Philippines Unveils 5% Cultural Bonus Incentive Addition to Cash Rebate (EXCLUSIVE)

Naman Ramachandran Bangladeshi auteur Mostofa Sarwar Farooki has wrapped his latest film “Last Defenders of Monogamy.” The cast is headlined by popular Bangladeshi actor Chanchal Chowdhury (“Karagar,” “Hawa”) and Xefer Rahman and the cast also includes Samina Hussain Prema and Shuddho Rai. The film follows Shafqat (Chowdhury), a father of two adolescents and a loving husband, who is a firm believer in the ideals of monogamy but the winds of change take a big test of his ideologies. “Working with Farooki is always special.

Patrick Frater Asia Bureau Chief Vietnam-based sales agent Skyline Media has closed multi-territory deals for two of its current titles “The Soul Reaper” and “Vietnamese Horror Story.” The deals follow Skyline’s recent trip to Busan’s ACFM and come ahead of its participation as exhibitor at a string of further final quarter sales events – Tokyo’s TIFFCOM, Santa Monica’s American Film Market and Taipei’s Taiwan Creative Content Fest. Folk horror film “The Soul Reaper,” currently in the final stages of post-production, was licensed to GaragePlay for Taiwan and to Westec Media Limited (WML) for Laos, Cambodia and nine other Southeast Asian territories. The film, adapted from Thao Trang’s best-selling horror novel “Lunar New Year in Hell Village” (aka “Tet O Lang Dia Nguc”), is set to be released in Vietnam cinemas on 08 December. GaragePlay is one of Taiwan’s leading distributors, and recently handles releases of “Suzume,” “John Wick: Chapter 4” and “Someday or One Day.” WML is the biggest content distributor in Cambodia and has distributed more than 1,000 titles theatrically since its establishment.

Elsa Keslassy International Correspondent Bhutan’s official Oscar entry “The Monk And The Gun,” Pawo Choyning Dorji‘s follow-up to “Lunana: A Yak in The Classroom,” has been bought by a raft of well-established international theatrical distributors. Following its festival premieres at Telluride, Toronto, Rome and Busan, “The Monk and the Gun” has been sold by Films Boutique to Pyramide Distribution (France), September Films (Benelux), Rialto Distribution (Australia), Future Films (Scandinavia), A Contracorriente (Spain), Lev Films (Israel), Aurora Films (Poland), Trigon (Switzerland), Alambique Films (Portugal) and Impact Films (India and Indian Subcontinent). Earlier this week, the crowdpleaser was also acquired by Roadside Attraction for the U.S.

Patrick Frater Asia Bureau Chief No Maori Allowed, directed by Corinna Hunziger was named the winner of the Pasifika Award and recipient of a $5,000 cash prize at the Hawaii International Film Festival. It recounts the story of a teacher who unearths a secret past in the town of Pukekohe. Thet causes M?ori community figures to come forward to share personal stories that shaped their lives.

Naman Ramachandran New Philippines anime franchise “Solemn Vow” has set several partnerships across the Southeast Asian region. Conceptualized as an anime series with a strategy for spinoffs into manga, games, music and merchandise, the franchise, created by Lawrence Panganiban, has formed partnerships with Philippines-based Enigma Kai and media startup Fire and Ice, and Singapore-based companies Anito Studios and Silver Media, in collaboration with Japanese animation giant Toei Animation Philippines, which will handle production.

Patrick Frater Asia Bureau Chief Acclaimed film-making duo Kamila Andini and Ifa Isfansyah take a calculatedly side-on approach to Indonesian societal history in “Cigarette Girl,” a new Netflix series that releases on Nov.1 and which premiered its first episodes at the Busan International Film Festival earlier this month. Starting with a wealthy family about to lose its aging patriarch in 2001, the series uses flashbacks to the 1960s to uncover not only the origins of the family’s herbal cigarette or ‘Kretek’ fortune, but also the hidden romance underlying it. And it highlights the overbearing and only slowly changing societal pressures placed on women, from high and low ranks, even as Indonesian politics and government underwent tectonic shifts. Ahead of the Busan premiere Andini and Isfansyah told Variety how their lush and romantic treatment is both a product of changing society and a way of facing up to recent Indonesian history.Watch the new trailer here.

Naman Ramachandran Hansal Mehta‘s “The Buckingham Murders,” which premieres at the BFI London Film Festival, will be the first in a franchise. Written by Aseem Arrora, Raghav Raj Kakker and Kashyap Kapoor, the film follows Jasmeet Bhamra (portrayed by Kareena Kapoor Khan), a detective and mother who, after losing her own child, must investigate the murder of a 10-year-old in Buckinghamshire, going down a rabbit hole of secrets, where almost everyone in the small town becomes a suspect.

Patrick Frater Asia Bureau Chief Some twenty aspiring film projects have been selected to participate in the inaugural edition of the Qcinema Project Market (Nov. 18-19) that this year represents and expansion of the QCinema Film Festival in The Philippines’ Quezon City. The selected titles include development projects by several of East Asia’s better known independent and art-house directors and projects.

Patrick Frater Asia Bureau Chief Top Japanese star Yagira Yuga (“Nobody Knows,” “Asakusa Kid”) was front and center of streamer Disney+’s plans when it gave a green light to a second season of drama-horror series “Gannibal.” The creepy show, in which Yagira portrays a damaged police detective on the heels of a gangster-like family in a troubled village, has been a ratings winner in terms of minutes watched for the streamer. And, on Sunday, it earned Yagira win an Asian excellence prize at the Busan International Film Festival’s Asia Contents Awards & Global OTT Awards. He spoke to Variety about the newly-started production of the second season.Where does Season Two kick off? In Season One, we saw the surfacing of many secrets including those of the village and the villagers.

Naman Ramachandran Distributor, Day for Night has acquired a trio of Asian titles for U.K. and Ireland at the Busan International Film Festival’s Asian Contents and Film Market. Day for Night is acquiring the late Pema Tseden‘s “Snow Leopard” from Rediance.

Naman Ramachandran Devashish Makhija’s survival thriller “Joram,” which is playing at the Busan International Film Festival, will be released theatrically worldwide by Zee Studios in December. The film, which premiered at Rotterdam earlier this year, is in Busan’s A Window on Asian Cinema strand. Eminent actor Manoj Bajpayee, who previously starred in Makhija’s 2016 short “Taandav” and played the title role in “Bhonsle,” plays Dasru, a tribal migrant worker in Mumbai whose past catches up with him and he must flee with his infant daughter Joram.

Naman Ramachandran Hansal Mehta‘s Netflix series “Scoop” on Sunday won the prizes for best Asian TV series and best lead actress for Karishma Tanna at the Busan International Film Festival‘s 2023 Asia Content Awards and Global OTT Awards. The hard hitting crime drama series is based on journalist Jigna Vora’s 2019 memoir “Behind Bars in Byculla: My Days in Prison.” Tanna plays the lead role of Jagruti Pathak, a scoop-hunting journalist who is caught in the nexus of the police, the underworld and the media.

Patrick Frater Asia Bureau Chief EST N8, a recently-established finance, production and rights sales company, has added a Hong Kong remake of classic film “Tape” and the LGBT comedy-drama “ASOG” to its bulging sales slate at the AFCM market that accompanies the Busan Intenational Film Festival. “Tape” tells the story of three best friends who, following an event at a graduation party that transforms their lives, reunite 15 years later where a case of blackmail forces them to confront a terrible secret from their past. The original film starred Ethan Hawke, Uma Thurman and Robert Sean Leonard and played at the Sundance, Toronto and Rotterdam festivals.In the Cantonese-language remake directed by Bizhan Tong, Selena Lee, Kenny Kwan, and Adam Pak play the contemporary characters while Mason Fung, Summer Chan, and Angus Yeung portray the characters’ younger versions. The script is written by Stephen Belber, Tong, Lee and Bonnie Lo, and is an adaptation of Belber’s own scripts from both the original film and stage play. The writers and director have significantly modernized the script to reflect advances in technology. Producers on the film include Tong, Lee and Belber.

Patrick Frater Asia Bureau Chief After making four documentary features about border conflicts, ethnicity, prostitution and human rights, Thai director Nontawat Numbenchapol picks up many of the same themes in his first fiction feature “Doi Boi.” The film, which premieres this week in the Jiseok competition section of the Busan International Film Festival, is the story of three young men living on the margins of society in Thailand and their common quest for justice. The characters are an illegal immigrant from Myanmar working, despite his own heterosexuality, as a gay prostitute in Chiang Main, a customer and an on-the-run political activist he is trying to help. The narrative takes in a large number of the social and political problems that have beset seemingly idyllic Thailand in recent years – undocumented workers, illegal immigrants fleeing the civil war in Myanmar, an oppressive political power structure, enforced ‘disappearance’ of those who the government’s political opponents and critics, police brutality – and traffic jams. “I was surprised to find so many immigrant men [from Myanmar’s Shan region] as sex workers in Chiang Mai.

Film Development Council of the Philippines (FDCP) has tweaked its incentive schemes for both international co-productions and offshore production, with the latter cash rebate being increased to 25% with the addition of a cultural bonus. 

Bradley Liew of Epicmedia Productions (Philippines), Stefano Centini of Volos Films (Taiwan/Italy) and Singapore’s Huang Junxiang have reunited to launch two genre projects at the Busan International Film Festival‘s Asian Contents and Film Market. The trio previously teamed on Sundance Midnight hit, “In My Mother’s Skin” by Kenneth Dagatan, which was recently ranked number six on Variety’s Best Horror Movies of 2023. The film was acquired by Amazon Studios and will stream on Prime Video from Oct.

Salli,” a film which has its world premiere this week in the Busan International Film Festival’s A Window on Asian Cinema program. The Mandarin-, Taiwanese-, English- and French-language film follows a lonely middle-aged chicken farmer Hui-Chun, who doesn’t speak English and develops a romantic relationship through an app with a French man who calls himself Martin. In the online world, Hui-Chun is Salli.

Naman Ramachandran The renaissance in Indonesian cinema is being celebrated at the Busan International Film Festival this year with 15 films, shorts and series being showcased. Hilmar Farid, Director General of Culture at Indonesia‘s Ministry of Education, Culture, Research, and Technology, is leading a 50-strong delegation of filmmakers, committee members and media to the festival. Variety spoke with Farid about the country’s boom and its upcoming opportunities and challenges.

Naman Ramachandran Celebrated Indian filmmaker Rima Das is at the Busan International Film Festival‘s Asian Project Market with “Malati, My Love.” Like all of Das’ previous films, “Malati, My Love” is set in Assam, eastern India. It will follow Apurva and Malati who are happily married and madly in love, unabashed by what people in their small town think. When an unfortunate incident turns their lives upside down, in hardship, just as in love, they refuse to conform to societal norms.

Naman Ramachandran Producer Savita Raj Hiremath’s 2006 Bollywood cult classic “Khosla Ka Ghosla!” is being remade in the Telugu, Marathi and Kannada languages, it was revealed on the sidelines of the Busan International Film Festival’s Asian Contents and Film Market. Directed by Dibakar Banerjee and written by Jaideep Sahni, the Hindi-language film followed Khosla, a Delhi-based retired middle-class man who tries to get his land back from a swindling property dealer with the help of his sons and their friends. The Kannada version will be directed by Adarsh Eshwarappa (“Shuddhi”), the Telugu version by Vinod Anantoju (“Middle Class Melodies”) and the Marathi one by Kedar Shinde (“Baipan Bhari Deva”).