Luca Guadagnino on Producing Margherita Giusti’s Venice Horizons Animation Short ‘The Meatseller’

Nick Vivarelli International Correspondent French multi-hyphenate Lou Doillon, who is Jane Birkin’s daughter, is set to star in Italian comedy “Quasi a casa” directed by Carolina Pavone, a former assistant director on several Nanni Moretti films. Shooting is underway in Rome on the sophisticated comedy, in which Doillon — a model, actor and singer-songwriter, like her half-sister Charlotte Gainsbourg — plays an eclectic, successful singer who strikes up a turbulent friendship with a younger female musician who idolizes her.

Nick Vivarelli International Correspondent Italian multi-hyphenate Ilaria Borrelli’s Arabic-language feminist drama “The Goat” – featuring Mira Sorvino and John Savage, alongside a stellar Egyptian cast – is set for back-to-back launches at Egypt’s upcoming El Gouna Film Festival, followed by the closing film slot at the Rome Film Festival. A rare, if not unique, case of an Arab production directed by an Italian, “The Goat” stars young Egyptian TikTok star Jessica Hosam as an 11-year-old pregnant orphan named Hadya who after being forced into marriage becomes the target of a western corporation that seeks to control the only water source in her village.

Nick Vivarelli International Correspondent Italy’s Fandango Sales has taken international distribution rights to quirky comedy “Volare” about the fear of flying that marks the directorial debut of actor Margherita Buy. Buy is known internationally for frequent roles in Nanni Moretti movies, most recently in “A Brighter Tomorrow” that launched from Cannes. Her smart concept movie is being lead-produced by Simone Gattoni for Kavac Film, the company founded by veteran auteur Marco Bellocchio.

Nick Vivarelli International Correspondent Emmy-nominated “The White Lotus” star Sabrina Impacciatore will play the Venice Film Festival’s master of ceremonies in the upcoming second season of the Italian version of “Call My Agent,” which will also feature a cameo by Venice artistic director Alberto Barbera. Impacciatore, wearing a red gown, disembarked from a water taxi at the Excelsior Hotel pier on the Venice Lido on Saturday welcomed by Barbera, as cameras rolled for a key scene in the show.

Nick Vivarelli International Correspondent Oscar-winning writer-director Bobby Moresco (“Crash”) is set to direct “Ferrari vs. Mercedes,” the latest movie set in Italy’s vintage auto racing world – following Moresco’s “Lamborghini: The Man Behind the Legend” and Micheal Mann’s “Ferrari” – being produced by Andrea Iervolino. Just like “Lamborghini,” which in the U.S.

Christopher Vourlias Six years after “Loving Vincent,” their groundbreaking biopic of the Dutch painter Vincent van Gogh earned an Oscar nomination and raked in more than $50 million at the global box office, the filmmaking team behind that hit is back with a bigger, more ambitious animated feature that utilizes the same stunning hand-painted animation technique to tell an operatic story of life and love in a 19th century Polish village. “The Peasants” world premiered Sept.

Nick Vivarelli International Correspondent Italian hotshot Pietro Castellitto is in competition in Venice with his second feature “Enea,” in which he also stars as the titular character, a young Roman sushi restaurant owner and cocaine dealer whose best friend Valentino just got his license as an airplane pilot. There is a lot going on in this fresh and frenzied film lensed by ace cinematographer Radek Ladczuk (“The Babadook”). “Enea” is produced by Lorenzo Mieli’s the Apartment, which is a Fremantle company, and Luca Guadagnino’s Frenesy.

Naman Ramachandran “The Red Suitcase,” which world premieres in the Venice Film Festival’s Horizons strand, is a rare Nepal-Sri Lanka co-production. The producers have released a first clip from the film. The film marks the feature directorial debut of Fidel Devkota, who previously directed the short “The Last Yak Herder of Dhe” (2014) and documentary short “Wind of Change in Lo Mustang” (2016).

EXCLUSIVE: Critical Content, the production company behind Netflix’s Ginny & Georgia and Sylvester Stallone doc Sly, has made some hires and promotions in its creative team.

Republic Pictures President Dan Cohen and producer Annabelle Dunne were among the main representatives of William Friedkin’s last film The Caine Mutiny Court-Martial at its posthumous world premiere at Venice Film Festival over the weekend.

Do you spot any clues in the A Haunting in Venice character posters?

EXCLUSIVE: It’s a scorching 90 degrees in Rome at the end of July, but producer Lorenzo Mieli isn’t breaking a sweat.

The stars are stepping out in style!

Nick Vivarelli International Correspondent Roman Polanski’s Italian producer Luca Barbareschi got emotional at the press conference for “The Palace,” a black comedy that is the director’s new work and premieres at the Venice Film Festival today. “It’s been very difficult to make this film,” said Barbareschi, a multi-hyphenate who also stars in “The Palace.” “Polanski is not easy [to finance]” he added, noting that “there is a hole – France – in the middle of this film,” since French companies refused to participate in its production. Polanski’s previous film, “An Officer and a Spy,” a period drama about the Dreyfus affair, scooped the Grand Jury Prize at Venice, won best director at the Cesar Awards and was one of the highest grossing French films of 2019.

Nick Vivarelli International Correspondent The Venice Gap-Financing Market is celebrating its 10-year anniversary this year with record-breaking attendance and impressive new figures on the projects that the core component of Venice’s industry side has helped bring to the big screen. All told, over the span of a decade, “We have had 370 films (including immersive) from 70 countries and 80% of them have been completed within six months after the festival,” says Pascal Diot who heads the Venice Production Bridge, as the Lido’s market is known.

Nick Vivarelli International Correspondent France’s UFO Distribution has acquired French rights to Venice Horizons entry “An Endless Sunday” by first-time Italian director Alain Parroni from Fandango Sales. The film will segue from Venice to Toronto where it screens in the fest’s Discovery section.

Nick Vivarelli International Correspondent As Chile prepares to mark 50 years since the Sept. 11, 1973 coup by Augusto Pinochet, Chilean auteur Pablo Larraín is back in Venice – following “Spencer” in 2021 – with scathing satire “El Conde,” in which Pinochet, a symbol of global fascism, resurfaces as a 250-year old vampire living in a rundown rural mansion after faking his death. “Pinochet had never been portrayed in film or TV before,” Larrain said.

Nick Vivarelli International Correspondent It’s no secret that it’s taken decades of twists and turns in Hollywood to get Michael Mann’s anticipated “Ferrari,” which makes its world premiere at the Venice Film Festival Aug. 31, to the big screen. But what’s less known is that the journey of this biopic about Italian sports car builder and racing pioneer Enzo Ferrari originated with Italy’s storied Cecchi Gori Group before the company went bust.

Nick Vivarelli International Correspondent The 80th Venice Film Festival kicked off on Wednesday with World War II drama “Comandante” by young Italian auteur Edoardo De Angelis packing a strong political punch. Tensions due to the SAG-AFTRA strike lurked in the background, though without stealing the thunder of strong expectations for this year’s lineup.

Nick Vivarelli International Correspondent The Venice Film Festival has only continued to garner momentum under longtime festival director Alberto Barbera, who in recent years has managed to lure significant star power — from Lady Gaga to Joaquin Phoenix to Timothée Chalamet to Harry Styles — to the Lido. So imagine the heartbreak and fear last month when — just as Barbera was about to lock in one of his strongest lineups yet — he learned that, as a result of the SAG-AFTRA strike, many movie stars wouldn’t be able to make the trek to Italy this year.