MPM Premium Picks Up ‘Wolf and Dog’ Ahead of Venice Premiere, Debuts Trailer (EXCLUSIVE)

Tessa Thompson rocked a new look at the latest premiere during the 2022 Venice Film Festival.

Christopher Vourlias Directing duo Dušan Zorić and Matija Gluščević make their feature debut with “Have You Seen This Woman?,” which has its world premiere Sept. 8 during the Venice Film Festival’s Critics’ Week. Variety has been given exclusive access to the trailer. Divided into three chapters, “Have You Seen This Woman?” presents three acts that follow three different lives of a middle-aged woman of the same name. In the heat of a summer day, Draginja discovers a dead body that resembles her. Elsewhere, another hires a fake husband to show off in front of her friends. Finally, on a cold winter night, a third Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, each tries to get out of her skin in her own way.

Leo Barraclough International Features Editor Reservoir Docs has acquired documentary “The Other Fellow,” which is about several men named James Bond, like the movie’s hero. It has debuted the trailer (below). The comedy-thriller premiered and won an award at Doc Edge New Zealand, and gets its European premiere in Dinard at the British Film Festival in France. In Jamaica in 1952, author Ian Fleming needs a name for his suave, sophisticated secret agent, so he steals one from an unaware birdwatcher and creates a pop-culture phenomenon about the ultimate fictional alpha-male. In 2022, the year of 007’s 60th anniversary onscreen, Australian filmmaker Matthew Bauer is on a global mission to discover the lasting, contrasting and very personal impacts of sharing such an identity with James Bond.

Nick Vivarelli International Correspondent Prominent arthouse sales company The Match Factory has closed multiple sales on Italian auteur Gianni Amelio’s Venice competition title “Lord of the Ants” ahead of its Venice premiere on Tuesday. The Match Factory has sealed deals on Amelio’s latest work – which is a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law – that will ensure the film’s theatrical release in: Australia/New Zealand (Palace Films); Japan (Zazie Films); Spain (Surtsey Films); Sweden (TriArt Film) and Greece (Ama Films). Further deals are in negotiation, the company said. Braibanti was convicted after a complaint from his partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality. The Fascist-era law that punished Braibanti, which made it a crime to lead innocent or unwary people “morally” astray, was repealed in 1981.

Florence Pugh had the best red carpet date at the Don’t Worry Darling premiere – her grandmother, Pat!

Wolf and Dog (Lobo e Cão) is the first feature film by Portuguese director Claudia Varejão. The movie follows a group of queer teenagers growing up in the uber-religious town of San Miguel in the Azores who yearn for more than the small-town ideals and the mundane lifestyle of their parents. Written by Varejão and Leda Cartum, the central characters try to build a community of their own. Still, the adults want the kids to remain stagnant, become farmers, fishermen, or mothers, and force them to enjoy that lifestyle. The movie has challenging moments to get through because they slow the pacing, making it a more tedious viewing experience, but the script works hard to subvert some harmful tropes.

Leo Barraclough International Features Editor Berlin-based Picture Tree Intl. has added “This Place,” by Canadian debut director V.T. Nayani, to its lineup. The film is to have its world premiere at Toronto Film Festival on Sept. 9 as part of the Discovery and Next Wave Selects sections. The film stars Devery Jacobs, who was the lead actor in “Reservation Dogs” and the upcoming Marvel Studio production “Echo,” and newcomer Priya Guns. The screenplay was co-written by V.T. Nayani, Devery Jacobs and Golshan Abdmoulaie. It tells the story of two young women falling in love for the first time and being jointly challenged by their own family histories, which bear the legacies of loss, migration and displacement.

Christopher Vourlias On the eve of the 79th Venice Film Festival, where his powerful Ukraine war documentary “Freedom on Fire: Ukraine’s Fight for Freedom” will premiere out of competition on Sept. 7, Oscar-nominated filmmaker Evgeny Afineevsky was in a frantic race against time. Footage was still being shot in Ukraine into the second week of August, with Afineevsky only completing the film on Aug. 31 — the same day that Ukrainian President Volodymyr Zelenskyy addressed the A-list celebrities and foreign press at the festival’s opening ceremony, urging the world not to forget the war in Ukraine with the impassioned plea: “Don’t turn your back to us.”

Elsa Keslassy International Correspondent Best Friend Forever has unveiled the trailer for “To The North,” Romanian Mihai Mincan’s feature debut which is world premiering in the Horizons section at Venice. Inspired by true events, the edgy thriller follows Joel, a religious Filipino sailor who finds a Romanian stowaway, Dumitru, hidden between some containers during his shift on a transatlantic ship. Joel decides to hide him and subsequently starts feeling tormented by his crew, friends and even God.

Marta Balaga German helmer Alex Schaad takes on the body-swap trope in Venice Critics’ Week title “Skin Deep,” produced by Walker + Worm Film in co-production with Bayerischer Rundfunk and Donndorffilm. Beta Cinema, which handles the sales, has shared its trailer exclusively with Variety ahead of the film’s world premiere at the Italian fest. The intimate, character-driven story sees a young couple – played by “And Tomorrow the Entire World” actor Mala Emde and Jonas Dassler – deciding to visit a remote island, hoping they might be able to solve their problems in a place that literally allows you to be someone else. But Schaad, who co-wrote the script with his brother Dimitrij, wasn’t trying to deliver another “Freaky Friday,” eschewing easy laughs for a much more philosophical approach.

Leo Barraclough International Features Editor Venice Film Festival title “Music for Black Pigeons,” directed by Danish filmmakers Jørgen Leth, best known for “The Five Obstructions,” and “The Lost Leonardo” helmer Andreas Koefoed, has debuted its trailer with Variety. The documentary, which premieres on Tuesday in Venice’s Out of Competition section, explores the lives and processes of some of the world’s most renowned and prolific jazz musicians, including Jakob Bro, Bill Frisell, Lee Konitz, Paul Motian and Midori Takada. Leth, who has directed more than 40 films including landmark works such as “A Sunday in Hell” (1977) and the surrealist short “The Perfect Human” (1968), returns to Venice after his feature documentary “The Five Obstructions,” which he co-directed with Lars von Trier, screened on the Lido in 2003.

Nick Vivarelli International Correspondent Cairo-based film marketing and distribution outfit MAD Solutions has acquired rights for Arab territories to Venice competition entry “Les Miens” (“Our Ties”), directed by French actor and filmmaker of Moroccan descent Roschdy Zem. “Our Ties” is co-written by Zem with actor/director Maïwenn (“Polisse,” “Mon Roi”), who co-stars. Zem is a French cinema fixture, having starred in pics including “Other People’s Children” and directed several films including 2019’s “Persona Non Grata.” “Ties” is a drama about family dynamics centered around a man played by Sami Bouajila whose personality changes radically after he suffers a head injury. Zem plays his TV presenter brother.

Leo Barraclough International Features Editor Variety has been given exclusive access to a first-look clip for “Amanda,” Carolina Cavalli’s quirky Italian-cool film in Venice Horizons, starring Benedetta Porcaroli (star of Netflix series “Baby”), and featuring Italian heavyweight Giovanna Mezzogiorno, and Italian “X-Factor” winner Michele Bravi. The film, which is reminiscent of early Wes Anderson, premieres at Venice on Monday, then goes to Toronto – it’s the only Italian film to play both fests this year. Charades is handling international sales. I Wonder is distributing in Italy. The film centers on Amanda, 24, who lives mostly isolated and has never had any friends, even if it’s the thing she wants the most. When she discovers that as toddlers her and Rebecca used to spend a lot of time together, Amanda chooses her new mission: to convince her that they are still best friends.

When Trace Lysette got to Venice for the premiere of the Andrea Pallaoro-directed drama Monica, she learned that she becomes the first Trans actress to headline a competition film here. Lysette plays the title character, a Trans woman who comes home to care for the mother who rejected her years ago, The young woman has a lot of personal issues she is working through, but among the most frustrating is that the mental faculties of her mother (Patricia Clarkson) are failing along with her health. She doesn’t recognize her child, and Monica tries her best to build a bond as her caretaker. Lysette was a regular in the Amazon series Transparent, and she co-starred with Jennifer Lopez and Constance Wu in Hustlers. But this is her first leading role in a movie. We met at the Excelsior hotel for a Disruptors party thrown by Deadline, Thelios and Guillotine Vodka. It is clear that setting a milestone in Venice is not something Lysette takes lightly.

Giorgio Armani dressed so many stars for the Bones and All premiere at the 2022 Venice Film Festival!

Tessa Thompson is rocking two more looks at the 2022 Venice Film Festival.

Timothee Chalamet is making a fashion statement on the red carpet at the 2022 Venice Film Festival!

Nick Vivarelli International Correspondent Master documentary filmmaker Gianfranco Rosi, whose “Sacro Gra” won the Venice Golden Lion in 2013, is back on the Lido with “In Viaggio,” a doc about Pope Francis’ travels in which the director creates a counterpoint between archival footage and images that Rosi shot himself. Variety has been given access to an exclusive clip (above) from the film, which premieres in Venice on Sept. 5. In the first nine years of his pontificate, Pope Francis made 37 trips visiting 53 countries, focusing on his key issues: poverty, migration, the environment, solidarity and war. Intrigued by the fact that two of Francis’s trips – the first to the refugees landing in the Sicilian island of Lampedusa; the second in 2021 to the Middle East – so closely mirrored the itineraries of the director’s “Fuocoammare” (Fire At Sea, 2016) and “Notturno” (2020), Rosi follows the Pope’s Stations of the Cross. “He sees what he sees, hears what he says,” the press notes point out, and interweaves archival footage of Francis’ travels with images taken by Rosi himself and recent historical events.

Leo Barraclough International Features Editor Berlin-based sales outfit M-Appeal has debuted the trailer (below) for the Israeli-Ukrainian drama “Valeria Is Getting Married,” which will have its world premiere in Venice’s Horizons Extra Friday. The film will have its North American premiere at Toronto Film Festival on Sept. 14, where it is part of the Contemporary World Cinema lineup. The film, directed by Israeli female filmmaker Michal Vinik, is shot from the perspective of two Ukrainian sisters, and follows the tense emotional journey that unfolds over the course of one day. Valeria (Dasha Tvoronovich) arrives in Israel to meet the man she is supposed to marry, thanks to a deal made online. She is following in the footsteps of her older sister Christina (Lena Fraifeld), who is happy with her new life in Israel, but Valeria struggles with the decision.

Leo Barraclough International Features Editor Carolina Markowicz’s dark satire “Charcoal,” which world premieres on Sept. 11 at Toronto Film Festival, has debuted its teaser trailer with Variety (below). World sales are being handled by Urban Sales. The film, which plays in the festival’s Platform section, centers on a poor family living in a remote area in Brazil, who earn a pittance from their charcoal business. When a shady nurse asks them to host a mysterious foreigner they accept. The home soon becomes a hideout as the so-called guest happens to be a highly wanted drug lord. The mother, her husband and child will have to learn how to share the same roof with this stranger, while keeping up appearances of an unchanged peasant routine.