MTV Documentary Films’ Sundance Winner ‘The Eternal Memory’ to Debut on Paramount+

BABYMONSTER have made their long-anticipated debut with ‘Batter Up’.The music video for BABYMONSTER’s ‘Batter Up’ features a number of elaborate sets, from a high school classroom to a flashy indoor stadium. The clip and the song’s choreography is also inspired by baseball, much like the title of the song suggests.“I’m on a mission, don’t need permission / No matter what, I’m gonna make my own decisions / I’m talkin’ you, you want it too / I’m pretty and kind, but watch how I turn into monster,” they sing over a bouncy hip-hop beat on ‘Batter Up’.Speaking of their long-awaited debut, BABYMONSTER said that they are “really happy because today is the day when we come to realise our long-cherished dream”, per The Korea Times.

Jessica Chastain, resplendent in a shimmering silver tasseled jump suit, championed the power of art to bring about positive change at the opening night of the Marrakech Film Festival on Friday evening.

John Hopewell Chief International Correspondent São Paulo-based activist producer Maria Farinha Films, behind Globoplay hit “Aruanas” and one of the global South’s key impact entertainment companies, has boarded Marcel Beltrán’s mystery drama “Moa,” a big double winner at Locarno’s 2022 Open Doors. Produced by Paula Gastaud at Cuba’s Mediocielo Films, “Moa” is now set up as co-production with Mediocielo Filmes, also in São Paulo, and Maria Farinha Films, and the Dominican Republic’s Stems Group.

“Hyperballad,” Sophia Mocorrea’s “Marriage by Abduction” and Theo Court’s “Three Dark Nights” feature in a 15-title lineup of Ventana Sur’s Proyecta project lineup which is emerging as Ventana’s industry centerpiece as international co-production becomes vital to more ambitious arthouse filmmaking. Organised by Cannes Marché du Film and the San Sebastian Film Festival, Proyecta received 200 submissions this year, up from 170 in 2022.

Naman Ramachandran Pan Nalin, producer and director of Indian Oscar-shortlisted film “Last Film Show,” has boarded Subhadra Mahajan’s debut feature “Second Chance” as an executive producer. Mahajan previously served as assistant director on Nalin’s “Echo of Eco,” “Angry Indian Goddesses,” “Beyond the Known World” and “Last Film Show.” “Second Chance,” now in the final stages of post-production, was launched at India’s Film Bazaar co-production market in 2020, and has participated in labs and development programs including Film Independent Global Media Makers Program 2022, the Cannes market co-production day 2021 and Produire Au Sud Kolkata. The film follows city girl Nia who visits her family home in the western Himalayas after a decade, in the dead of winter, alone.

IDFA – the largest documentary film festival in the world — has just wrapped its 36th edition, and it was a memorable one by every definition. Two hundred and fifty films screened in Amsterdam, representing work from across the globe –the Middle East to Africa, Asia, North and South America, and Europe.

Celebrities were out in full force on Tuesday, 21 November at the annual ITV Palooza in London, with dozens of TV stars taking to the blue carpet. Among the star-studded arrivals were My Mum, Your Dad stars Roger Hawes and Janey Smith, who looked as loved-up as ever as they posed for photos together at ITV's annual gala. The happy couple were joined by Roger's daughter Jess and Janey's son Will, who also both appeared on My Mum, Your Dad earlier this year.

EXCLUSIVE: In a matter of hours, the latest feature from MTV Documentary Films will premiere on Paramount+: A Song Film By Kishi Bashi: OMOIYARI.

A Sign of the Times, a new musical featuring the songs of Petula Clark, Lesley Gore, Dusty Springfield and other classic pop hits of the 1960s will have its New York City premiere Off Broadway at New World Stages this winter, with previews starting February 7, 2024, in advance of an opening night on Thursday, February 22.

Will Tizard Contributor Cinematographer and director Warwick Thornton scored top honors Saturday at the Camerimage cinematography film festival for his magical tale of an aboriginal youth, “The New Boy,” which film jurors called a distinctive “portrait of an extinguished spirituality.” Thornton, in accepting the Golden Frog, said he had been so moved by the cinematography work onscreen at the fest, a top global event for directors of photography, he’d been “tearing for a week.” Ed Lachman, director of photography for Pablo Larrain’s horror fantasy “El Conde,” inspired by the life of Chilean tyrant Augusto Pinochet, won the Silver Frog for what the jury called “cinematic high poetry,” while the Bronze Frog and Audience Award went to cinematographer Robbie Ryan for his Gothic dream-like imagery in Emma Stone-starrer “Poor Things,” directed by Yorgos Lanthimos. Actor Peter Dinklage, honored with a festival director’s prize, expressed his gratitude for the Frog statuette, noting actors are “nothing without our collaborators,” followed onstage by cinematographer Mandy Walker, who also served as main jury president, also honored for her work on films such as “Elvis” and “Mulan.” Polish director Krzysztof Zanussi, one of the founders of the European Film Academy, was also feted for lifetime achievement in directing, as was cinematographer Peter Biziou (“The Wall,” “The Truman Show”) in the closing gala, held in Camerimage’s cavernous Jordanki screening hall.

EXCLUSIVE: MTV Documentary Films’ impressive slate of short films will debut on the Paramount+ streaming platform on Tuesday, a lineup that includes The ABCs of Book Banning, the directorial debut of documentary legend Sheila Nevins.

EXCLUSIVE: Sundance winner Marc Silver, known for documentaries 3 1/2 Minutes, Ten Bullets and Who Is Dayani Cristal?, is set to chronicle the story of British teen Molly Russell, who died from an act of self-harm while suffering depression and the negative effects of online content.

Two-time Oscar-nominated cinematographer Ed Lachman looked shattered by the time he sat down with us for an interview here at EnergaCamerimage in Torun, Poland. 

Marta Balaga India Donaldson picked up the Polish Film Institute Award for her upcoming feature “Good One” at the American Film Festival in Wrocław, coming with a $50,000 cash prize for post-production in Poland. “It’s an affirmation of how we have been working and what we have been working towards,” Los Angeles-based Donaldson told Variety after the ceremony. “Good One” – presented during AFF’s industry event U.S.

Nicolas Cage is hitting the beach to film scenes for his new movie.

Hello, and welcome to the Scene to Seen Podcast!

Dolby Laboratories, Inc., and nonprofit Ghetto Film School (GFS), today announced the winners of the Dolby Institute x Ghetto Film School New Voices. New Visions. 2024 competition.

Pablo Larraín and Angelina Jolie were spotted at the Hungarian State Opera,in Budapest. The two looked comfortable as they sat next to each other in the Opera’s theater box. As the story developed on the stage, Jolie was visibly moved, wiping tears from her eyes while Larraín stood from his seat to get a better look at the stage.

Despite being listed towards the bottom of many MCU diehards’ list of favorite films, “The Incredible Hulk” really isn’t all that bad. Hindsight being what it is, we can nitpick various things, including the casting of Edward Norton, but honestly, given what we’re seeing with Marvel films as of late, Louis Leterrier’s ‘Incredible Hulk’ is pretty fun.

Christopher Vourlias When Roma actress-turned-director Alina Șerban reflects on her life, rising from an impoverished background in Bucharest to become an acclaimed and groundbreaking force on stage and screen, she describes it as “an urban Cinderella story.” A review from one of her first stage shows, she says, sums it up best: “Roma actress beats the odds.” As a multi-faceted artist, Șerban has dedicated her life and career to reframing the narrative about her marginalized community. Now she’s developing her feature-length directorial debut, “I Matter,” a deeply personal story about a young Roma woman studying to be an actor who, faced with the threat of being kicked out of her orphanage, must suddenly confront the reality of making it through life on her own.