Lorenzo Mieli: How The Italian Producer Of Sofia Coppola’s ‘Priscilla’, Luca Guadagnino’s ‘Queer’ & HBO’s ‘My Brilliant Friend’ Is Breaking Global Boundaries – Venice

Sofia Coppola was joined by so many of her celebrity friends to celebrate the launch of her first book, “Sofia Coppola Archive: 1999-2023.”

Joe Manganiello sparked romance rumors when he was spotted exiting the gym with fellow actor Caitlin O’Connor amid his split from Sofia Vergara. Now insiders are opening up about what’s going on behind the scenes.

Her, the sci-fi romantic drama written and directed by her ex-husband Spike Jonze.Coppola discussed Jonze’s 2013 film during an interview with Rolling Stone, where she noted the comparisons with her 2003 film Lost In Translation. Both films are said to have been partly inspired by the couple’s divorce in 2003.Speaking about Her, Coppola said: “I never saw it! From the trailer, it looks the same too.

Nick Vivarelli International Correspondent Nicola Maccanico, a former Warner Bros. and Sky Italia senior exec, has been spearheading the radical overhaul of Rome’s Cinecittà Studios since June 2021, when the government-owned facilities secured a multi-million dollar loan provided by the European Union’s post-pandemic recovery fund to upgrade and expand the iconic facilities. Under Maccanico’s watch, the studios – which now boast 20 state-of-the-art soundstages and one of Europe’s largest LED walls – have become a magnet for Hollywood productions, such as Netflix’s period soap “The Decameron” and Roland Emmerich’s gladiator series “Those About to Die,” which is still currently shooting.

Matt Donnelly Senior Film Writer Anna Wintour was running over an hour late. It was an anomaly for the regimented and exalted editor of Vogue, who typically works through lunch but dined that day with her old friend Bruce Bozzi. Tucked away at the Italian spot Via Carota in New York’s West Village, she was unusually candid about showing up for personal relationships while creatively navigating Condé Nast. They weren’t alone.

Nick Vivarelli International Correspondent Emmy-nominated “The White Lotus” star Sabrina Impacciatore will play the Venice Film Festival’s master of ceremonies in the upcoming second season of the Italian version of “Call My Agent,” which will also feature a cameo by Venice artistic director Alberto Barbera. Impacciatore, wearing a red gown, disembarked from a water taxi at the Excelsior Hotel pier on the Venice Lido on Saturday welcomed by Barbera, as cameras rolled for a key scene in the show.

Elsa Keslassy International Correspondent Paris-based leading distribution company ARP Selection has bought a pair of U.S. indie gems from the fall festival circuit, Shane Atkinson’s feature debut “LaRoy” and Sofia Coppola’s “Priscilla.” “LaRoy,” a neo-noir Western comedy with Coen brothers influences, just won three major prizes at the Deauville Film Festival, including the Grand Prize, Audience Award and Critics Prize; while “Priscilla” world premiered at the Venice Film Festival and won best actress for Cailee Spaeny.

Nick Vivarelli International Correspondent Luca Guadagnino, whose Zendaya-starrer “Challengers” was pulled as Venice Film Festival opener due to complications from the SAG-AFTRA strike, is on the Lido wearing his producer hat on several films. One, especially close to his heart, is animation short “The Meatseller” by debuting director Margherita Giusti.

EXCLUSIVE: Distributor-producer Lucky Red is one of Italy’s most respected independent film and TV companies. Run by former actor Andrea Occhipinti since 1987, the firm has released more than 500 titles and produced more than 50 films.

Nick Vivarelli International Correspondent Italian hotshot Pietro Castellitto is in competition in Venice with his second feature “Enea,” in which he also stars as the titular character, a young Roman sushi restaurant owner and cocaine dealer whose best friend Valentino just got his license as an airplane pilot. There is a lot going on in this fresh and frenzied film lensed by ace cinematographer Radek Ladczuk (“The Babadook”). “Enea” is produced by Lorenzo Mieli’s the Apartment, which is a Fremantle company, and Luca Guadagnino’s Frenesy.

Sofia Coppola’s new film about Priscilla Presley is earning rave reviews.

The tears flowed for Priscilla Presley following the world premiere of Sofia Coppola’s biopic, “Priscilla”, in Venice on Monday.

Sofia Coppola’s Priscilla got a rousing response at its world premiere at the Venice Film Festival on Monday evening. The pic, a biopic of Priscilla Presley, who was in attendance for the move based on the memoir she co-authored, scored a 7-minute, 45-second ovation.

Priscilla Presley was all shook up at the Venice Film Festival premiere of “Priscilla.” The subject of Sofia Coppola’s drama wiped away tears from her face on Monday night in Italy as the audience on the Lido exploded in a 7-minute standing ovation for the A24 indie film. Coppola and Presley attended the premiere alongside Cailee Spaeny and Jacob Elordi, who star as Priscilla and Elvis. The actors were granted a SAG-AFTRA waiver to promote the film amid the strike.

Owen Gleiberman Chief Film Critic The last time Sofia Coppola made a movie about a teenage royal living in a rococo palace that turned out to be a lavish prison, it was 2006, and the movie, “Marie Antoinette,” was a stylized dream of history — the story of the young queen as naïve and isolated rock star. Coppola’s new movie dramatizes the relationship between Priscilla and Elvis Presley, and the parallels with the earlier film are there if you want to see them.

The devil is in the details. Pink-nailed toes scrunching on a pink carpet; a packet of false eyelashes; piles of chips in a Vegas casino; the pills. Always the pills: squeezed in a palm that opens to reveal its little white prize; lined up in bottles on the bedside table; slipped into a pocket on the way to school. “Maybe the pills are too much,” ventures Priscilla Beaulieu to her boyfriend Elvis Presley, after one of his flares of temper where she just manages to dodge his fist. “I have doctors looking after me,” he growls. “I don’t need a second opinion.”

The most powerful aspect of Sofia Coppola’s “Priscilla,” premiering in Competition at this year’s Venice Film Festival, is in the title: to focus on Priscilla Presley, née Wagner, formerly Beaulieu, is to show a side of a marriage and of the King himself less familiar than and in some ways different from the romantic popular legend. But Coppola’s film does much more than simply show us the facts of how a fourteen-year-old girl gets to become the girlfriend and then wife of one of the biggest artists of all time.

Although she wasn’t seated at the dais this afternoon, and rather in the audience, Priscilla Presley loomed large over the Venice press conference for Sofia Coppola’s film, Priscilla, which screens in competition here tonight. 

Fremantle kicked off its presence at the Venice Film Festival with a bang this year with the announcement of its new €150M ($162.7M) Scripted Fund forged in partnership with Israel-based IBI Investment House. 

The stars are stepping out in style!