A man has been arrested after thousands of pounds worth of heroin and cocaine were discovered in a county lines drugs raid.
12.04.2024 - 21:11 / variety.com
Aramide Tinubu Fifty years ago, “Good Times” became the first sitcom to depict a two-parent Black American family. Now, Netflix is debuting a present-day animated reboot chronicling the Evanses two generations after the original. Set in Chicago’s Cabrini Green projects in the same apartment from the 1970s dramedy, the series follows Reggie (J.B.
Smoove), his wife Beverly (Yvette Nicole Brown) and their children, Junior (Jay Pharoah), Grey (Marsai Martin) and Dalvin (Slink Johnson). Black people aren’t a monolith, and respectability politics certainly aren’t the answer to racism, sexism, bigotry and homophobia. Yet it’s puzzling that this mind-numbing series is how creator Ranada Shepard is paying homage to such a classic show while trying to speak to 21st-century Black people.
It’s also very clear why Netflix decided against sending out screeners for review. In the season opener, “Meet the Evans of New,” we learn about the new occupants of apartment 17C. Reggie, the grandson of Florida (Esther Rolle) and James (John Amos), is a struggling cab driver with hypertension and a penchant for long, drawn-out rants.
Beverly is appearance-obsessed despite her family’s financial struggles. Junior, the eldest, is an artist repeating 10th grade for the third time. Grey is whip-smart and activist-minded even to her detriment.
Finally, Dalvin is a drug-dealing infant whom Reggie has thrown out of the house. The character was likely created to mirror Stewie from “Family Guy” (Seth MacFarlane is an executive producer on “Good Times”). Yet, casting him as an infant drug dealer who sells crack on the street corners is neither amusing nor edgy.
A man has been arrested after thousands of pounds worth of heroin and cocaine were discovered in a county lines drugs raid.
Siddhant Adlakha A film that pivots around a court case about its own making, buried treasure documentary “A Band of Dreamers and a Judge” features hints of allure that eventually wane. Shot in Iran, where unauthorized excavations remain illegal, Hesam Eslami’s chronicle of a group of treasure hunters is an occasionally intense process piece that often loses steam, especially during its attempts at intimate portraiture.
Sydney Sweeney View this post on Instagram A post shared by Sydney Sweeney (@sydney_sweeney) "One sec hanging in Hawaii," Sydney Sweeney captioned a series of photos she posted on Instagram from her island vacation, featuring one picture of her hanging upside down in a Jeep. In the photos, she is wearing a black bikini top under a denim jacket and matching shorts.
Every week it seems there are large numbers of indie and specialty releases vying for attention, impossible to do them all, so when the option of reviewing Nowhere Special was placed in front of me I resisted at first after discovering it actually premiered at the 2020 Venice Film Festival. That’s right, four years ago. I had to wonder what could possibly be good about a film delayed for that long in terms of getting a U.S. release date? Finally caving in to the persistent requests by the distributor and its passionate PR team, I decided to check it out. What I discovered was not that this was some sort of troubled film, not even close. Instead I found a spare but moving drama, powered by a remarkable lead performance, that is all about life and death and all things inbetween. At its heart it is also an inspiring story of dedicated parent and child, how we face the uncertain future, and what we leave behind. Nowhere Special is something special indeed. If you aren’t shedding well-earned tears by the end of this film you simply are not human.
EXCLUSIVE: The ancient Scottish town of St Andrews was hit with a heavy bout of Spidey fever this past weekend as the third annual Sands International Film Festival opened, pulling in an eclectic set of films, filmmakers, and speakers alongside one popular guest of honor.
Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses major plot points, including the ending, of “Abigail,” currently playing in theaters. The vampire thriller “Abigail” originated as a modern-day update of the classic horror film “Dracula’s Daughter.” But by the time the filmmaking trio Radio Silence — producer Chad Villella and directors Matt Bettinelli-Olpin and Tyler Gillett — began production on “Abigail” in Ireland in the spring of 2023, the movie had virtually no connection to the 1936 Universal picture.
2 hours and 30 minutes, with one intermission. At the Music Box Theatre, 239 W. 45th Street.The suffragist characters of the musical “Suffs,” which opened Thursday night at the Music Box Theatre, rarely take a breath to celebrate their victories.
Zoe Saldana and Salma Hayek are enjoying each other’s company during a double date in Venice, Italy.
Say what you will about Lala Kent, but you’ve gotta give her credit: she lets her thoughts and feelings be known.
Ant McPartlin and Dec Donnelly have been seen all smiles for the first time since their emotional farewell on Saturday Night Takeaway. There were some tears as the Geordie duo wrapped up their hit ITV show after 20 series.
Selena Gomez is reacting to the latest rumor about her dating life.
Good Times is back in a new way.
Pea soup vomit and the creepiest of creatures makes an appearance in the official trailer for the final season of Evil on Paramount+.
Lauren Sánchez, a former entertainment news anchor turned entrepreneur, and her fiancé, Jeff Bezos, the renowned Amazon founder, are making headlines yet again. Still, it’s not for business ventures or technological breakthroughs this time.
A school in Oldham has been awarded a ‘good’ rating by Ofsted after battling with a new curriculum and “boisterous behaviour” in the classroom.
Cage The Elephant have dropped a charismatic new single titled ‘Good Time’ – check it out below.Shared today (April 5), the new track marks the latest single to be taken from the Kentucky-bred six-piece’s upcoming album ‘Neon Pill’, which they announced back in February.Musically, the new track sees Matthew Shultz, Brad Shultz, Daniel Tichenor, Jared Champion, Nick Bockrath and Matthan Minster make a nod to their fan favourite mid-2010s classics, with the frontman jumping into the track with the brash opening lines: “I’m the bright lights, I’m the feature/ I’m a spacehead, I’m a creature/ I’m a lover, I’m a fable/ I’m the glutton at your table”.It also sees the members create an eye-catching variety of layers, with cheeky guitar chords being paired with the fuzzy, unconventional keyboard melody.Check out the track below.“‘Good Time’ was one of those rare tracks that captivated me almost instantaneously. The instrumentation hit so hard, with an energy that was so commanding, that it was almost as if I couldn’t have kept myself from writing something to it if I had wanted to,” said the frontman of the new track.“[It’s] very different from anything we had ever written before, and somehow it still felt relatively familiar in contrast to our prior works,” he added.
Heavy rain and snow have sparked travel chaos as Storm Kathleen batters large parts of Scotland.
Ripley, aired today, and is already receiving positive reviews from critics.Starring Fleabag’s Andrew Scott in the titular role, the eight-episode series is an adaptation of Patricia Highsmith’s 1955 novel The Talented Mr Ripley.The story follows Scott’s character as he takes on a job assignment to take a trip to Italy in an attempt to persuade his employer’s son, Dickie Greenleaf (played by Johnny Flynn), to return home from Europe.As the series progresses, Tom Ripley works his way into the lives of Dickie and his girlfriend Marge (Dakota Fanning) and the story takes a dark turn.The novel has been adapted several times before, most famously in 1999 with a feature film starring Matt Damon, Jude Law and Gwyneth Paltrow in the lead roles.Now, the psychological thriller story takes its form in a television series, shot entirely in black and white.The Guardian’s five-star review, written by Lucy Mangan, praises the talent of the star-studded cast, saying on Scott: “At the heart of it all, and in virtually every scene, is Scott … There is something for everyone to relate to in him – a dark everyman figure.
In many ways, “Scoop” is not the movie you think it is. Sure, it’s a behind-the-scenes look at how the BBC television program, er, “programme” “Newsnight” landed a hotly sought-after interview with Prince Andrew in 2019.
Jem Aswad Executive Editor, Music Considering the vast number of books published every year about David Bowie — or, for that matter, the Beatles, Bob Dylan and Prince — a new one had better have either fresh info or fresh insights. Thankfully, Suzi Ronson’s “Me and Mr.