David Gordon Green Latest Celebrity News & Gossip

Let’s not beat around the bush—2023 has been a pretty shitty year for a lot of folks. But without getting in the weeds politically, let’s focus on one of the film stories of the past year that shows how 2023 hasn’t been kind to a filmmaker who was seemingly on top of the world.

I’m not overly fond of politics. Given a choice, I’d rather talk food, or faraway places.

Alex Ritman The director of “Winnie the Pooh: Blood and Honey” has taken his film’s clean sweep of the Razzie Awards on the (bloodied) chin. The feature — a slasher horror that caused a stir last year for its childhood-bludgeoning premise in which A.A.

Nick Vivarelli International Correspondent International Sports Broadcasting, which specializes in broadcasting and distribution of live sports events including the Olympics, is officially launching a standalone film shingle called ISB Films at the EFM. The CEO of Madrid-based ISB Films is ISB managing director Ursula Romero.

EXCLUSIVE: UTA has signed Tatiana Maslany, the Emmy-winning actress known for her work on shows like Orphan Black and She-Hulk: Attorney at Law, for representation in all areas.

Well, this isn’t much of a surprise given the recent box office result of 2023’s “Exorcist: Believer” movie, a reboot and legacy sequel to the original William Friedkin “Exorcist” movie from 1973 made by Blumhouse and Universal. Filmmaker David Gordon Green is exiting the franchise, the search is on for a new filmmaker, and in the interim, Universal has taken the sequel, “The Exorcist: Deceiver” sequel, off the calendar.

Owen Gleiberman Chief Film Critic “Thanksgiving,” a cheerfully debased — or maybe I should say de-basted — slasher film directed by Eli Roth, marks the second time that one of the luscious mock trailers from Quentin Tarantino and Robert Rodriguez’s “Grindhouse” has been spun into a feature film. The first such movie, Rodriguez’s “Machete,” worked better than anyone might have expected; it gave Danny Trejo perhaps the best lead role of his career, and it was tasty enough in its high-zooming vengeful action hyperbole to spawn a sequel. Roth’s trailer for “Thanksgiving,” on the other hand, was a bloody perfect, outrageously transgressive parody of the holiday horror genre that had long gone out of style.

Rudie Obias editor If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Although it was just released in theaters at the beginning of October, the sixth installment in the “Exorcist” movie franchise is ready to stream — just in time for spooky season. Starting on Oct.

EXCLUSIVE: Here’s an eyebrow raiser in the wake of a zany box office season turned upside down by the actors strike, and ruled by Taylor Swift: Universal/Blumhouse‘s feature take of videogame, Five Nights at Freddy’s, is shaping up for an opening around $40M. That would be the second-best opening at the fall box office YTD after Taylor Swift: The Eras Tour‘s $92.8M start. The pic hits theaters and Peacock on Oct. 27.

David Gordon Green may have made “Halloween Ends” last year, but does the “Halloween” franchise ever really end? Deadline reports that Miramax Television emerges victorious in a steep bidding war against Blumhouse Productions and A24 for the TV rights to “Halloween.” The deal with Trancas International Films allows Miramax to develop and co-produce a TV series based on the IP, including a first-look agreement on other TV projects for the international marketplace.

Miramax has prevailed in the bidding war for television rights to the “Halloween” horror franchise, meaning Michael Myers could soon be slicing and dicing his way across the small screen or assorted streaming platforms. The indie studio beat out other contenders, including A24, which was also in the mix for the rights, according to an insider with knowledge. The auction was held by Malek Akkad’s Trancas International Films, which controls the franchise’s TV rights.

EXCLUSIVE: After a heated bidding war, Miramax has scored the television rights to the hugely popular Halloween franchise, which are controlled by Trancas International Films, run by Malek Akkad.

The Halloween universe is set to expand.

As noted in this intro to a “Happy Sad Confused” conversation with David Gordon Green, the filmmaker behind “The Exorcist: Believer,” the director’s career is confusing to many. He began as an indie arthouse filmmaker (“All The Real Girls,” “Undertow“); then started directing studio comedies, many of which were produced by Judd Apatow (“Your Highness,” “The Sitter“), and then, of course, he’s gone off on his recent horror detour which has included a “Halloween” trilogy that started in 2018 and what’s intended to be a new “Exorcist” trilogy that started this year with “Believer.” The Lost, Unmade & Abandoned Projects Of Director David Gordon Green The reality is that from the very beginning, Green claims he was a cinematic omnivore who looked at Steven Soderbergh, a filmmaker who’s tackled every genre under the sun, as his guiding light model.

Alright, “Exorcist: Believer,” Universal and Blumhouse Pictures’ legacy sequel of 1973’s “The Exorcist,” directed by David Gordon Green hit theaters last weekend and the results were, well, kinda mid. Yes, it’s a legacy sequel, so much like the newest “Halloween” trilogy (also made by Green, Universal and Blumhouse), it disregards all the other sequels and essentially only takes place after the original film).

When you look at David Gordon Green’s career, it’s really difficult to nail down just what type of filmmaker he is. Does he make indie films? Comedies? Reboot horror franchises? Yes, yes, and yes.

Refresh for latest…: Just as it came in lower than hoped for domestically, Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer didn’t fully convert overseas audiences, summoning a $17.9M international box office debut for $45.1M global. The R-rated David Gordon Green-directed reboot/sequel did see some of its 52 launch markets give it a No. 1 start, while in like-for-likes, the bow is above M3GAN, Evil Dead Rise, Scream VI and Smile. (As regards the latter, recall that it legged out with terrific holds, so the comparison may not stick down the line since scores on Believer are not good, and Taylor Swift is on deck.) 

David Gordon Green’s The Exorcist: Believer kept the horror peace train going at the box office with $2.85M in previews last night on its way to a potential high $20M to $30M start at the box office.

“The Exorcist: Believer” hits theaters this weekend, fifty years after the release of William Friedkin‘s 1973 original. And given Friedkin’s passing earlier this year, David Gordon Green will never know what the late director thinks about his film.

By this point, with advance reviews, it’s clear that critics aren’t high on David Gordon Green‘s new horror reboot, “The Exorcist: Believer.” So, sorry to fans of the series, but this isn’t the long-awaited sequel that will boost its cultural cache. But if fans and audiences won’t get what they want from “The Exorcist: Believer,” did anyone on the cast and crew? READ MORE: Jason Blum On ‘The Exorcist: Believer’ Release Date Change: “We Bowed Our Heads To Taylor Swift” According to a new THR interview with Ellyn Burstyn, the 90-year-old actress did.

There are myriad talking entry points to “Exorcist: Believer”—David Gordon Green’s latest horror legacy sequel and the follow-up to his “Halloween” trilogy. For one, it’s awful, but it’s also fascinating, chock-full of thought-provoking ideas— impossible to fully disregard even when the film goes off the rails.

Owen Gleiberman Chief Film Critic The sequels — or, in two cases, prequels — to “The Exorcist” have all been unqualified turkeys. There is now a movement at hand to declare that John Boorman’s crackpot insect-swarm fantasia “Exorcist II: The Heretic” (1977) was some sort of misunderstood masterpiece, but that’s an act of revisionism every bit as loony tunes as “Heaven’s Gate” revisionism.

Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer will continue horror’s head-spinning roll at the autumn box office with a $30M-$36M domestic start at 3,600 locations.

Naman Ramachandran Disney sci-fi epic “The Creator” and Lionsgate U.K.’s horror franchise entry “Saw X” debuted atop the U.K. and Ireland box office — and the race was almost too close to call. “Saw X” won the three-day total with £1.92 million ($2.31 million), while “The Creator” was just behind with £1.89 million ($2.27 million).

Jason Blum may have built a successful little horror studio in Blumhouse Productions the past 23 years, but it’s no match against the biggest pop star in the world. That’s why Blum had no qualms shifting the release date of David Gordon Green‘s “The Exorcist: Believer” to make way for Taylor Swift‘s “Eras Tour” concert film.

The power of Taylor Swift compels you. And it’s also worked its ways on producer Jason Blum, who cast out his The Exorcist: Believer to an earlier October release date to avoid a clash with Swift’s concert film.

The power of Taylor Swift compels you. And it’s also working its ways on producer Jason Blum, who is casting out his The Exorcist: Believer to an earlier release date to avoid a clash with Swift’s concert film.

Zack Sharf Digital News Director Universal Pictures and Blumhouse thought they had the perfect release date for their upcoming “Exorcist” reboot: A Friday the 13th in October, the spookiest month of the year. But it turns out the only thing more terrifying than that cursed day is Taylor Swift. Once the Grammy winner announced her “Eras Tour” concert film was opening on Oct.

The Tokyo Film Festival has set the lineup for its bumper 2023 edition, running October 23 to November 1. Scroll down for the full list. 

The upcoming film, “The Exorcist: Believer,” holds significance for film fans for a number of reasons. First, we are just about one month past from the death of the original film’s director, William Friedkin, and secondly, we are 50 years past from the debut of the 1973 classic.

both were scheduled to drop nationwide on Oct. 13, horror mega-producer Jason Blum decided to move up the film’s release to avoid any “Bad Blood” with Swift.“Look what you made me do,” tweeted Blum, 54, referencing one of Swift’s hits.

Can you survive five nights? Say what you will about the idea of a terrifying horror game phenomenon turned into a blood-chilling cinematic event; eye-roll all you want. And we might agree with you normally.

The terrifying first trailer for The Exorcist: Believer has been released!

Joe Otterson TV Reporter “The Righteous Gemstones” has been renewed for Season 4 at HBO. The renewal announcement comes ahead of the Season 3 finale, which will air on July 30 on HBO and Max.

A new chapter of “The Exorcist” has arrived and it is definitely not for the faint hearted. Ellen Burstyn reprises her role as Chris MacNeil in “The Exorcist: Believer,” a sequel directed by David Gordon Green.

Blumhouse scored huge box office numbers when David Gordon Green took on a new sequel to the “Halloween” franchise back in 2018. That resulted in three hit films (though critics haven’t been too kind to at least two of those movies).