By Anthony D'Alessandro
By Anthony D'Alessandro
It took a trio of MacArthur Fellows — composer Matthew Aucoin, playwright Sarah Ruhl and director Mary Zimmerman — to bring to the boards L.A. Opera's world premiere Eurydice, a vibrant and musically of-the-moment take on a tale that has been adapted to the medium roughly 70 times before.
As Eurydice in Broadway's Hadestown, Eva Noblezada has the unenviable task of journeying to the underworld eight shows a week. Hadestown is a musical retelling of the ancient Greek myth of Orpheus and Eurydice.
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