Indonesia’s Reza Rahadian, Yosep Anggi Noen Talk Busan Premiere ‘24 Hours With Gaspar’; Visinema Pictures’ International Approach

Persona: Sulli, a documentary film starring late K-pop star Sulli, will premiere on Netflix in November.Today (October 26), Netflix confirmed that Persona: Sulli will be released on the streaming platform next month. According to a report from Korea JoongAng Daily, the film will be split into two parts.The first is a short film called 4: Clean Island, which stars the late Sulli as the titular “4”, who travels to an island that is dubbed the cleanest place in the world.

Guangzhou-based director Choy Ji has filmed Hong Kong from a perspective we’ve rarely seen before in his debut feature Borrowed Time, which played at Pingyao film festival this week after screening in Busan’s New Currents competition. 

Patrick Frater Asia Bureau Chief Acclaimed film-making duo Kamila Andini and Ifa Isfansyah take a calculatedly side-on approach to Indonesian societal history in “Cigarette Girl,” a new Netflix series that releases on Nov.1 and which premiered its first episodes at the Busan International Film Festival earlier this month. Starting with a wealthy family about to lose its aging patriarch in 2001, the series uses flashbacks to the 1960s to uncover not only the origins of the family’s herbal cigarette or ‘Kretek’ fortune, but also the hidden romance underlying it. And it highlights the overbearing and only slowly changing societal pressures placed on women, from high and low ranks, even as Indonesian politics and government underwent tectonic shifts. Ahead of the Busan premiere Andini and Isfansyah told Variety how their lush and romantic treatment is both a product of changing society and a way of facing up to recent Indonesian history.Watch the new trailer here.

Chinese director Ning Hao has flown directly from Busan film festival in South Korea to China’s Pingyao International Film Festival (PYIFF) with his latest film, The Movie Emperor, starring Andy Lau. 

The Wrestler, directed by Bangladeshi-Canadian filmmaker Iqbal H. Chowdhury, and September 1923, from Japan’s Tatsuya Mori, picked up the New Currents Awards as Busan International Film Festival wrapped a busy 28th edition on October 13. 

Patrick Frater Asia Bureau Chief Top Japanese star Yagira Yuga (“Nobody Knows,” “Asakusa Kid”) was front and center of streamer Disney+’s plans when it gave a green light to a second season of drama-horror series “Gannibal.” The creepy show, in which Yagira portrays a damaged police detective on the heels of a gangster-like family in a troubled village, has been a ratings winner in terms of minutes watched for the streamer. And, on Sunday, it earned Yagira win an Asian excellence prize at the Busan International Film Festival’s Asia Contents Awards & Global OTT Awards. He spoke to Variety about the newly-started production of the second season.Where does Season Two kick off? In Season One, we saw the surfacing of many secrets including those of the village and the villagers.

Naman Ramachandran Distributor, Day for Night has acquired a trio of Asian titles for U.K. and Ireland at the Busan International Film Festival’s Asian Contents and Film Market. Day for Night is acquiring the late Pema Tseden‘s “Snow Leopard” from Rediance.

Naman Ramachandran Devashish Makhija’s survival thriller “Joram,” which is playing at the Busan International Film Festival, will be released theatrically worldwide by Zee Studios in December. The film, which premiered at Rotterdam earlier this year, is in Busan’s A Window on Asian Cinema strand. Eminent actor Manoj Bajpayee, who previously starred in Makhija’s 2016 short “Taandav” and played the title role in “Bhonsle,” plays Dasru, a tribal migrant worker in Mumbai whose past catches up with him and he must flee with his infant daughter Joram.

EXCLUSIVE: Anand Ramayya’s Karma Film is set to produce Maya Bastian’s The Devil’s Tears alongside Canada’s Blackout Media, while Shant Joshi’s Fae Pictures has also come on board to executive produce. 

Naman Ramachandran The Indonesian film industry is poised to spread its wings globally as the country’s filmmaking boom is the subject of a focus at the Busan International Film Festival. Films from the country now routinely get selected and win prizes at major international festivals. The local market in Indonesia, which has the fourth-largest population in the world with 277 million, is rapidly expanding with homegrown productions accounting for a significant share.

Patrick Frater Asia Bureau Chief Taiwanese actors King Jieh-wen and Hsueh Shih-ling and Indonesia’s Angga Yunanda are set to star in “Malice,” a multinational Asian thriller that will shoot next year. The film’s producers, actors and government backers presented the fully-assembled package to press and industry on Monday at the Busan International Film Festival. The film, pitched as “a road movie at sea,” is a dark tale of three men who put out to sea in search of a particular, large swordfish that had been rumored to have died out.

Naman Ramachandran Bangladesh is a vital presence at the 2023 Busan International Film Festival with three films in competition and a film at the Asian Project Market. The current wave of Bangladeshi cinema was heralded by Mostofa Sarwar Farooki‘s “Television,” which closed Busan in 2012. The festival has subsequently screened almost every major work emerging from the country.

Naman Ramachandran After a three-year hiatus, the Jio MAMI Mumbai Film Festival is returning with a larger lineup and an expanded focus on South Asian cinema. The festival will feature 250 films including 40 world premieres, 45 Asia premieres and 70 South Asia Premieres.

Taiwanese actors Jieh-Wen King and Hsueh Shih-Ling and Indonesian actor Angga Yunanda have been cast in Lim Lungyin’s action adventure Malice, an amitious co-production between Taiwan, Czech Republic and Indonesia.

Naman Ramachandran Hansal Mehta‘s Netflix series “Scoop” on Sunday won the prizes for best Asian TV series and best lead actress for Karishma Tanna at the Busan International Film Festival‘s 2023 Asia Content Awards and Global OTT Awards. The hard hitting crime drama series is based on journalist Jigna Vora’s 2019 memoir “Behind Bars in Byculla: My Days in Prison.” Tanna plays the lead role of Jagruti Pathak, a scoop-hunting journalist who is caught in the nexus of the police, the underworld and the media.

Patrick Frater Asia Bureau Chief After making four documentary features about border conflicts, ethnicity, prostitution and human rights, Thai director Nontawat Numbenchapol picks up many of the same themes in his first fiction feature “Doi Boi.” The film, which premieres this week in the Jiseok competition section of the Busan International Film Festival, is the story of three young men living on the margins of society in Thailand and their common quest for justice. The characters are an illegal immigrant from Myanmar working, despite his own heterosexuality, as a gay prostitute in Chiang Main, a customer and an on-the-run political activist he is trying to help. The narrative takes in a large number of the social and political problems that have beset seemingly idyllic Thailand in recent years – undocumented workers, illegal immigrants fleeing the civil war in Myanmar, an oppressive political power structure, enforced ‘disappearance’ of those who the government’s political opponents and critics, police brutality – and traffic jams. “I was surprised to find so many immigrant men [from Myanmar’s Shan region] as sex workers in Chiang Mai.

Film Development Council of the Philippines (FDCP) has tweaked its incentive schemes for both international co-productions and offshore production, with the latter cash rebate being increased to 25% with the addition of a cultural bonus. 

Naman Ramachandran Distribution in Indonesia was the subject of a lively debate at the Busan International Film Festival‘s Asian Contents and Film Market. With 277 million people, Indonesia has one of the largest populations in the world. However, geographically it is an archipelago and for its population, the country is under-screened with just 2,300 cinema screens.

Disney+ superhero series Moving was the big winner at Busan Film Festival’s Asia Contents Awards & Global OTT Awards, scooping six prizes, including Best Creative and Best Writer for Kang Full.

Naman Ramachandran The enduring popularity of the Asian LGBT and horror genres and the relationship with giant streamer Netflix were among the topics of discussion at a lively panel focusing on distribution at the Busan International Film Festival‘s Asian Contents and Film Market. “I hate the fact that all the producers want to work with Netflix, it is also killing international sales as well. Because if all the big titles go to Netflix, it leaves very little room for independent distributors,” said Chen Shao-Yi, general manager at Screenworks Asia.