Ventana Sur’s Proyecta: César Díaz, Theo Court and Urgent Social Tales Set in Latin America’s Overlooked Regions

Ariana Grande has shared a series of new photos from a recording studio that seemingly teases a new music project is on the way soon.Grande shared a series of photos and muted videos on Instagram today (December 7) that show her working in a recording studio. In many of the photos, Grande can be seen sitting at a computer while looking at audio files on screen.Grande didn’t caption the posts but her friend and frequent collaborator Victoria Monet commented “she’s home!” while Grande’s Wicked co-star Cynthia Erivo wrote in a comment: “no one is ready”, adding: “I’m so freaking proud of you…This project is so freaking special!”You can see the post here:A post shared by Ariana Grande (@arianagrande)Back in August, Grande paid tribute to Mac Miller in the video for a new version of the pair’s 2013 track ‘The Way’.

Naman Ramachandran Ena Sendijarević’s “Sweet Dreams,” Netherlands’ submission in the Academy Awards international feature category, has secured North American distribution via Dekanalog. The film had its world premiere at Locarno, where it won the Pardo for best performance for Renée Soutendijk (“Suspiria”) and the second prize of the junior jury. The film debuted in North America in Toronto’s Centrepiece section and won the Silver Hugo new directors award at Chicago.

John Hopewell Chief International Correspondent In bigger picture terms, the major highlights of Ventana Sur were a masterclass by Cannes head Thierry Frémaux and an impromptu speech by San Sebastián director José Luis Rebordinos, heads of the most important film festivals in the world and Spanish-speaking world, supporting the continued existence of INCAA. There words came after Argentinian President elect Javier Milei had vowed on the campaign trail to shutter Argentina’s state-backed film-TV agency if voted into power. In industry terms, never has Ventana Sur, Latin America’s most important film-TV market, been this big, its final attendance numbers sky-rocketing to 4,300, some 30% up on 2022, beyond even the wildest expectations of organizers, Cannes Marché du Film and the INCAA.

Ventana Sur’s coveted Paradiso WIP Award, made up of a $10,000 cash prize, went to Brazil’s “The Cuban Doctor.” Its director, Bernard Lessa, reflected on the significance of the award: “It’s a very important initiative and a partner in the cause of Brazilian cinema,” he said, as he expressed his joy at receiving the accolade. Lessa’s story turns on Akin, a Cuban doctor working in Brazil during former President Jair Bolsonaro’s controversial tenure, who faces political headwinds while he’s simply trying to do his job with the respect and kindness his patients deserve.

Anna Marie de la Fuente Habanero Film Sales has snapped up documentary “I Trust You” (“En vos confio”) from Juan Pablo Gugliotta and Nathalia Videla Peña’s Magma Cine (“The Distinguished Citizen,” “1976”) in one of the more significant of multiple deals struck at a hectic Ventana Sur (VS) in Buenos Aires. Directed by Agustin Toscano, whose “The Owners” and “The Snatch Thief” participated in Cannes’ Critics Week and Directors’ Fortnight sidebars in 2013 and 2017, respectively, “I Trust You” follows former nuns Susana and Nélida who have been incarcerated at the Tucumán Women’s Prison since 2006, accused of a crime they insist they did not commit.

John Hopewell Chief International Correspondent Mexican Rigoberto Pérezcano’s “Lovers Fare Goodbye,” a poignant, exquisitely shot tale of star-crossed young love dominated prizes at Primer Corte, Ventana Sur’s key arthouse pic competition. The prize and dozens of others were announced Friday at Latin America’s most important film-TV mart-meet.

Love Island winners Millie Court and Liam Reardon have enjoyed a romantic trip to Ireland after rekindling their relationship. Millie, 26, who won the hit ITV2 dating show in 2021 alongside Liam, 24, took to Instagram to share a number of loved-up snaps of their short stay in Dublin.They were in the city to launch the Christmas season at an ice skating attraction.

John Hopewell Chief International Correspondent BUENOS AIRES — In one of the first deals to close at this week’s Ventana Sur market, Spain’s Latido Films has boarded “Lo Que Quisimos Ser,” written-directed by Alejandro Agresti, produced by Fernando Sokolowicz at Aleph Media, and Gastón Duprat, who have teamed as producer and co-writer-director on “The Distinguished Citizen,” “The Man Next Door,” and “The Artist.” “Lo Que Quisimos Ser” marks the latest film from Agresti, one of Argentina’s most international talents best known for a Hollywood sojourn which saw him directing Sandra Bullock and Keanu Reeves in “The Lake House” and writing Argentina-set, English-language “No somos animales,” with John Cusack. Of his Argentine film, “Valentín” weighs in as a big-hearted coming of age tale of a cross-eyed and very lonely young kid.

Anna Marie de la Fuente Colombian sales and distribution company Doc:Co is venturing into the global sales arena with its first international pick up, Chilean-Colombian co-production “Otra Piel.” The debut feature documentary of Patricia Correa, “Otra Piel” is co-produced by Colombia’s Romeo, 235 Digital and Sonata Films alongside Chile’s Cine Matiz, founded by producer Gabriela Sandoval who co-runs another, more established label, Storyboard Media. The doc revolves around Miguel, who at 38, is not just a taxidermist but also an accomplished hunter.

John Hopewell Chief International Correspondent It’s proving a huge and busy Ventana Sur in terms of deal announcements, both sales deals and most especially co-pro pacts across the several hundreds of titles now platformed at Ventana Sur. If you haven’t been able as yet to read the first two Variety Dailies, or haven’t seen them in your inbox, just click on the photos to access Variety’s Ventana Sur Daily One and Two: Variety Ventana Sur Daily One, Monday Nov. 27, 2023 Variety Ventana Sur Daily Two, Tuesday, Nov. 28, 2023 Enjoy!

Holly Jones “Lonely Hearts,” the highly-anticipated third feature from Brazil’s Berlinale-winner Caru Alves de Souza (“My Name Is Baghdad”), named among 10 Next Gen Talents to Track from the country by Variety in February, and a pair of additional homecoming narratives from burgeoning creatives, Uruguayan director Paula Botana’s“The Burned Women” and Dora Gomez’s “Blanca” out of Paraguay, are among the titles selected for Ventana Sur’s 2023 Punto Genero pitching sessions. Histories unearthed and intimate interpersonal relationships are dominant themes in the remaining selections with films like Argentina-Spain co-production “Brücher.

Callum McLennan Milena Times’ debut feature “November” joins two further titles from Brazil as part of Primer Corte and Copia Final, Ventana Sur‘s pix-in-post industry showdown. It participated in various development guises including BrLab – Audiovisual Project Development Laboratory in 2017, and as a finalist for the Cabíria Screenplay Award, also participating in Cabiria Lab 2020. Fully funded at both state and national levels in Brazil, “November” is a testament to the burgeoning film industry in the country.

Anna Marie de la Fuente Madrid-based Sideral, a production-distribution-sales label launched by Spain’s Elamedia Estudios early this year, has boarded Uruguayan Ventana Sur-Blood Window project “Capital Variable,” the feature debut of Uruguayan helmer-scribe Marco Caltieri. Elamedia Studios CEO Roberto Butragueño will produce the thriller/dark comedy with Sideral’s Paola Botrán and Uruguay’s Clara Charlo of To Je To serving as executive producers. Sideral will be handling international sales on the project, which was pitched at genre forum Blood Window at Ventana Sur, the preeminent annual film-TV market in Buenos Aires, co-organized by Cannes Festival and Marché du Film and by Argentina’s INCAA film institute.

a few months back. “There’s just tremendous opportunities now as the market’s tightening to find source IP where, you know, there’s an installed audience,” he added.

Ventana Sur has added this year a big spread from Chile’s TV agency Consejo National de Televisión, which could be a reaction to global platforms pulling out of Chile. In terms of original titles there’s good word on Colombia’s Laura Otálora (“Impermanence”) and Argentina’s Carlos Lascano (“Lina”).

John Hopewell Chief International Correspondent Jointly organized by Cannes’ Marché du Film with a Thierry Fremaux Cannes Film Week adding star auteur glamor, Ventana Sur turns 15 this week unspooling Nov. 27-Dec.1 at its usual venue of the Universidad Católica Argentina in Buenos Aires’ Puerto Madero, its most modern and most chic of districts.

Will Tizard Contributor Cinematographer and director Warwick Thornton scored top honors Saturday at the Camerimage cinematography film festival for his magical tale of an aboriginal youth, “The New Boy,” which film jurors called a distinctive “portrait of an extinguished spirituality.” Thornton, in accepting the Golden Frog, said he had been so moved by the cinematography work onscreen at the fest, a top global event for directors of photography, he’d been “tearing for a week.” Ed Lachman, director of photography for Pablo Larrain’s horror fantasy “El Conde,” inspired by the life of Chilean tyrant Augusto Pinochet, won the Silver Frog for what the jury called “cinematic high poetry,” while the Bronze Frog and Audience Award went to cinematographer Robbie Ryan for his Gothic dream-like imagery in Emma Stone-starrer “Poor Things,” directed by Yorgos Lanthimos. Actor Peter Dinklage, honored with a festival director’s prize, expressed his gratitude for the Frog statuette, noting actors are “nothing without our collaborators,” followed onstage by cinematographer Mandy Walker, who also served as main jury president, also honored for her work on films such as “Elvis” and “Mulan.” Polish director Krzysztof Zanussi, one of the founders of the European Film Academy, was also feted for lifetime achievement in directing, as was cinematographer Peter Biziou (“The Wall,” “The Truman Show”) in the closing gala, held in Camerimage’s cavernous Jordanki screening hall.

Latin GRAMMYS are in motion in Sevilla, Spain, and Shakira is there with her children. After winning Best Pop Song for Music Session Vol. 53, Shakira commanded the stage at the the Palacio de Congresos y Exposiciones, singing ‘Acróstico’.

John Hopewell Chief International Correspondent Belgium’s Stenola Productions, behind Joachim Lafosse’s 2022 Cannes Competition player “The Restless” and this year’s San Sebastian’s Golden Shell contender “A Silence,” has boarded “Elena,” written by Cannes Camera d’Or winner César Díaz (“Our Mothers”) and a potential highlight at this month’s Ventana Sur Proyecta forum. Stenola, which looks set to handle part of post-production, joins Norwegian lead producer Staer, founded by Elisa Fernanda Pirir, and Lithuania’s Just a Moment on a film which marks the anticipated feature debut of Dalia Huerta Cano, whose “Flesh That Remembers” won best doc short at Mexico’s Morelia Film Festival and DF Docs.

A new devolved benefit replacing Carer’s Allowance for people in Scotland is set to launch in three council areas from next week. People in Dundee City, Perth and Kinross and the Western Isles will be able to make a new claim to Social Security Scotland for the Carer Support Payment from Monday, November 20.