Mom and Dad in Mexico! Darren Criss and his pregnant wife, Mia Criss, enjoyed a tropical babymoon ahead of their first child’s arrival.
25.01.2022 - 06:45 / thewrap.com
is a Disney.It’s a self-conscious film, to be sure, driven by a combination of passion and guilt. It’s also a scattershot one that could have viewers wondering if it’s a film about the Walt Disney Company or a film about American capitalism.
The answer, of course, is that it’s a film about the Walt Disney Company and it’s a film about American capitalism, because it finds the same things wrong with both of those entities.At first though, “The American Dream” is focused fully on Disney, and particularly on its first amusement park, Disneyland. Before Abigail Disney even introduces herself, she brings in a woman who worked at Disneyland for 45 years, and the first half hour of the film is devoted to a number of park workers: A couple who both work there but live with her mother because they can’t afford a house or apartment, others who need to work two jobs but still can’t make ends meet, many who are forced to frequent food banks set up specifically for Disney employees.In the city of Anaheim in Orange County, the city council routinely gives Disney huge breaks, including building an enormous parking structure for the resort, leasing it to the company for $1 a year and letting Disney take 100% of the revenue.
Meanwhile, the company pays park workers $15 an hour, despite the fact that an MIT study showed that a living wage in Anaheim is more than $24.“The Disney Company is ground zero of the widening disparity in America,” the film says, but for a long stretch it seems content to be a case study of that one company. Then, as Abigail Disney showcases her own public crusade against exorbitant CEO pay and income inequality, it slowly expands beyond Disney, while always keeping the company as a symptom of what has gone wrong
.Mom and Dad in Mexico! Darren Criss and his pregnant wife, Mia Criss, enjoyed a tropical babymoon ahead of their first child’s arrival.
NEW YORK -- Hugh Jackman is playing one of musical theater's greatest con men on Broadway these days but he's not fooling anyone: He's the real deal.As Harold Hill in a glorious and exuberant new revival of “The Music Man,” Jackman is like a coiled spring, effortlessly leaping onto desks, two-stepping with kids, tossing books into the air and pounding out a rhythm on his thighs. He's even magnetic in a romantic clinch.“That man is a spellbinder,” someone notes and you'll have no argument here.
Tomoko (Muneaki Kitsukawa) — the young daughter of his host family — the real song drops on the soundtrack, a moment of excessive underlining. Another moment, where Smith reflects on rejecting a bribe from a Chisso executive, is complicated by unnecessarily non-linear storytelling and some aggressive scoring from composer Ryuichi Sakamoto.Cinematographer Benoît Delhomme (“At Eternity’s Gate) crafts a naturalistic look with practical lighting and a fluid camera, rendering the film with a dark beauty, but Levitas also incorporates archival and recreated footage of the protests at Chisso, as well as capturing the photographic process with slow, almost completely still black-and-white sequences.
Olivia Culpo covered up for her latest airport outing and poked fun at her previous outfit drama with American Airlines. Culpo, 29, was spotted at the airport wearing fur-lined, hooded vest as she traveled to Colorado. Her sister, Sophia Culpo, used the moment to mock the model for being asked to change during a previous trip.
this — this insipid, hackneyed, laughable joke of a motion picture — is actually really cool. And the weirdest part of all is, they’re kind of right.
Written by Lynn Harrod who serves as co-showrunner with Wilson, Concepción follows the lives of an Asian-American kingpin and his extended crime family that lords over Historic Filipinotown (“HiFi”) in Los Angeles. The series is set across 28 years, alternating between the eras of 1992 and 2020. At the center of the series is Paulo “Pepe” Concepción, aka “Lolo Pepe,” who built a vast criminal empire through small-business extortion, gambling, racketeering and most of all the street sales of “Shabu” (Filipino meth). Over the span of the story, Lolo and his family live and work within the underworld of HiFi. Their morals, ethics and loyalties continually are tested as they struggle to revitalize HiFi and expand the power of their empire.
they all find it to reduce each other to writhing heaps. Though you will surely wonder why Jason Acuña (“Wee Man”) would allow himself to be tied down and covered with raw meat as an offering to a hungry vulture, “Jackass Forever” is not for questioning.
his review, the film features a couple who both work at Disneyland but live with parents because they can’t afford a house or apartment. It also shows employees who are so cash-strapped, they frequent food banks set up specifically for Disney employees.
Peter Debruge Chief Film CriticAt the same moment Disney-critical documentary “The American Dream and Other Fairy Tales” was premiering at the Sundance Film Festival, the media giant’s controversy du jour involved the treatment of dwarfs in its upcoming live-action “Snow White” remake. “Heigh-ho! Heigh-ho!” as the lyrics go. “We dig up diamonds by the score / A thousand rubies, sometimes more / Though we don’t know what we dig ’em for.” Turns out, the employees of Disneyland can say the same, generating enormous wealth for shareholders and CEOs while earning barely enough to feed their families — a situation Abigail Disney wants to do something about.The granddaughter of The Walt Disney Co.
th feature film, Allen returns to a well that is not so much dry as desiccated. The movie opens with Wallace Shawn as our Allen doppelgänger, Mort Rifkin. Mort, an anxious former professor, is also a dedicated cinephile and self-defined intellectual who spends the next hour and a half complaining vociferously to his analyst.He’s reminiscing about a troubled trip to Spain’s San Sebastián Film Festival, which he recently took with his publicist wife, Sue (Gina Gershon).
The 2022 Sundance Film Festival obviously has so much to offer. Big premieres from indie auteurs, world cinema, documentaries, films for kids, and movies that are receiving so much acclaim right now, you’ll be hearing more from them later in the year upon regular theatrical release.
Lisa Kennedy Every now and again, a documentary filmmaker finds a bona fide star to pin the meaning of her film on, a figure so compelling she leaves a comet trail of thoughts and feelings after the movie’s end. Isabel Castro’s “Mija” boasts two: music manager Doris Muñoz and singer Jacks Haupt. Make that three, including the writer-director herself.
Bob Iger is barely out the door at the Walt Disney Company and a film from a scion of the founding family has already come along to give the well compensated ex-CEO a kick in the ass. However, besides attracting a lot of attention, the Abigail Disney co-directed The American Dream and Other Fairy Tales documentary doesn’t have much to add to the discussions of income inequity, ice cold hearted corporations and the legacy of the Reagan Revolution, except a high profile and well-heeled surname.
Caroline Framke Chief TV Critic“Promised Land,” Matt Lopez’s new ABC drama, makes the most of its 44 minute runtime. Barely a scene goes by without a reveal, or at least a dramatic music cue hinting at a reveal soon to come.