Korean Acting Star Jeon Do-yeon Juggles Mother and Hired Assassin Roles in ‘Kill Boksoon,’ But Found ‘Terminator’ Was a Stretch Too Far

Matt Donnelly Senior Film Writer John Wick is battling his way to Austin, Texas. The fourth installment in Keanu Reeves’ runaway hit franchise has the honor of being this year’s “secret screening” at the SXSW Film Festival, multiple sources told Variety. The film will show next week on the ground in Texas at a major venue, the sources added. Distributor Lionsgate and SXSW Film Festival organizers would not comment on this story, most likely trying to preserve the fan experience. One source added that digital marketing will come into play with how and when lucky guests nab tickets to the screening.

Rosé of girl group BLACKPINK and Oscar-winning actress Youn Yuh-Jung are set to co-host an event at The Metropolitan Museum of Art in New York City.Today (March 9), The Met announced that Rosé and Youn, along with Chinese actress Song Jia, will co-host an event for Korean beauty brand Sulwhasoo at the museum later this month on March 29. Notably, all three celebrities are global ambassadors of the beauty brand.In its press release, The Met revealed that it is partnering with Sulwhasoo in a year-long agreement that aims to boost programmes and activities at the Museum to help “celebrate global heritage”.

Jon Burlingame editor In what may be the most difficult-to-predict score competition in years, the original-music Oscar could go to a sentimental favorite, a past nominee or the newcomer to the race. Academy members begin voting today. Legendary composer John Williams broke records again by becoming the most nominated living person (53 nominations, winning five), earning the highest number of nominations ever in the music categories, and (it is believed, per the Academy) becoming the oldest nominee ever for a competitive award. He is 91. His nomination for “The Fabelmans” surprised some outsiders, as his fairly spare score is often overshadowed by the several classical pieces performed by Mitzi (Michelle Williams), the character based on director Steven Spielberg’s piano-playing mom. But it passed the 35% rule — that is, more than a third of the total musical content must be original dramatic score — or it would have been disqualified by the Academy’s strict music-branch executive committee.

Game of Thrones star Natalie Dormer is leading a thriller for South African network M-Net.

Folk music icon Joan Baez, who’s now 82, came of age just as musicians’ live gigs were often recorded and thereby preserved for the record, virtues that are used to advantage in Joan Baez I Am A Noise. An up-close, intimate and mostly frank account of a career that arched across more than 60 years of musical and political expression while countless trends came and went, this elaborate documentary navigates adroitly through the professional and the personal aspects of a very full life, one marked by far more good fortune than bad. Whether you’ve followed her career for decades or are just now discovering her, the life under scrutiny is undeniably impressive and ceaselessly engaging.

EXCLUSIVE: HBO Films has closed a deal for U.S. rights to the Berlin Film Festival buzz competition title Reality. Directed by Tina Satter, the docudrama is a breakout turn for Sydney Sweeney as convicted classified document leaker Reality Winner. Sweeney stars in the hit HBO series Euphoria.

John Malkovich has said the disappearance of his friend and fellow actor Julian Sands is “a very sad event”.The pair became close while working on the film Killing Fields in 1983 and later appeared together in 2014 US drama series Crossbones. Malkovich is a godfather to one of Sands’ sons with his first wife journalist Sarah Sands. Authorities have vowed to “bring closure” to the Sands family, after more than five weeks of searching in southern California.The actor was first reported missing on January 13 in the Mount Baldy region of the San Gabriel mountains after failing to return from a hike.

There’s a pretty traditional formula that most music documentaries follow. They’ll often center around a standard birth to mainstream success overview, populated with talking heads and contemporaries to contextualize the music, politics, and social scenes.

John Malkovich admitted his heartache about the unknown as his dear friend and co-star, actor Julian Sands, has been missing for more than one month. "Julian and I were very, very close," Malkovich said during a press conference in Berlin for "Seneca — On the Creation of Earthquakes." John and Julian co-starred in the film, but first met decades ago on the Academy Award-winning movie, "The Killing Fields." Sands was reported missing on Jan. 13 after failing to return from a hike on Mt.

From “Rosa Luxemburg” in 1986 to 2012’s “Hannah Arendt,” the films of Margarethe Von Trotta, an icon of the New German cinema, have put strong female protagonists center-stage in renditions of German history. For her latest, Von Trotta paints a portrait of German poet Ingeborg Bachmann, author of essays, radio dramas, and opera libretti.

Actor John Malkovich is in Berlin to debut his latest pic Seneca – On the Creation of Earthquakes, and during a press conference Monday, he spoke to reporters about his relationship with his co-star, Julian Sands, who has been missing since January.

The audiences at Berlin International Film Festival tend to be respectful and engaged.

Patrick Frater Asia Bureau Chief The Vesoul International Film Festival of Asian Cinema has unveiled its 85-title lineup for the edition that starts later this month (February 28 to March 7, 2023). Elements include a 10-film competition section, a 10-film documentary film section, a tribute to the Turkish director Semih Kaplanoglu; a thematic section “Asian Diaspora Cinema” offering a panorama of works by directors from Asian countries living in exile; and a Philippines cinema sidebar. Fiction films in competition include: Azerbaijan’s “Cold as Marble,” by Asif Rustamov; China’s “In Our Prime,” by Liu Yulin; Korea’s “A Letter from Kyoto,” by Kim Min-ju; India’s: “Behind Veils,” by Praveen Morshhale; Iran’s “No End,” by Nader Saievar; Mongolia’s “The Sales Girl,” by Sengedorj Janchivdorj; The Philippines’s “Feast,” by Brillante Mendoza; Singapore’s “#LookAtMe,” by Ken Kwek; and Vietnam’s “Memento Mori: Earth,” by Marcus Vu Manh Cuong. The president of the jury is Lee Yong-kwan, president of the Busan film festival.

“They treat you like a movie star,” says an admirer to Ingeborg Bachmann at one of her celebrated readings. She smiles graciously and agrees, thus establishing the baseline for her story.

As the 73rd Berlin Film Festival rolls into its first weekend, one of the buzziest titles on the ground is the taut political thriller Reality, starring Euphoria and White Lotus breakout Sydney Sweeney.

Most big Korean action movies are backloaded, wrapping up with three to five endings, but Byun Sung-hyun’s Kill Boksoon, which premiered as a Berlinale Special, has everything going on up front. So much so that it initially seems too much, to the extent that it sometimes feels as though there’s actually a mini-series in there bursting to get out. Surprisingly, that’s not such a crazy idea, since, once you get past the far-fetched premise—an underground network of professional contract killers, presided over the glossy conglomerate MK Ent—there’s a lot of rich character work to supplement the superbly choregraphed violence that we’ve come to expect from the region.

Shayeza Walid Acclaimed New York-based theater director Tina Satter has worked on productions on and off Broadway for more than a decade. Now, in her first ever venture into film, Satter makes her directorial debut with “Reality,” starring Sydney Sweeney, based on Satter’s play “Is This a Room.” The film premiered Saturday at the Berlin Film Festival with Variety critic Jessica Kiang calling it a “clever, gripping docudrama.” For Satter, who co-wrote the screenplay with James Paul Dallas, making this movie was always in the books. The film, based on the real-life FBI interrogation transcript of whistleblower Reality Winner, is one Satter could envision the first time she came across the documents of the conversation between Winner and the Federal Bureau.

There’s a rich history of movies being entirely at odds with their cryptic titles—step forward Quantum of Solace—but for his follow-up to The Wound, South African director John Trengrove has picked a doozy, a title that sounds more like a dystopian Adam Sandler comedy than the dour story of urban disintegration that it actually is. Images of star Jesse Eisenberg sporting a mop of red hair for the film have been also something of a misdirect, perhaps giving some the impression that Manodrome, which premiered in Competition at the Berlin Film Festival, could be some kind of satirical emo Fight Club for sad-sacks. Fight Club comparisons actually do turn out to be (lightly) relevant, as are callbacks to Taxi Driver, but Manodrome is so achingly laborious and serious that it won’t be encroaching on either for virtual shelf space in the Toxic Masculinity section of anyone’s streaming library.

Naman Ramachandran “Euphoria” and “The White Lotus” star Sydney Sweeney communicated with the real-life Reality Winner to portray her in Tina Satter’s “Reality,” which world premieres at the Berlin Film Festival. The film, which contains verbatim dialogue from the unedited transcript of an FBI audio recording, follows a tense 90 minutes in the life of whistleblower Winner as the FBI interrogate at her home in 2017. Winner, a former U.S. Air Force member and National Security Agency translator, was sentenced to five years in prison after she leaked an intelligence report to the media. “I had the honor and privilege to be able actually communicate with Reality. I was able to Zoom with her — Tina connected us — and I would text her throughout the process,” Sweeney told a press conference at Berlin on Saturday.

EXCLUSIVE: Prolific German actor Thomas Kretschmann, star of movies including The Pianist, King Kong and the upcoming Indiana Jones And The Dial Of Destiny, is to play seminal and controversial German composer Richard Wagner in a new English-language biopic.