Nepal’s ‘Bhunte’ Examines Themes of Soccer and Poverty – HAF

Myriam Ullens, a Belgian entrepreneur, philanthropist, and art collector has died. She was 70 years old. The story is tragic, as she was shot in her car, and her stepson is the suspect.

A new pan-Asian street food bar, takeaway and restaurant, is set to open this weekend on Deansgate, but it’s been over 40 years in the making. Suki Suki will be serving up sticky wings, steaming ramens and katsu curries, but bringing with it generations of culinary pedigree.

She's voiced her dislike for this year's series of The Apprentice after taking part in the BBC One business competitiion in 2022, and Amy Anzel raised eyebrows as she launched a petition to replace Lord Alan Sugar at the helm. Amy, who was fired halfway through the process by the business magnate, is calling for the Amstrad founder to be switched for Dragons' Den star Steven Bartlett.

Gordon Ramsay has leapt to the defence of his reality TV competition Future Food Stars after Lord Alan Sugar's condemnation. Premiering on BBC One this time last year, the show puts 12 culinary entrepreneurs through their paces in a battle to secure £150k worth of investment in their business, while it's also been given the go-ahead for a second series. Alan, 76, recently told MailOnline: "I think broadcasters, Channel 4, Channel 5, and ITV have tried for many years, at least for 17 years, to try and replicate the elimination process of The Apprentice.

As The Apprentice reaches it’s final nail biting conclusion on Thursday evening, Lord Alan Sugar will once again be revealing which contestant has earned his highly sought after investment to help get their business of the ground. The 74 year old star, has been making the dreams of contestants come true since 2005, when he first launched The Apprentice and kickstarted the businesses of the winning contestants, by offering both a cash investment and his impressive business knowhow to help them reach their full potential.

A defiant Lord Sugar has assured fans that he’s not going anywhere ahead of this year’s The Apprentice finale, that airs on March 23 at 9pm.The successful businessman, who was recently rocked by a star quitting the show, said that “a lot of people underestimate me” and that he could easily go on doing 20 or 25 years on the hit reality show. So far, he’s fronted all 17 series of the programme.The 75 year old also explained that he was “very fit” for his age and that finding someone to replace him on The Apprentice could end up meaning the show would “kill itself off.” Alan Sugar did concede, however, that if they went on a ten year hiatus before bringing it back with “new characters” the show could wind up with a successful revival.The star has certainly never shied away from his business success, and is thought to be worth a staggering £1.2 billion, ranking him as the 138th-richest person in the UK.

Mark Wright has exclusively revealed that the £3.5 million Essex mansion he shares with his wife Michelle Keegan is the couple’s “forever home”.The former TOWIE star, 36, and his wife of eight years have been renovating the five-bedroom property – which they bought in 2019 for £1.3 million – for three years, finally moving in last summer. And now, after years of juggling a long-distance relationship, he and former Coronation Street actress Michelle plan on staying put. Opening up about how thrilled he is with the lavish pad, Mark says, “I’m loving it.

EXCLUSIVE: Crunchyroll has tapped Nichole Sakura (Superstore) for the title role in the English-language dub of their acclaimed animated feature Suzume, which in addition to the original subtitled version, debuts in theaters in Australia and New Zealand on April 13, coming to the U.S., Canada, the UK and Ireland the following day.

EXCLUSIVE: Netflix has closed a deal to develop the 2022 bestselling Riley Sager novel The House Across The Lake, developing as a potential directing vehicle for Paul Feig. Pic will be produced by Berlanti Productions and Feigco, with Sarah Schechter, Greg Berlanti and Mike McGrath producing for Berlnti, and Feig and Laura Fischer for Feigco.

Patrick Frater Asia Bureau Chief “Fly Me to the Moon,” a work-in-progress from Hong Kong, dominated the prizes presented at the Hong Kong – Asia Film Financing Forum project market. It collected five awards and was invited to continue its journey at Cannes in May. Directed by first-time feature maker Sasha Chuk and produced by the veteran Stanley Kwan, the film tells the tale of a pair of sisters moving from Hunan to Hong Kong in the 1990s. They are faced with an identity crisis, poverty and their father’s drug addiction. It entered the market with $640,000 of its intended $705,000 production budget in place, and more than filled the gap with the prizes announced on Wednesday.

Naman Ramachandran “White Snow,” the latest project from celebrated Indian filmmaker Praveen Morchhale, is his “artistic revolt” against political systems that repress artists. The project has been selected for the 21st Hong Kong — Asia Film Financing Forum (HAF), the project market that operates concurrently with FilMart (March 13-16). Set in and around Kargil, a Muslim-dominated town in the Himalayas, where a war was fought between India and Pakistan in 1999, the film tells the story of Amir, whose short film gets banned due to a complaint from a religious leader, and his social media accounts gets blocked. His elderly mother Fatima sets out on an arduous journey in the Himalayan mountains to show the film in villages, which breaks her mentally and physically and brings her close to madness before she becomes a free soul.

Naman Ramachandran Iran’s Arsalan Amiri, who won two awards at Venice for his debut feature “Zalava,” is back at the Hong Kong — Asia Film Financing Forum (HAF) with his new project, “Janava.” “Zalava,” which was at HAF in 2019, also played at the Toronto, Rotterdam and the Goteborg festivals, among many others. The Farsi-language “Janava” will follow four treasure hunters who embark on a journey to find a lost treasure. Their lives are in danger when they realize a djinn (or genie) is among them and wants to claim the treasure for itself. “My previous film, ‘Zalava,’ focused on the dangerous beliefs of the masses. My second film, ‘Janava,’ focuses on the individual beliefs of characters and how they defy societal norms,” Amiri says. “Belief is my favorite theme to work with. I have faced the good and bad effects of belief in my life — but when these beliefs are warped or taken to extremes by the individual or in politics, it causes the destruction of human societies. My experience living in the Middle East and studying history proves the importance of people’s beliefs. Well, I would also like to make an interesting and entertaining film of course, and this film genre would help to make the concept interesting.”

Naman Ramachandran Taiwan-France film “Salli” marks the feature debut of Taipei-based filmmaker Lien Chien-Hung after several acclaimed shorts and a TV movie. “Salli,” which won the grand prize at the Chinese-language film project matching and co-production platform Golden Horse Film Project Promotion in 2019, is a work-in-progress selection at the Hong Kong — Asia Film Financing Forum (HAF). The Mandarin-, Taiwanese-, English- and French-language film follows a lonely middle-aged chicken farmer Hui-Chun, who doesn’t speak English and develops a romantic relationship through an app with a French man who calls himself Martin. In the online world, Hui-Chun is Salli. Despite everyone calling it a romance scam, she wants to prove that love indeed exists.

Nick Vivarelli International Correspondent “The Last of Us” has become the most-viewed title ever on HBO’s subscription streaming service in Europe. Warner Bros. Discovery announced on Tuesday that the first season of the nine-episode apocalyptic-drama has smashed HBO’s SVOD European viewer ratings. This result comes after the season one finale set another ratings high in the U.S. on Sunday night, delivering 8.2 million viewers across HBO Max and linear telecasts, based on Nielsen and first party data. The series, which is based on the critically acclaimed video game of the same name developed by Naughty Dog for the PlayStation, has been a hit from the get go. “The Last of Us” is now averaging 30.4 million viewers in the U.S. across its first six episodes, according to HBO, with the first episode approaching 40 million viewers in the U.S. Outside of the U.S.. The show is now also the most-watched show ever on HBO Max in Latin America.

Naman Ramachandran The writing team of Iran’s Jafar Panahi and Nader Saeivar, who won best screenplay at Cannes for “3 Faces” (2018) directed by Panahi, have reunited for “The Witness.” To be directed by Saeivar, the project has been selected for the 21st Hong Kong – Asia Film Financing Forum (HAF), the project market that operates concurrently with FilMart (March 13-16). Saeivar made his feature debut with “The Alien” (2020), which was a Berlinale selection and won prizes at the Beijing, Hong Kong, Duhok, Taormina and International Crime and Punishment film festivals. Saeivar’s sophomore feature, “No End,” debuted at Busan in 2022 and won him best director at Goa and a brace of awards at Vesoul recently.

Patrick Frater Asia Bureau Chief “We need more love stories, even if they have their ups and downs,” says Hong Kong-based producer Cora Yim, who is behind the Hong Kong – Asia Film Financing Forum (HAF) in-development project “The Marriage Drive.” HAF runs takes place alongside the FilMart rights market.  The film is a simple-to-describe idea that writer-director Lawrence Kan has been kicking around and developing for some six years. The story involves a middle-class professional couple — he’s in the legal sector, she’s in finance — and tracks their childless, but not loveless, marriage over a period of 10 years from marriage to divorce.

Patrick Frater Asia Bureau Chief Chinese director Zhang Hanyi takes an unexpected turn with his latest feature film effort, “The Walking Bird,” which makes its appearance as an in-development project at the Hong Kong – Asia Film Financing Forum (HAF), which takes place alongside the FilMart rights market.  His previous film, 2017’s “Dragonfly Eyes,” was one of the most unusual and stylish films of the year from anywhere in the world. It told a disturbing (fictional) narrative through extraordinary found-footage obtained from hundreds of real-world CCTV cameras, and won the FIPRESCI and Ecumenical Jury prizes at the Locarno Festival that year.

Patrick Frater Asia Bureau Chief Work-in-progress film project “The Remnant” is both a spotlight on those who feel powerless and also a very Hong Kong example of elements of the city pulling themselves up. “The Remnant” is one of the projects in the Hong Kong – Asia Film Financing Forum (HAF) unspooling March 13-15 alongside Hong Kong’s Filmart market. It tells the story of a former gangster who, upon his release from prison, sets up a laundry in an anonymous district and lives a quiet life. After property developers try to grab a rundown building, young gangsters try to throw people out of the building, drug addicts cause trouble and the old-timer heeds his neighbors’ calls and fights back.

Naman Ramachandran Singaporean filmmaker Anthony Chen wears his producers hat at the Hong Kong — Asia Film Financing Forum (HAF) shepherding two projects from debut directors. Chen’s feature directorial debut “Ilo Ilo” (2013) won the Caméra d’Or at Cannes. His most recent film as director, “Drift,” bowed at Sundance earlier this year. As a producer, Chen’s recent credits include Locarno selection “Arnold Is a Model Student” and Busan selection and Red Sea winner “Ajoomma.” First up is the English-language animated feature “Skin Coat,” directed by Singapore’s Tan Wei Keong. Set in the 16th century, it will follow a son who returns to his village to see his aging parents, and his male lover has to put on a woman’s skin coat to accompany him back home.

Naman Ramachandran Saurav Rai’s 2019 film ”Invitation” featured a child protagonist and once again the filmmaker centers a film on a young person. Rai’s “Guras,” a Nepali and Hindi-language film, is a work-in-progress selection at the Hong Kong — Asia Film Financing Forum (HAF). It follows 9-year-old Guras, who lives in a mountain village in India’s Darjeeling district. Her pet dog goes missing and she embarks on a journey that soon turns mystical as she meets otherworldly beings along the way. “I always had this fascination with my grandma’s real-life incident during her childhood when she stole someone’s vegetables from their garden. She ended up having chest pain after that and when her mother figured it out, she took her to the owner of the farmland. The owner immediately knew what had happened, so she smiled and prayed to her ancestors and relieved my grandma of the pain,” Rai says.