they’re everywhere — and by the time the imagery is kinda-sorta explained, it’s too late to get un-distracted). When the film allows itself to be intimate, lovely moments occur.
10.02.2022 - 21:39 / thewrap.com
Tomoko (Muneaki Kitsukawa) — the young daughter of his host family — the real song drops on the soundtrack, a moment of excessive underlining. Another moment, where Smith reflects on rejecting a bribe from a Chisso executive, is complicated by unnecessarily non-linear storytelling and some aggressive scoring from composer Ryuichi Sakamoto.Cinematographer Benoît Delhomme (“At Eternity’s Gate) crafts a naturalistic look with practical lighting and a fluid camera, rendering the film with a dark beauty, but Levitas also incorporates archival and recreated footage of the protests at Chisso, as well as capturing the photographic process with slow, almost completely still black-and-white sequences.
Levitas has a lot of ideas about how to express this story cinematically, and he throws many at the screen, so many it starts to feel a bit too busy; as with Smith’s stark images, less could have been more powerful.As a film, “Minamata” is more than just a biopic, reflecting the important social impact of photography, although — as a slideshow of images from pollution disasters, oil spills, toxic waste poisoning and more are shown over the credits — one has to wonder what true change has been made. Smith and his fellow photojournalists endanger themselves to help us see the horrors around us, exposing evil to light and freezing its effects in time.
But is that enough? True justice comes only when knowledge meets action, when the rubber meets the road.“Minamata” opens in US theaters Feb. 11.
.they’re everywhere — and by the time the imagery is kinda-sorta explained, it’s too late to get un-distracted). When the film allows itself to be intimate, lovely moments occur.
GALECA: The Society of LGBTQ Entertainment Critics has announced its Dorian Award nominations for the best in movies. Netflix and Neon dominate the nominations this year.
Foo Fighters have announced the launch of a new merch line to celebrate the forthcoming release of their new film, Studio 666.Directed by BJ McDonnell, the upcoming “horror-comedy” will follow Dave Grohl and co. as they move into a mansion in Encino, California that is “steeped in grisly rock and roll history” to record a new album.Once they arrive, however, frontman Grohl “finds himself grappling with supernatural forces that threaten both the completion of the album and the lives of the band”.To coincide with its release, the Foos have announced an exclusive merch collection that includes a selection of t-shirts and accessories – a mug, blanket and pins all featuring signature artwork from the film.You can see some shots of the collection below:Fans can purchase pieces from the Studio 666 collection at Shop.FooFighters.comStudio 666 will be released exclusively in cinemas across the UK and Ireland on February 25 via Sony Pictures UK.Meanwhile, Foo Fighters have expanded their upcoming North American tour with 10 new shows, set to take place this September and October.The tour, in support of the band’s 2021 album ‘Medicine at Midnight’, will now include additional stops primarily through Canada – including cities such as Winnipeg, Edmonton and Vancouver.
Minamata, the Andrew Levitas film starring Johnny Depp, is getting a U.S. theatrical release this weekend with 27 runs, a full year after it was first skedded for U.S. screens.
this — this insipid, hackneyed, laughable joke of a motion picture — is actually really cool. And the weirdest part of all is, they’re kind of right.
they all find it to reduce each other to writhing heaps. Though you will surely wonder why Jason Acuña (“Wee Man”) would allow himself to be tied down and covered with raw meat as an offering to a hungry vulture, “Jackass Forever” is not for questioning.
th feature film, Allen returns to a well that is not so much dry as desiccated. The movie opens with Wallace Shawn as our Allen doppelgänger, Mort Rifkin. Mort, an anxious former professor, is also a dedicated cinephile and self-defined intellectual who spends the next hour and a half complaining vociferously to his analyst.He’s reminiscing about a troubled trip to Spain’s San Sebastián Film Festival, which he recently took with his publicist wife, Sue (Gina Gershon).
Wilson Chapman editorThe Miami Film Festival has announced its opening and closing titles for its upcoming 39th edition.The festival, which showcases works from filmmaker’s in the Ibero-American diaspora, will premiere and end with two films listed on the Oscar shortlist for international feature film. “The Good Boss” (El Buen Patrón), a comedy written and directed by Spain’s Fernando León de Aranoa, will open the festival, which will close with “Plaza Catedral,” the sophomore narrative feature of Panamanian director Abner Benaim.“The Good Boss” stars Javier Bardem as Blanco, the owner of a family business up for consideration for a local award for business excellence. Determined to win the award, Blanco begins meddling in the lives of his employees, setting off a chain of events that leads to shocking repercussions.
is a Disney.It’s a self-conscious film, to be sure, driven by a combination of passion and guilt. It’s also a scattershot one that could have viewers wondering if it’s a film about the Walt Disney Company or a film about American capitalism.