Sydney Sweeney Talks Berlin Title ‘Reality’ With Director Tina Satter And Teases Her “Unhinged” Upcoming Horror Film ‘Immaculate’

Elsa Keslassy International Correspondent Mk2 films has enlisted leading distributors around the world for “Reality,” Tina Satter’s feature debut starring Sydney Sweeney, on the heels of its buzzy world premiere at the Berlinale. The movie, which bowed in the Panorama section, stars Sweeney (“White Lotus,” “Euphoria”) as Reality Winner, a 25 year-old whistleblower who spent five years in prison during the Trump administration. A former U.S. Air Force member and National Security Agency translator, Winner was convicted for leaking a confidential report on Russian election interference to the media. The film is based on Satter’s 2019 stage play “Is This a Room” and contains verbatim dialogue from the unedited transcript of a FBI audio recording. “Reality” captures the tense and surreal 90 minutes of FBI’s interrogation with Winner at her home in 2017.

Ellise Shafer HBO Max’s “Dune” prequel spinoff “The Sisterhood” is going through some changes. Both director Johan Renck and star Shirley Henderson have exited the HBO Max series, Variety has confirmed. The news comes as the production takes a “pre-scheduled hiatus,” according to the streamer. “There are some creative changes being made to the production in an effort to create the best series possible and stay true to the source material,” a HBO Max representative said in a statement. “Johan Renck has completed his work on the series and a new director will be brought on; through mutual agreement Johan is moving on to pursue other projects. Additionally, Shirley Henderson will be exiting the series and will no longer be playing Tula Harkonnen.”

exit as co-showrunner last November.“As ‘Dune: The Sisterhood (wt)’ has entered a pre-scheduled hiatus, there are some creative changes being made to the production in an effort to create the best series possible and stay true to the source material,” an HBO Max spokesperson told TheWrap. “Johan Renck has completed his work on the series and a new director will be brought on; through mutual agreement, Johan is moving on to pursue other projects.

Sydney Sweeney‘s outfit is partially covered by giant umbrellas as she arrives for a top secret project in Sydney, Australia on Friday (February 24).

Angelique Jackson Following a buzzy world premiere at the Berlin Film Festival, HBO Films has acquired the U.S. rights to the docudrama “Reality,” starring Sydney Sweeney. In the film, directed by Tina Satter, Sweeney portrays Reality Winner, a woman convicted of leaking a confidential report on Russian election interference to the media. The film contains verbatim dialogue from the unedited transcript of a FBI audio recording, capturing a tense 90 minutes as the FBI interrogates Winner at her home in 2017. The whistleblower — a former U.S. Air Force member and National Security Agency translator — was sentenced to five years in prison. Satter makes her feature directorial debut with the film, based on her 2019 stage play “Is This a Room.” She also executive produced the project and co-wrote the screenplay with James Paul Dallas.

EXCLUSIVE: HBO Films has closed a deal for U.S. rights to the Berlin Film Festival buzz competition title Reality. Directed by Tina Satter, the docudrama is a breakout turn for Sydney Sweeney as convicted classified document leaker Reality Winner. Sweeney stars in the hit HBO series Euphoria.

Rafa Sales Ross Guest Contributor To director Mira Fornay, there are no three things more important in life than trees, water and children. And with “She-Hero,” playing as part of the Generation strand at the 73rd Berlin Film Festival, the Slovakian filmmaker gathers all three in telling the story of Romy (Rozmarína Willems), a young girl who embarks on a grand forest adventure in search of her lost budgie, Mimi. Fornay, who won the Intl. Film Festival Rotterdam Tiger Award in 2013 with her sophomore feature “My Dog Killer,” did not originally set out to make a children’s film, but was fascinated by the natural charisma of Willems. “I already knew Romy and she is immensely photogenic, but I didn’t know if she could act as well. So I tried working with her back when she was six, and she was just amazing. When COVID hit, I realized I had to shoot quickly otherwise she would grow. This is why I wrote a story for her.”

Rachel Brosnahan and Oscar Isaac are celebrating their new off-Broadway show!

Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses plot points on Season 3, Episode 2 of “Star Trek: Picard” (currently streaming on Paramount+) as well as the first half of the fourth season of “You” (currently streaming on Netflix). When Ed Speleers was growing up in the UK, he remembers coming home from school, turning on BBC Two, and tuning into “Star Trek: The Next Generation” at 6:30pm — but he never quite considered himself a Trekkie. So when “Star Trek: Picard” showrunner Terry Matalas cast Speleers for the third season of the Paramount+ series, he told the actor he needed to go to “Star Trek University.” “He gave me this long list of ‘TNG’ episodes that he felt were pertinent, and of films going right from ‘Wrath of Khan’ all the way to ‘First Contact,'” Speleers tells Variety via Zoom. “I devoured them. I’d spend three or four hours a day working on how I was going to approach this guy, and then I’d finish it all off with either watching two episodes of ‘TNG’ or one of these films.”

Makoto Shinkai’s latest pic Suzume is the first Japanese animated picture to play in competition at Berlin in two decades. However, Shinkai told a press conference in Berlin that a successful festival run has never been high on his list of priorities.

Naman Ramachandran Classic cult film streamer Cultpix has struck a 31-film deal from three immensely popular franchises with Japan’s Kadokawa Daiei Studio at Berlin’s ongoing European Film Market (EFM). The deal includes 20 Zatoichi films, eight Gamera films and three Daimajin films. The deal is for the Nordic countries initially, but the aim is for wider distribution eventually. In addition, timed with Nikkatsu’s 50th anniversary of their “Roman Poruno” films, Cultpix rediscovered six previously virtually unknown Nikkatsu productions, shot in Sweden between 1971-1973, with everything Japanese apart from the actors and the locations. The screenwriter, director and behind-the-camera talent were all flown in from Japan. The films were to emulate the popular “Swedish sin” films of the time, as there was a market need for them in Japan.

Donna Summer could hit notes more thrillingly beautiful than any other pop singer of her time, or since. I’m not sure even Whitney Houston, as great as she was, quite reached the glistening heights that culminate “Last Dance” (though she comes very close in “I Will Always Love You”). Mariah Carey (no relation to me) performs impressive vocal acrobatics, yet to my ear she can’t match the bell-like shimmer of Donna in the higher registers. And Donna in the lower registers – well, the voice thrums with visceral resonance.

Dame Helen Mirren ditched her signature bob for ageless platinum waves as she attended the Berlin premiere of Golda.The actress, who last year admitted to still loving her former boyfriend, Liam Neeson, stunned as she attended the 73rd Berlin International Film Festival in Germany on Monday and was pictured with long flowing hair extensions. Helen, 77, sported an off-the-shoulder floor-length black dress that featured a low-cut ruffled neckline, which she paired with gold chandelier earrings as she walked the red carpet.

The documentary Love to Love You, Donna Summer, about one of the world’s greatest pop stars, constitutes a kind of duet – between two filmmakers. The film, making its world premiere in Berlin, comes from directors Roger Ross Williams and Brooklyn Sudano, daughter of the subject of the film, the legendary Donna Summer. 

Lise Pedersen The Copenhagen Intl. Documentary Film Festival, also known as CPH:DOX, has unveiled the full program of its 20th edition, which includes 200 new films, more than half of which are world premieres, sealing CPH:DOX’s reputation as one of the leading events of its kind in Europe. For the first time, all 13 films competing for the top Dox:Award are world premieres. These include “A Storm Foretold,” the long-awaited doc on Donald Trump’s former adviser Roger Stone by Danish political journalist Christopher Guldbrandsen; established filmmaker Margreth Olin’s highly anticipated epic film “Songs of the Earth”; “A Tiger in Paradise,” a surreal journey into Swedish singer José González’ inner world by Ruben Östlund’s regular creative partners Mikel Cee Karlsson and Erik Hemmendorff; and “Total Trust” by Jialing Zhang (“One Child Nation”), described as “the first major film about the Chinese surveillance state (…) – a disturbing tale of technology, (self-) censorship and abuse of power in the 21st century.”

Naman Ramachandran Portuguese auteur João Canijo (San Sebastián winner “Blood of My Blood”) has a brace of films at the Berlin Film Festival in 2023. “Bad Living” is in competition while its companion piece “Living Bad” is in the Encounters strand. “Bad Living” follows five conflicted women who are operating an old family-run hotel, trying to save it from going under. The unexpected arrival of a granddaughter to this oppressive space stirs trouble, reviving latent hatred and piled-up resentments. “Living Bad,” which plays out like the reverse shot of “Bad Living,” follows the stories of three groups of guests in the same hotel with glimpses of what transpires in the first film.

Sydney Sweeney heats up the red carpet in a red hot dress for the premiere of her movie, Reality.

.On February 18, the 25-year-old star arrived at the photocall for her latest film, Reality, wearing an suit that was more cutout than fabric. For the occasion, stylist Molly Dickson paired black flared trousers with a single-breasted, crystal-embroidered blazer with massive cutouts that wrap around from the front panels to just below her shoulders, leaving waist and most of her back exposed.In keeping with the tailored aesthetic, Sweeney wore her hair in a slicked-back ballerina bun and contrasted her minimalistic makeup with a single statement ear cuff.

Shayeza Walid Acclaimed New York-based theater director Tina Satter has worked on productions on and off Broadway for more than a decade. Now, in her first ever venture into film, Satter makes her directorial debut with “Reality,” starring Sydney Sweeney, based on Satter’s play “Is This a Room.” The film premiered Saturday at the Berlin Film Festival with Variety critic Jessica Kiang calling it a “clever, gripping docudrama.” For Satter, who co-wrote the screenplay with James Paul Dallas, making this movie was always in the books. The film, based on the real-life FBI interrogation transcript of whistleblower Reality Winner, is one Satter could envision the first time she came across the documents of the conversation between Winner and the Federal Bureau.

Jessica Kiang In the widely covered story of the U.S. intelligence operative harshly sentenced in 2018 for leaking a confidential report on Russian election interference to The Intercept, the accidental (in)appropriateness of the operative’s name was always an eyecatching detail. Could one of recent reality’s most highly public losers actually be called Reality Winner? Playwright Tina Satter’s enormously compelling film-directing debut adds another layer of cosmic irony to that nominative determinism. In using the title “Reality,” and being scripted verbatim from exchanges recorded by the FBI during Winner’s 2017 surprise interrogation, Satter not only vividly revisits the story, she also makes us question the very relationship between a narrative film and the truth it claims to expose. Reality can be stranger than fiction, but “Reality” fuses the two to become stranger, and more riveting, still.