Arab Distributor MAD Solutions Snaps Up Venice Competition Title ‘The Ties’ (EXCLUSIVE)

Nick Vivarelli International Correspondent An English-language reimagining of the world of Sergio Corbucci’s cult 1966 spaghetti western “Django,” which launched the career of Italian icon Franco Nero, is set to launch from the Rome Film Festival in October. The high–concept TV series, titled “Django,” will play in 2023 exclusively on Sky and its streaming service NOW in all countries where Sky operates, including the U.K., Ireland, Italy, Germany and Austria. It will also air on Canal+ in France, Switzerland, Benelux and Africa. The Rome Film Festival runs from Oct. 13-23. The 10-episode “Django” show stars Matthias Schoenaerts (“Rust and Bone,” “Bullhead”) as the iconic gunman who is the title character, alongside Nicholas Pinnock (“For Life”) as John Ellis, described as the “visionary founder” of the town of New Babylon. Lisa Vicari (“Dark”) plays Django’s daughter Sarah and Noomi Rapace (Millennium Trilogy) has the adversarial role of John’s powerful and ruthless enemy Elizabeth Thurman. 

Naman Ramachandran Blue Finch Films has boarded international sales on European genre titles, Scandinavian thriller “Good Boy” and found footage film “Stéphane,” ahead of their world premieres at Beyond Fest. “Good Boy,” which delves into the perils of the modern dating world, follows Sigrid who thinks she’s met the perfect match in Christian until she comes to find out that he lives with a man who acts like his pet dog. French thriller “Stéphane,” a new take on the found footage genre, follows Timothée, as he documents his time with the larger-than-life, and almost unbelievable character that he meets whilst shooting a short film. As time goes on their jovial and eccentric talks become something far more sinister.

Nick Vivarelli International Correspondent Egyptian-American director Dina Amer’s politically sensitive drama “You Resemble Me,” the story of Hasna Aït Boulahcen who in 2015 was wrongly believed to be Europe’s first female suicide bomber, is getting a Middle East release via Front Row Filmed Entertainment. Amer’s feature debut, which world premiered positively at the 2021 Venice Film Festival, is a deeply researched character study of the fragile young Muslim woman who became linked to the November 2015 terrorist attacks in Paris even though she didn’t participate in them. Aït Boulahcen died during an anti-terrorism raid alongside her cousin Abdelhamid Abaaoud, who was one of the ringleaders of the coordinated assaults that killed 130 people in the French capital, including 90 at the Bataclan theater. 

Nick Vivarelli International Correspondent Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law, has reached the top spot at Italy’s box office following its launch from the Venice Film Festival. “Ants” on Monday reached the numero uno position at the local box office roster with a €483,474 ($487,000) intake from more than 300 screens following its September 8 release. While far from stellar in normal times, this result is being hailed as an encouraging sign for the country’s still sagging post-pandemic theatrical sector. Amelio’s film is now ahead of Japanese anime pic “Evangelion: 3.0 You Can (Not) Redo,” which was released as an event on Monday for a three day run, and “Minions: The Rise of Gru,” which is at the end of its run, following it’s Aug. 18 Italian outing.

Cristiano Ronaldo is reportedly 'set to receive' another bumper offer from Saudi Arabia to leave Manchester United in January.

Nick Vivarelli International Correspondent Italian director Paolo Virzì (“Human Capital,” “Like Crazy”) is in Venice where his dystopic drama “Siccità,” which means drought in Italian, is premiering out-of-competition. The innovative pic, which features an A-list ensemble cast comprising Monica Bellucci, Sara Serraiocco (“Counterpart”) and Silvio Orlando (“The Young Pope”), is set amid a protracted drought caused by climate change in the Italian capital where the Tiber has dried up. Virzì spoke to Variety about how “Siccità” germinated during COVID-19 and was shot amid tight pandemic protocols. Excerpts. You worked with novelist and screenwriter Paolo Giordano on the concept and the script for this film. How did the collaboration start?

Nick Vivarelli International Correspondent With “Chiara,” Susanna Nicchiarelli’s portrait of Saint Clare of Assisi – the 13th century saint born into a wealthy family who at age 18 became a nun after hearing St. Francis preach – the Italian director completes her trilogy of female biopics, segueing from “Nico, 1988” and “Miss Marx,” which both launched from Venice’s Horizons section. With “Chiara,” she makes the leap into the main Venice competition. Nicchiarelli spoke to Variety about what drew her to portraying this prototypical feminist and directing “My Brilliant Friend” star Margherita Mazzucco in the pic’s titular role. Excerpts. What drove you to want to tell us this story about St. Clare?Well, first of all, I was always passionate about Saint Francis. I have a very strong memory when I first saw Franco Zeffirelli’s “Brother Sun, Sister Moon.” I was at school when they showed it to us and this boy, this man, taking his clothes off in front of the Bishop. That was a very strong image. Francis’ battle speaks to us just as much today because it’s a battle for poverty, against social injustice. It’s about being on the side of the poor, of those who are different, and the injustices of a society in which very few have everything and then most have nothing. So, this was their battle. The medieval society was like that. It’s not so different from the way it is now.

Trinidad Barleycorn Founded more than 25 years ago by Manuel Catteau, independent French producer and distributor ZED has become over the years a major player in the documentary field. At TV market Unifrance Rendez-vous in Biarritz, ZED revealed to Variety the acquisition of three ambitious history documentary projects, which are available for presales. “Ukraine 1933: Seeds of Hunger,” a documentary by Guillaume Ribot, produced by Les Films Du Poisson for France Télévisions, recalls the tragedy experienced by Ukrainians between 1931 and 1933: the Holodomor, the great famine organized by Stalin to punish those who refused the collectivization of the countryside and communist ideology, resulted in the deaths of more than 4 million of them.

Saudi Arabia and neighboring countries in the Middle East have told global streaming giant Netflix to remove un-Islamic content. Although not specified, this is understood to mean that it should take down content including LGBTQ elements. The announcement was made Tuesday by the Committee of the Electronic Media Officials within the Gulf Cooperation Council, a trade and political association that includes Saudi Arabia, the United Arab Emirates, Bahrain, Kuwait, Oman and Qatar. Saudi Arabia and the U.A.E. issued similar, separate statements. Associated Press reported that Saudi state television also aired video of an interview it conducted with a woman it identified as a behavioral consultant who described Netflix as being an “official sponsor of homosexuality.” It aired footage of a cartoon that had two women embrace, though the footage was blurred out. “Saudi state television also aired a segment suggesting Netflix could be banned in the kingdom over that programming reaching children,” AP reported.

Nick Vivarelli International Correspondent Francesco Zippel’s Sergio Leone doc, which premieres on Tuesday at the Venice Film Festival, is the first portrait of the Italian master made with full support of his children Raffaella and Andrea. Titled “Sergio Leone: The Man Who Invented America,” the high-profile doc is premiering in the Venice Classics section for docs on cinema. It features an impressive list of voices holding forth on what makes Leone special for them. Among these are: Clint Eastwood, Martin Scorsese, Steven Spielberg, Quentin Tarantino, Giuseppe Tornatore, Frank Miller, Darren Aronofsky, Damien Chazelle and Robert De Niro (see clip). But aside from Leone’s visionary talent as a director what emerges is that as his career escalated from the so-called “Dollars Trilogy” to “Once Upon a Time in the West” through to his final masterpiece, “Once Upon a Time in America,” Leone’s life was steeped in two inextricably linked passions: film and family. 

Nick Vivarelli International Correspondent Last year Andrea Scrosati – who is group COO and continental Europe CEO of Fremantle – was at Venice with two films. This year Fremantle’s got six pics launching from the Lido, three of them in competition, which is a larger contingent than any of the U.S. studios or streamers.  Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side. Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says.  And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.

Holly Jones Coinciding with its world premiere at the Venice Film Festival, Warsaw-based New Europe Film Sales has provided Variety with an exclusive peek at the trailer for Chilean writer-director Fernando Guzzoni’s (“Jesus”) thriller, “Blanquita.” Based on the young witness at the center of the Spinak case, a scandal involving Chilean pedophilia and prostitution networks that rocked the country, the film grapples with morality and the struggle towards justice for those without means. In the film, Blanca (Laura López) leads investigators, and the public, on a baffling journey as she plants herself at the center of a trial against powerful politicians.

Elsa Keslassy International Correspondent MK2 Films has scored key territory deals on Japanese director Koji Fukada’s “Love Life,” which makes its world premiere in competition at the Venice Film Festival. Set in contemporary Japan, “Love Life” is a character-driven film revolving around Taeko and her husband, Jiro, who are living a peaceful existence with her young son, Keita. When a tragic accident brings the boy’s long-lost father, Park, back into her life, Taeko throws herself into helping this deaf and homeless man to cope with the pain and guilt. Popular Japanese actress Fumino Kimura (“The Fable: The Killer Who Doesn’t Kill”) headlines the film. MK2 Films has now sold the movie to Teodora (Italy), Imagine (Benelux), Leopardo (Portugal), Demiurg (Ex Yugoslavia), New Cinema (Israel), Swallow Wings (Taiwan), Edko (Hong Kong), Impact Films (India) and Encore Inflight (Airlines).

Nick Vivarelli International Correspondent Iranian cinema is having a great year despite the many impediments film directors face there, including being jailed. Reflecting this burst of irrepressible cinematic energy, after strong showing of Iranian cinema at Berlin, Cannes and Karlovy Vary, Venice has five films from the country, two of which are in competition. Also, Leila Hatami, star of Cannes festival jurist Asghar Farhadi’s “A Separation,” is a member of Venice’s main jury panel. “We have never received so many submissions from Iran, and many of them are good,” says Venice chief Alberto Barbera. He notes that “the paradox is that this is happening at a time when the Iranian regime is among the most rigidly conservative and repressive in the world,” and is responding to uprisings sparked by the country’s harsh economic conditions by re-incarcerating directors such as Jafar Panahi, whose latest film “No Bears” launches from Venice, fellow dissident filmmaker Mohammad Rasoulof, and others “who try to freely express their opposing points of view.”

Marta Balaga LevelK has boarded Icelandic crime drama “Cold,” directed by Erlingur Óttar Thoroddsen and based on the bestselling book “The Undesired” (“Kuldi”) by Yrsa Sigurdardóttir. Still in production, it was recently pitched at Venice Gap-Financing Market. The story centers on Óðinn, living alone with his daughter Rún. As he investigates decades-old deaths at a juvenile treatment center, he begins to suspect that the sinister secrets are connected to his ex-wife’s mysterious suicide. As well as his daughter’s strange behavior. “Erlingur is an established, talented director who respects the audiences and finds it fascinating to thrill them,” says LevelK’s CEO Tine Klint.

Nick Vivarelli International Correspondent Top international news agencies, including the Associated Press and Reuters, are up in arms against the Venice Film Festival over what they claim are restrictions to access footage of the fest’s star-studded red carpet activities and press conferences. In past years, the agencies have been able to give their clients more or less unlimited amounts of Venice footage, excluding live feeds. Upon arrival on the Lido this year, with no forewarning, agency video teams collected their red carpet accreditation on opening day and were then handed a form to sign telling them there is a 90-second limit, the groups allege. The 90-second limit is allegedly due to Italian media regulation that was always in existence, but is only being enforced this year.

Nick Vivarelli International Correspondent Master documentary filmmaker Gianfranco Rosi, whose “Sacro Gra” won the Venice Golden Lion in 2013, is back on the Lido with “In Viaggio,” a doc about Pope Francis’ travels in which the director creates a counterpoint between archival footage and images that Rosi shot himself. Variety has been given access to an exclusive clip (above) from the film, which premieres in Venice on Sept. 5. In the first nine years of his pontificate, Pope Francis made 37 trips visiting 53 countries, focusing on his key issues: poverty, migration, the environment, solidarity and war. Intrigued by the fact that two of Francis’s trips – the first to the refugees landing in the Sicilian island of Lampedusa; the second in 2021 to the Middle East – so closely mirrored the itineraries of the director’s “Fuocoammare” (Fire At Sea, 2016) and “Notturno” (2020), Rosi follows the Pope’s Stations of the Cross. “He sees what he sees, hears what he says,” the press notes point out, and interweaves archival footage of Francis’ travels with images taken by Rosi himself and recent historical events.

Patrick Frater Asia Bureau Chief The titles of Fukada Koji’s films almost drip with bitter irony. “Sayonara” seemed to be a farewell to human actors. Instead of being harmonious, Cannes Un Certain Regard jury prize-winner “Harmonium” was pitch black and steeped in quiet violence. Fukada’s latest, Venice Film Festival competition title carries the moniker “Love Life.” But its subject matter is loneliness. The story starts out on familiar lines, involving a married couple where suddenly the ex-husband of the wife appears, potentially setting up the melodrama of a triangular relationship. But in Fukada’s hands things are colder and more painful. The newcomer is burdensome, deaf and homeless. His arrival triggers, not love, but fragmentation, individualism and loneliness.

Nick Vivarelli International Correspondent British director Joe Wright, who helmed Winston Churchill drama “Darkest Hour” – which earned Gary Oldman an Oscar for his portrayal as the British prime minister – is set to change historical sides and direct TV drama “M,” which chronicles Benito Mussolini’s rise to power. The high-end series, which is based on Antonio Scurati’s Premio Strega-winning and international bestselling novel “M. Son of the Century,” traces the birth of Fascism in Italy and Mussolini’s ascent with an innovative approach that has sparked debate about the Fascist dictator’s legacy in Italy and abroad. “The writer understood and put on paper, with facts and documents and everything, that Mussolini is the guy – him and only him – who created what we now know as populism and Fascism,” said the show’s producer Lorenzo Mieli, speaking in Venice, where he is among producers of Luca Guadagnino’s “Bones and All.”

Nick Vivarelli International Correspondent Hillary Clinton and Universal’s Donna Langley praised U.S. director, producer and social justice activist Ava DuVernay for being “a pathbreaker, a change-maker, a historical filmmaker,” as Clinton put it, during the 13th DVF Awards. The gala was held Thursday on the sidelines of the Venice Film Festival by fashion designer Diane von Furstenberg to honor extraordinary women.  The former U.S. secretary of state noted that DuVernay – who is among this year’s DVF honorees – “became the first African American woman ever nominated for an Academy Award as director [for “Selma”]. “Yes, her visionary works about Black histories and experiences are more relevant today than ever,” Clinton added. But Clinton went on to further praise DuVernay for “opening doors not just for herself, but for so many others.”