Nicolas Cage has ranked his favourite Nicolas Cage movies

Taking it way back! Nicolas Cage showed off his impressive memory skills by revealing he can recall a moment from inside his mother’s womb.

Look, there’s no denying Nicolas Cage is an odd dude. That’s not meant to be an insult either.

Nicolas Cage has recalled the first concert he ever attended to see The Who.In a newly aired segment from the April 13 episode of The Late Show with Stephen Colbert, Nicolas Cage partook in the “Colbert Questionert” and was asked about the first concert he ever attended.Cage revealed that his first concert was seeing The Who perform at the Fillmore Stadium in San Fransisco, before going on to explain how “blown away” he was by the performance. “Roger [Daltrey] did this incredible thing where he was spinning the microphone with the cable and he just hit the cymbal.

“The Late Show With Stephen Colbert” on Monday night. “Let me think. Listen, I know this sounds really far out and I don’t know if it’s real or not, but sometimes I think I can go all the way back to in utero and feeling like I could see faces in the dark or something,” Cage told the late-night host of his earliest memory.

Zack Sharf Digital News Director Nicolas Cage took a questionnaire for Stephen Colbert during a recent visit to “The Tonight Show” and revealed in typical Cage fashion that his earliest childhood memory is actually being in his mother’s womb. “Let me think. Listen, I know this sounds really far out and I don’t know if it’s real or not, but sometimes I think I can go all the way back to in-utero and feeling like I could see faces in the dark or something,” Cage said. “I know that sounds powerfully abstract, but that somehow seems like maybe it happened.” “Now that I am no longer in utero, I would have to imagine it was perhaps vocal vibrations resonating through to me at that stage,” Cage added. “That’s going way back. I don’t know. That comes to mind… I don’t even know if I remember being in utero, but that thought has crossed my mind.”

$6 million in debt.Appearing on CBS’s “60 Minutes” Sunday, the Oscar winner recalled his financial struggles after the real estate market crashed, saying he signed up for any role he could just to be able to pay the money back.“I was over-invested in real estate,” he confessed. “The real estate market crashed, and I couldn’t get out in time.”“I paid them all back, but it was about $6 million.

Nicolas Cage recounts overcoming a “dark” period in his life.

Quentin Tarantino has named his “favourite tense moment” from one of his films.Speaking to Spanish publication El País, the Pulp Fiction director discussed his process for making tense scenes, before being asked to pick a standout example.“From my movies? The one from the farm at the beginning of Inglourious Basterds,” he said. “With the Nazi officer Hans Landa talking to the owner of the farm, who is hiding Jews in his cellar.”When asked about his process for creating tension in such scenes, he replied: “I don’t know how to explain it.

Vampire’s Kiss, telling Yahoo Entertainment that he’ll “never do that again”.Vampire’s Kiss stars Cage as publishing executive Peter Loew, who thinks he’s turning into a vampire. In the scene in question, Loew picks up a cockroach that is scuttling across the cooker in his apartment and then eats it whole for breakfast. The film’s script originally called for Cage to swallow a raw egg instead, but Cage insisted it be a cockroach.“I saw it as a business decision because when people see the cockroach go in my mouth… [they] really react,” he said during the film’s DVD commentary track.In another recent interview with Mediacorp, Cage reflected further on his bug-eating days.

“Renfield” star told Yahoo Entertainment of his regrets. “I’m sorry I did it at all.”Cage claimed on the film’s DVD commentary track that he was the one that begged for the live insects, as the original script allegedly called for Cage to simply swallow a raw egg. “I saw it as a business decision because when people see the cockroach go in my mouth … [they] really react,” he reportedly said.

Zack Sharf Digital News Director Nicolas Cage will not be eating cockroaches on camera ever again. The Oscar winner recently told Yahoo Entertainment that eating two cockroaches on camera during the making of his 1988 comedy “Vampire’s Kiss” remains a career regret. “I’ll never do that again,” Cage said. “I’m sorry I did it at all.” “Vampire’s Kiss” stars Cage as a literary critic who becomes convinced he is a vampire. The film’s script originally called for the actor to swallow a raw egg, but Cage insisted it be a cockroach instead. As he said on the film’s DVD commentary track: “I saw it as a business decision because when people see the cockroach go in my mouth…[they] really react.”

Dracula, where he’s been memorably portrayed by greats like Alexander Granach (in 1922’s silent Nosferatu), Dwight Frye (as a wide-eyed madman in 1931’s Dracula), and Tom Waits (chewing the scenery, and bugs, in 1992’s Bram Stoker’s Dracula), Renfield is perpetually overshadowed by the blood-sucking count.Universal’s new Renfield (★★☆☆☆), a big-budget spinoff of the Dracula story, set in present-day New Orleans, promises to give the character his overdue shine. Unfortunately, the film is an overcooked clash of genre and tepid grasps at modernization, whose greatest asset is — you guessed it — Dracula himself, played by a glammed-up, fang-gnashing Nicolas Cage.

The acting life isn’t always glamorous. Sometimes, you have to sacrifice for the part. Submitted for your approval is one Nicolas Cage, who has revealed a major regret captured on film while out promoting his current horror comedy, Renfield, which features Cage as Dracula and Nicholas Hoult as the title servant, R.M. Renfield.

“The Late Show with Stephen Colbert” Thursday, the Academy Award winner took a trip down memory lane with the host while promoting his new film, “Renfield.”While Cage, whose real name is Nicolas Coppola, has some impressive blockbusters under his belt — including “National Treasure,” “Moonstruck,” and “The Rock” — the 59-year-old’s top five is comprised of his lesser-known work.“I’m going to start with ‘Pig’ that is my favorite movie I have ever made,” Cage told Colbert. “I love ‘Mandy,’ the movie that Panos [Cosmatos] directed. I love ‘Bringing Out The Dead’ that Martin Scorsese directed.

Stuck in a movie theater seat watching “Renfield” plod along, the answer is a resounding meh.As the Count from “Sesame Street” would say, “‘Renfield’ gets TWO stars! Ah, ah, ah.”Cage — whose career has become so goofy he recently played a parody version of himself who gets kidnapped by a Spanish drug lord — is as funny and self-aware as the evil old vampire. Crazy, it would seem, has become Cage’s new normal. But don’t come looking for a wacky sendup of the story in the vein of Mel Brooks’ “Young Frankenstein.” It’s actually not even as hilarious as that director’s much-worse 1995 movie “Dracula: Dead and Loving It,” and outside of a few basic details the film has little to do with Bram Stoker’s book.“Renfield,” directed by Chris McKay, has more in common with the (far better) “Zombieland” series, with high-body-count action sequences, quick-cut comedy and an unlikely, socially awkward hero. That would be Robert Montague Renfield (Nicholas Hoult), Count Dracula’s beleaguered “familiar,” who has been gifted an unnaturally long life in exchange for bringing the vamp fresh victims.

Rebecca Rubin Film and Media Reporter Expect “The Super Mario Bros. Movie” to capture the high score at the box office… again. Despite the release of two new movies — Universal’s wacky Dracula horror-comedy “Renfield” and Sony’s R-rated demonic thriller “The Pope’s Exorcist” — Universal and Illumination’s animated adaptation of the popular Nintendo video game looks to loom large in its second weekend of release. After its towering $146 million debut, “Mario” is estimated to bring in $58 million to $66 million, a 55-60% decline from its opening. The PG blockbuster, which cost $100 million and brought back the all-important demographic of family audiences, has generated $204.6 million in North America and $375 million globally since opening last Wednesday. It’s already the fourth-highest grossing animated movie in pandemic times, following “Minions: The Rise of Gru” ($939 million), “Puss in Boots: The Last Wish” ($480 million) and “Sing 2” ($408 million).

Owen Gleiberman Chief Film Critic In one of the many jacked-up, bodies-leaping-and-flying, vampire-meets-action-film sequences that punctuate “Renfield,” Dracula (Nicolas Cage), jutting into the movie well before we expect him to, does all the throat-ripping damage he can in a montage that culminates in drapes being thrown open, the sunlight flooding in, and the vampire, in his red bathrobe, bursting into flame. It looks like the climax of many a vampire film, and it leaves Dracula a charred husk. But has he been killed? No way! As Renfield (Nicholas Hoult), Dracula’s self-described slave and disciple, explains to us in voice-over, when something like this happens it takes a lot of work to return Dracula to his previous state; it takes many victims for him to feed upon. But with enough blood and enough time, he can claw his way back to his old robust undead form.

Variety Thursday.“Nic wanted to emote and annunciate properly, so it was important the veneers were thin,” he said, explaining that the technology allowed him to make quick adjustments to the sharp dentures when needed.In order to put the 3-D printing to good use, Tinsley had to scan Cage’s teeth and then digitally sculpt them so they could fit in his mouth perfectly.The “National Treasure” actor also spent over three hours daily in the hair and makeup chair.“It was a full head of prosthetics, dentures, full body, torso, arms, hands and nails,” Tinsley noted. “Those take time.”Cage also stayed in character for the whole time they were shooting the flick, even when the camera wasn’t on him.

Jazz Tangcay Artisans Editor For Chris McKay’s “Renfield,” Nicolas Cage spent up to three hours each day transforming into the role of iconic vampire Dracula. But the biggest hurdle was developing Dracula’s razor-sharp teeth, makeup artist Christien Tinsely tells Variety. With the teeth design, it was important to consider how Dracula’s teeth would extract from the gums. Tinsley says McKay also wanted all of Dracula’s teeth to be sharp — not just the canines. Tinsley, whose credits include “The Passion of the Christ” and “Emancipation,” says he wanted to be able to make swift adjustments once Cage was on set, meaning he wouldn’t have much time to prep dentures and teeth casting using traditional denture methods. The eventual solution was to use 3D printing.