Ahead of starring in 1975, Jason Reitman’s period comedy feature, Kaia Gerber is getting a feel for Studio 8H.
22.03.2024 - 18:05 / variety.com
Murtada Elfadl “Night of Nights” throws the audience immediately into the action. A sick man in a wheelchair and his companion are stopped outside a hospital by a security guard. All three men are masked and speaking Chinese.
He urgently needs a catheter but is treated with suspicion and without courtesy, a negative COVID test is demanded and the patient is turned away because they can’t provide one. It becomes apparent that this documentary chronicles the early days of the pandemic — and the accompanying existentialchaos and horror. It has a no-frills approach, showing what the filmmakers could capture at that time of utter confusion.
This film has a cloud of secrecy around it for obvious security purposes. No information is available about how and when exactly it was shot. The synopsis provided by the CPH:DOX festival, where it world premiered, doesn’t even specify the setting; it just says “two Asian megacities.” In the film itself they are revealed to be Wuhan and Shanghai, but only when someone mentions those names deep into the film.
The filmmaker(s) is credited as both “Anonymous” and “Truman,” obviously a pseudonym. While it does not indict the Chinese government methods per se, it’s definitely not a flattering account. With a haunting eerie quality, this documentary does not follow any specific person or subject, just COVID and its repercussions.
Ahead of starring in 1975, Jason Reitman’s period comedy feature, Kaia Gerber is getting a feel for Studio 8H.
A former executive at Yoozoo Games was sentenced to death on Friday in the 2020 poisoning of the company founder. The Chinese gaming company has links to Game of Thrones and the new Netflix series, The 3-Body Problem.
Jem Aswad Executive Editor, Music Universal Music Group and Spotify — the world’s largest music company and the world’s largest paid music-subscription service — have unveiled an expansion of their “strategic relationship” in an announcement that has very few details but is likely the opening of a new maneuver in UMG’s ongoing battle with TikTok. UMG and the China-based platform, which has been the leading source of music discovery for the past five years, have been in a standoff over multiple issues, primarily the platform’s low royalty payments and AI policies, since their licensing agreement expired earlier this year.
Patrick Frater Asia Bureau Chief “Sweet Planet,” a one of the highest-profile China-Europe co-productions of recent years, will air on China Global Television Network from Friday. The six-part culinary documentary is a co-production between millennial-focused global channel operator Insight TV, Netherlands-based production company JOIIN, and CGTN. It explore the culinary and cultural impact of sugar in cooking and food rituals around the world.
Nothing says Easter tentpole quite like Godzilla x Kong: The New Empire which is set to conquer the world with a box office debut around $135M, bolstered by 63 foreign markets and 3,850 theaters stateside.
2024 didn’t get off to a great start for Hollywood rising star Sydney Sweeney with the dismal critical response to “Madame Web.” But that’s one lull for the young actress in three straight years of ascendant stardom.
Siddhant Adlakha The nerve-wracking documentary “War Game” follows a 6-hour Situation Room re-creation of events of Jan. 6, 2021, albeit on a larger, more distressing scale. In the process, the film lays bare numerous weaknesses in America’s political infrastructure, but its most revealing subjects might not be who you think.
Lise Pedersen Swiss documentary film festival Visions du Réel has unveiled the program for its 55th edition, which includes 10 first films out of 15 in the main international competition, cementing its reputation as a springboard for emerging talent. The official selection includes 165 films from 50 countries, with gender parity for the second-year running, and no fewer than 88 world premieres, making VdR the place to be in April on the international non-fiction film calendar.
“3 Body Problem,” the sprawling and ambitious new sci-fi-ish geopolitical mystery drama Netflix series from “Game Of Thrones” creators David Benioff, D.B. Weiss, and Alexander Woo (“The Terror: Infamy,” “True Blood”), is difficult to describe in any kind of succinct form—perhaps your first clue about its overall problems.
Patrick Frater Asia Bureau Chief Previews for Universal Pictures and Dreamworks Animation’s “Kung Fu Panda 4” put the Chinese-themed film in fourth place at the mainland China box office, a week ahead of its official theatrical debut. Over the March 15-17 weekend, however, first and second places remained with holdover titles “The Pig, The Snake and the Pigeon” and “Dune: Part Two.” Taiwanese crime film “The Pig, The Snake and the Pigeon,” already playing on Netflix in territories outside China, topped the mainland China chart for the third successive weekend. According to data from consultancy Artisan Gateway, it earned $11.1 million (RMB79.1 million), for a cumulative of $73.2 million (RMB520 million).
With a solid offshore hold, Denis Villeneuve’s Dune: Part Two is closing in on $500M globally. The overseas weekend brought in $51.2M across 73 markets, a 40% drop versus last session (-37% excluding China). The international box office cume through Sunday is $289.4M, and worldwide the running total is $494.7M. The latter figure means the film has already surpassed Villeneuve’s 2021 Dune worldwide.
Former Vice President Mike Pence said that he will not endorse Donald Trump‘s 2024 presidential bid.
Phoebe Bridgers, Caroline Polachek and yeule are among the contributors for their upcoming horror film, I Saw The TV Glow.Other artists to feature on the soundtrack include L’Rain, Bartees Strange, The Weather Station, Jay Som, Maria BC and Florist.Directed by Jane Schoenbrun, I Saw The TV Glow follows the story of two teenagers who bond over a supernatural TV show which mysteriously gets cancelled as they start to lose their grip on reality.A synopsis of the film reads: “Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.”Bridgers also appears in the movie alongside Snail Mail’s Lindsey Jordan and Limp Bizkit’s Fred Durst.The soundtrack will be released on May 10, following the film’s release.
Elsa Keslassy International Correspondent Memento International has closed a raft of deals on “Fremont,” a critically acclaimed film starring Anaita Wali Zada, an Afghan refugee and first-time actor, and featuring “The Bear” actor Jeremy Allen White. Directed by BAFTA-nominated Iranian-born director Babak Jalali, the black-and-white movie tells the story of Donya, a young woman working at a Chinese fortune cookie factory in the San Francisco bay. Formerly a translator for the U.S.
This year’s Filmart was definitely bigger and busier than last year, which was the first physical edition following the reopening of Hong Kong and mainland China’s borders after the pandemic. According to Filmart organizers, the Hong Kong Trade Development Council (HKTDC), more than 750 exhibitors and 7,500 visitors attended this year’s Filmart, compared to around 700 exhibitors and 7,300 visitors in 2023. But despite frenetic meeting activity, the market did little to dispel fears that international sales business in the region, already in decline before the pandemic, is not yet recovering. International sales agents under the IFTA and European Film Promotion (EFP) umbrellas had packed meeting schedules.
In the realm of religious horror, one filled with tales of divine terror, Immaculate emerges as the latest contender. Yet despite its promising setup within the shadowy confines of an Italian nunnery and a cast led by Sydney Sweeney, Álvaro Morte, Benedetta Porcaroli and Simona Tabasco, the film struggles to carve out a niche for itself. Directed by Michael Mohan and written by Andrew Lobel, the movie treads familiar ground, recycling familiar elements without delivering the novel twists, deeper insights or genuine horror in a genre that thrives on the exploration of faith’s darker dimensions.
Warner Bros/Legendary Entertainment’s Dune: Part Two held strongly in its sophomore session at the international box office, adding $81M to handily cross the $200M overseas milestone, and reaching $367.5M globally.
Saturday’s Golden Raspberry Awards, better known as the Razzies, scoring prizes for Worst Screenplay; Worst Director; Worst Screen Couple; Worst Prequel, Remake, Rip-Off, or Sequel; and overall Worst Picture.“Winnie the Pooh: Blood and Honey” earned 3% among critics and 50% among audiences on Rotten Tomatoes. The Post’s film critic, Johnny Oleksinski, called it a demented and sicko indie horror film.Other Razzie champions include Oscar winner Jon Voight, 85, for his “Lucky Charms leprechaun” Irish accent in the 2023 crime thriller “Mercy.”Megan Fox, 37, took home a pair of trophies, for Worst Actress (“Johnny & Clyde”) and Worst Supporting Actress (“Expend4bles”), a rare Razzie feat.Sylvester Stallone received yet another Razzie, for Worst Supporting Actor (“Expend4bles”).
Alison Herman TV Critic Before a rushed ending soured the “Game of Thrones” fanbase on showrunners David Benioff and D.B. Weiss, the duo had rightfully earned acclaim for wrangling a seemingly unadaptable series of books into a damn good adaptation. Author and screenwriter George R.R.
SPOILER ALERT: This post contains some details of Netflix’s 3 Body Problem, set for an eight-episode launch on the streamer on March 21.