee, who previously starred in Makhija’s 2016 short “Taandav” and played the title role in “Bhonsle,” plays Dasru, a tribal migrant worker in Mumbai whose past catches up with him and he must flee with his infant daughter Joram.
‘In Flames’ Producer Fae Pictures & ‘Donkeyhead’ Producer Karma Film Board Maya Bastian’s Tamil-Canadian ‘The Devil’s Tears’ – Busan
EXCLUSIVE: Anand Ramayya’s Karma Film is set to produce Maya Bastian’s The Devil’s Tears alongside Canada’s Blackout Media, while Shant Joshi’s Fae Pictures has also come on board to executive produce.
Indonesia Celebrates Renaissance at Busan, Aims to Shift From ‘Big Market to Big Player’
Naman Ramachandran The Indonesian film industry is poised to spread its wings globally as the country’s filmmaking boom is the subject of a focus at the Busan International Film Festival. Films from the country now routinely get selected and win prizes at major international festivals. The local market in Indonesia, which has the fourth-largest population in the world with 277 million, is rapidly expanding with homegrown productions accounting for a significant share.
‘Malice’ Set as Four-Way Asian Coproduction – Busan Market Deal
Patrick Frater Asia Bureau Chief Taiwanese actors King Jieh-wen and Hsueh Shih-ling and Indonesia’s Angga Yunanda are set to star in “Malice,” a multinational Asian thriller that will shoot next year. The film’s producers, actors and government backers presented the fully-assembled package to press and industry on Monday at the Busan International Film Festival. The film, pitched as “a road movie at sea,” is a dark tale of three men who put out to sea in search of a particular, large swordfish that had been rumored to have died out.
Bangladesh’s Booming Presence at Busan Points to Against-the-Odds Industry Emergence: ‘Superheroes Don’t Need to Come From North America’
Naman Ramachandran Bangladesh is a vital presence at the 2023 Busan International Film Festival with three films in competition and a film at the Asian Project Market. The current wave of Bangladeshi cinema was heralded by Mostofa Sarwar Farooki‘s “Television,” which closed Busan in 2012. The festival has subsequently screened almost every major work emerging from the country.
Hsueh Shih-Ling, Angga Yunanda Among Cast Revealed For Ambitious Co-Production ‘Malice’ – Busan
Taiwanese actors Jieh-Wen King and Hsueh Shih-Ling and Indonesian actor Angga Yunanda have been cast in Lim Lungyin’s action adventure Malice, an amitious co-production between Taiwan, Czech Republic and Indonesia.
India’s Karishma Tanna on Working Through Her Wedding for Busan Best Actress-Winning Netflix Series ‘Scoop’ (EXCLUSIVE)
Naman Ramachandran Hansal Mehta‘s Netflix series “Scoop” on Sunday won the prizes for best Asian TV series and best lead actress for Karishma Tanna at the Busan International Film Festival‘s 2023 Asia Content Awards and Global OTT Awards. The hard hitting crime drama series is based on journalist Jigna Vora’s 2019 memoir “Behind Bars in Byculla: My Days in Prison.” Tanna plays the lead role of Jagruti Pathak, a scoop-hunting journalist who is caught in the nexus of the police, the underworld and the media.
EST N8 Adds Hong Kong Remake of ‘Tape,’ Filipino Comedy ‘ASOG’ to Bulging Busan Film Sales Slate (EXCLUSIVE)
Patrick Frater Asia Bureau Chief EST N8, a recently-established finance, production and rights sales company, has added a Hong Kong remake of classic film “Tape” and the LGBT comedy-drama “ASOG” to its bulging sales slate at the AFCM market that accompanies the Busan Intenational Film Festival. “Tape” tells the story of three best friends who, following an event at a graduation party that transforms their lives, reunite 15 years later where a case of blackmail forces them to confront a terrible secret from their past. The original film starred Ethan Hawke, Uma Thurman and Robert Sean Leonard and played at the Sundance, Toronto and Rotterdam festivals.In the Cantonese-language remake directed by Bizhan Tong, Selena Lee, Kenny Kwan, and Adam Pak play the contemporary characters while Mason Fung, Summer Chan, and Angus Yeung portray the characters’ younger versions. The script is written by Stephen Belber, Tong, Lee and Bonnie Lo, and is an adaptation of Belber’s own scripts from both the original film and stage play. The writers and director have significantly modernized the script to reflect advances in technology. Producers on the film include Tong, Lee and Belber.
Sri Lankan Economic Crisis is Potent Backdrop for Prasanna Vithanage’s Busan Competition Title ‘Paradise’
Naman Ramachandran Sri Lankan auteur Prasanna Vithanage is back at the Busan International Film Festival with thriller “Paradise,” which is in the Jiseok competition. The film follows Indian couple – streaming content producer Kesav (Roshan Mathew, Sundance 2023 series “Poacher”) and blogger Amritha (Darshana Rajendran, “Hridayam”) – who are on vacation in Sri Lanka during the country’s ongoing economic crisis. They are the victims of a robbery and find themselves in the thick of the agitations.
Philippines Increases Film Location Incentive To 25% With Addition Of Cultural Bonus – Busan
Film Development Council of the Philippines (FDCP) has tweaked its incentive schemes for both international co-productions and offshore production, with the latter cash rebate being increased to 25% with the addition of a cultural bonus.
Indonesian Distribution in Focus at Busan Market
Naman Ramachandran Distribution in Indonesia was the subject of a lively debate at the Busan International Film Festival‘s Asian Contents and Film Market. With 277 million people, Indonesia has one of the largest populations in the world. However, geographically it is an archipelago and for its population, the country is under-screened with just 2,300 cinema screens.
Disney’s ‘Moving’ Sweeps Asia Contents Awards With Six Prizes Including Best Creative, Writer & Actor – Busan
Disney+ superhero series Moving was the big winner at Busan Film Festival’s Asia Contents Awards & Global OTT Awards, scooping six prizes, including Best Creative and Best Writer for Kang Full.
Philippines Unveils 5% Cultural Bonus Incentive Addition to Cash Rebate (EXCLUSIVE)
Naman Ramachandran The Film Development Council of the Philippines (FDCP) has added a 5% cultural bonus incentive to the existing 20% cash rebate that is part of the Film Location Incentive Program (FLIP), it was revealed at the Busan International Film Festival‘s Asian Contents and Film Market. The cultural bonus will apply if the project showcases Philippines culture and heritage.
Busan Selection ‘Salli’ Sees Sales Rights Picked up by ArtHood Entertainment (EXCLUSIVE)
Salli,” a film which has its world premiere this week in the Busan International Film Festival’s A Window on Asian Cinema program. The Mandarin-, Taiwanese-, English- and French-language film follows a lonely middle-aged chicken farmer Hui-Chun, who doesn’t speak English and develops a romantic relationship through an app with a French man who calls himself Martin. In the online world, Hui-Chun is Salli.
Vietnam’s Skyline Media Launching Five Titles at Busan Market
Patrick Frater Asia Bureau Chief Vietnam-based sales agent Skyline Media has unveiled five new titles for sales and distribution at the ACFN market that accompanies the Busan International Film Festival. They range from horror films to gay rom com series. “The Soul Reaper” is adapted from director-producer Thao Trang’s best-selling horror novel “Lunar New Year in Hell Village” (Tet O Lang Dia Nguc), and involves the happy occasion of a wedding turn darker after the arrival of a creepy stranger.