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18.04.2024 - 23:05 / variety.com
Rebecca Rubin Senior Film and Media Reporter As Netflix‘s new film chief, Dan Lin’s mandate is to focus on quality — and quantity. Netflix’s co-CEO Ted Sarandos shed light on Lin’s strategy as the producer takes over film duties from Scott Stuber, who announced in January he was leaving the streamer.
“There is no appetite to make fewer films, but there is an unlimited appetite to make better films, always,” Sarandos said during the company’s Q1 earnings call. “Even though we have made, and we are making, great films.
We want to make them better, of course.” He was responding to a recent New York Times article, which reported that Lin aims to “improve the quality of the movies and produce a wider spectrum of films — at different budget levels — the better to appeal to the varied interests of Netflix’s 260 million subscribers.” Though Sarandos mostly echoed those sentiments, he made a point to say the New York Times wasn’t directly quoting Lin, nor did Netflix participate in the article. Lin began working at Netflix in April and now holds one of the most influential jobs in the movie business.
In his first month, he laid off around 15 people and reorganized the film department by genre rather than budget level. That structure was set up by Stuber, whose early days at Netflix were defined by a desire to dramatically increase the company’s original film output with expensive tentpoles like “Bright,” “The Gray Man” and “Red Notice.” Near the end of his tenure, though, Stuber pivoted the streamer away from being a strictly volume business and expressed a desire to make those films watchable, as well.
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With Aladdin producer Dan Lin taking over film leadership at Netflix from Scott Stuber, there will still be a commitment to a robust feature slate.
Jack Dunn Tribeca Festival has revealed its feature film lineup for its 2024 festival, which includes films from actors Lily Gladstone and Michael Cera and documentaries featuring Prince, Carlos Santana and Dolly Parton. The opening night film is documentary “Diane von Furstenberg: Woman in Charge,” directed by Tribeca alumni Trish Dalton and Sharmeen Obaid-Chinoy. This year’s festival, which runs from June 5-16 in New York City, has a program of 103 feature films from 114 filmmakers spanning 48 countries.
Chris Hemsworth revealed that he tried unseccessfully to land a starring role in a new Kevin Costner movie.
Sasquatch Sunset directors Nathan and David Zellner (Kumiko, The Treasure Hunter) always wondered what these hairy giants do when they’re not walking – the only Bigfoot footage available has been a minute of a supposed Sasquatch wandering in the northern California woods. They decided to flesh that out in unique dialogue-free comedic imagining of the creatures’ daily life – eating, fighting, etc. Stars Jesse Eisenberg, Riley Keough, Christophe Zajac-Denek and Nathan Zellner are unrecognizable as the hairy tribe of four that entranced Sundance (see Deadline review). Bleecker Street is opening the film, written by David Zellner, executive produced by Ari Aster, in 9 theaters in New York, LA, San Francisco and Austin, ahead of a big jump to about 800 screens next week.