Korea Box Office: ‘Oppenheimer’ Takes Third Weekend Win as Revenues Slow

Patrick Frater Asia Bureau Chief Steven Yeun has bucked stereotypes and carved a new niche as sexy Asian leading man with his roles in “Burning” and “Beef.” Justin Chon transitioned from a supporting role in “Twilight” to directing “Gook,” “Jamojaya” and half of Apple TV+’s “Pachinko.” And Busan-born Daniel Dae Kim has expanded from “Lost” and “Hawaii” to becoming one of Hollywood’s leading producers. The stateside successes of Korean-born and Korean American talent are growing and are worth celebrating. But the Busan International Film Festival’s planned party is being dialed down a notch under the impact of the twin writers’ and SAG Actors strikes in the U.S. Busan’s ‘Special Program in Focus: Korean Diasporic Cinema’ will go ahead with a screening schedule including six films, public talk sessions that include Oscar-winning actor Youn Yuh-jung, Lee Isaac Chung, director of Oscar-winning film “Minari,” and John Cho, the Seoul-born “Star Trek” and “Searching” star.

Patrick Frater Asia Bureau Chief The Paramount+ streaming service will launch in Japan in December as a free-of-charge addition to cable and internet provider J:COM’s platform and to pay-TV service Wowow. Paramount+ originals including “Tulsa King,” “Mayor of Kingstown” and “Star Trek: Strange New Worlds” will be available at the launch of the service and for the first time in Japan. Japan will be the second country in East Asia where the service becomes available, following a launch in South Korea in June last year.

Patrick Frater Asia Bureau Chief A+E Networks is continuing its investment in Korean entertainment content with “A Good Day to Be a Dog,” a fantasy romantic comedy that will upload from Oct. 11. Within Korea, the show will play on public broadcaster MBC and Lifetime Korea, releasing at the rate of one episode per week, every Wednesday.

Patrick Frater Asia Bureau Chief Netflix and SK Broadband, one of South Korea’s largest internet service providers, said that they were ending all their lawsuits and would instead create a strategic partnership to provide better entertainment experiences to Korean customers. The legal dispute began in 2020 over whether content providers that generate large amounts of traffic should pay “network usage fees” in addition to the bills paid by the household end users, or whether that would go against the principle of net neutrality and lead to higher costs for consumers. Netflix said that it could offer a technological solution to traffic volume that it had provided to ISPs in other countries and to rival ISPs in Korea. But SK Telecom and its subsidiary SK Broadband held out and appeared to gain support for their position in the Korean parliament. “This strategic partnership with Netflix originates from the philosophy of SK Telecom and SK Broadband, where customer value is prioritized, and comes as part of our efforts to provide customers with an enhanced media service environment,” said SK Telecom’s Choi Hwanseok, VP of corporate strategy. “The partnership with SK Telecom, a leader in Korea’s telecommunication and innovative technology industries, holds special significance as it enables Netflix to enhance entertainment experiences for a broader Korean audience,” said Tony Zameczkowski, Netflix VP of APAC partnerships. “By teaming up with Netflix, SK Telecom and SK Broadband aim to help customers enjoy Netflix shows and films on mobile devices and IPTV (B tv) with easier access and payment options.

Patrick Frater Asia Bureau Chief “Cobweb,” the Kim Jee-woon-directed satire that debuted at Cannes this year, has been cleared for theatrical release in its native Korea later this month. On Monday it saw off an injunction that sought to derail its hometown debut. The film is a tongue in cheek tribute to the Korean movies of the 1970s and plays partly as a film within a film, jumping from color to black and white as it does so. It stars Song Kang-ho (“Parasite,” “Broker”) as director Kim, who needs just two more days of reshoots to craft a new ending to his latest film (also called “Cobweb”) so that it will no longer be the trashy potboiler everyone thought he was making.

Patrick Frater Asia Bureau Chief Byun hee-bong, a veteran South Korean actor who appeared in several films by Oscar-winning director Bong Joon Ho, has died age 81. Byun died on Monday after complications related to a return of the pancreatic cancer that had previously occurred and been treated, according to the semi-official Yonhap News agency. The precise circumstances of his demise were not disclosed. He was born in Jangseon, South Jeolla Province, and started work at an unspecified time in live theater before becoming a voice performer for state TV network MBC in 1966. His TV work in the 1980s and 1990s included series including: 1981’s ”The First Republic”; 1985’s “The Joseon Dynasty 500 Years: Seouljungmae”; and 1999’s “The Legendary Doctor Hur Jun.” His first reliably recorded feature film work was in Bong’s breakout 2000 film “Barking Dogs Never Bite.” Byun appeared in significant roles in three other films by Bong: the cultish “Memories of Murder,” in 2003; 2006 Cannes presentation and box office hit “The Host”; and “Okja,” the creature feature which marked Netflix’s film production debut in Korea and which also appeared Cannes. Byun picked up half a dozen best supporting actor nominations in Korea and regionally in Asia for his role as Hie-bong in “The Host,” converting two of those into wins, at the Asia Pacific Film Festival and Korea’s Blue Dragon Awards.

Patrick Frater Asia Bureau Chief Two Hollywood new releases, “A Haunting in Venice” and “Teenage Mutant Ninja Turtles Mutant Mayhem” failed to make much of an impression on the South Korean box office in their opening weekend. Instead, local fantasy drama “Sleep” headed the chart for a second time. “Sleep” earned $2.38 million in its second weekend, a creditably modest 20% weekend-on-weekend decline, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief Korean crime-action webtoon “Knuckle Girl” is being adapted as an original film production for Amazon’s Prime Video. It is structured as a Korea-Japan co-venture. The narrative revolves around a promising woman boxer, Ran, who takes on school bullies and participates in illegal bouts.

Patrick Frater Asia Bureau Chief Oscar-winning Korean actor Youn Yuh-jung (“Minari,” “Pachinko”) will headline the Actors’ House section of the upcoming Busan International Film Festival, it was announced on Thursday. Introduced in 2021, Actors’ House is a special series that connects audiences and film enthusiasts with iconic actors from the current generation through its in-depth discussions. “There’s much anticipation to hear her words of wisdom, as she’s known for her insightful observations,” said the festival. Others this year include: Han Hyo-joo, Song Joong-ki and Korean-American actor and author John Cho.

Patrick Frater Asia Bureau Chief “Dust to Dust,” a low-key crime thriller, topped the mainland Chinese box office over the weekend, despite only being released on Saturday. The film, directed by Jonathan Li, recounts how 21 years after a major armed robbery, a video of the crime resurfaces and causes the police to reopen their investigation. It had its world premiere in June, in competition at the Shanghai International Film Festival. With Da Peng, a former talk show host, required to age significantly for the lead role, the film earned $22.2 million (RMB160 million) in just two days, according to consultancy Artisan Gateway.

Patrick Frater Asia Bureau Chief The South Korean box office got a new chart topper with mystery drama “Sleep,” but the weekend was a sleepy affair. “Sleep” earned $2.97 million over the weekend, according to Friday to Sunday data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Over its full opening five days, it grossed $3.97 million. The film, which had its world premiere in Cannes in May, is the tale of a newly-married couple whose relationship is challenged by the man’s nightly disturbances, in which he claims that someone else is inside him. “Sleep” is directed by Jason Yu and produced by Lewis Kim at Lewis Pictures. The top-ranked new release meant that “Oppenheimer” slipped to second place after three weeks on top.

Patrick Frater Asia Bureau Chief Kim Jee-woon’s black comedy “Cobweb,” which debuted this year at Cannes, is set for a U.S. theatrical release in early 2024.

Patrick Frater Asia Bureau Chief An investigation into allegations of sexual harassment by a former director of the Busan International Film Festival has not reached a conclusion, several months after it began, the festival said on Tuesday. The festival has said that it is urging former director Huh Moonyoung to cooperate with an external investigator. The festival held its annual lineup presentation on Tuesday in an online format, announcing the bulk of its film selections, juries, anticipated guests, honorary prize-winners and technical arrangements such as screening venues and ticketing. As part of the presentation, current management again apologized for several months of turmoil, which it admitted had scared off sponsors and caused its operating budget to shrink. The turmoil began in May when the festival appointed Cho Jongkook, a close friend of chairman Lee Yong-kwan, to a power-sharing position with festival director Huh Moonyoung. That move was opposed by certain Korean industry guilds, which threatened to boycott the festival in support of Huh.

Patrick Frater Asia Bureau Chief The Busan International Film Festival put aside many of its recent internal and local political problems to Tuesday unveil a large selection ranging from bleeding edge art titles to international festival favorites. “The difficult times are not behind us, but hard work has made this year’s festival better than ever,” said programmer and interim festival chief Nam Dong-chul, speaking at an online press conference. International guests expected to attend the festival include Luc Besson, Chinese superstar Fan Bingbing, Japanese directors Hamaguchi Ryusuke and Kore-Eda Hirokazu, Iranian filmmaker Mohsen Makhmalbaf, and Korean Americans Justin Chon (“Gook”) and Lee Isaac Chung (“Minari”). Hong Kong-based superstar Chow Yun-fat has been named as Busan’s Asian Filmmaker of the Year and will be in person to receive the award.

Variety said the receipts were boosted by showtimes in premium large format auditoriums, and the flick is on track for the second-highest Labor Day weekend opening in historyThe Post praised the movie stating that unlike the first two “dark” and “pathologically unpleasant” films, the third “lives up to the ever-deepening talent of its leading man.”The summer’s biggest blockbuster, “Barbie,” continued to pull in audience, netting $2.5 million Friday.

Patrick Frater Asia Bureau Chief Ten Korean independent films will have their world premiere in the Busan International Film Festival’s Korean Cinema Today section. Selectors said on Friday that this year’s crop are films that “delve into profound themes of life, agony, family affection, and personal introspection, inviting audiences to contemplate their meaning.” They add that, “the imaginative depiction of a diverse array of stories, free from the typical rules of genre, adds anticipation.” Delivery presents a “suspenseful irony” as an affluent couple deal with infertility and a young, financially struggling couple face an unplanned pregnancy. “FAQ” is a comic fantasy where an elementary schoolchild innocently picks up a bottle of Korean rice wine or makgeolli at a field camp and then gets to know the secrets of the world through alcohol.

Patrick Frater Asia Bureau Chief Almost exactly a year after Amazon’s Prime Video officially set foot in Thailand, the company is this week launching its first locally-made ‘original.’ Produced for the streamer by Liminal Entertainment in conjunction with Malin Films Production, and executive produced by Jef Lim, Marilyn Tan and Malin Pongsapipatt, the show follows six well-known actors to an almost utopian island, where the only thing missing is laughter. The celebrities are tasked with performing improvised skits to lift the locals’ gross happiness index. The series launches on Thursday, delivering the first three of its six episodes.

Patrick Frater Asia Bureau Chief The main competition section of the Busan International Film Festival is set to showcase two new features from Bangladeshi directors, the feature debut of Japanese documentary maker Mori Tatsuya and ruminations on Hong Kong by mainland Chinese director Choi Ji. The festival on Wednesday unveiled its New Currents competition section, reserved for films by directors making their first or second works of fiction, as well as its Jiseok section, a showcase for somewhat more established Asian auteurs. In addition to the Bangladesh duo, New Currents includes two films from Japan, two from Korea and one each from China, Thailand, Malaysia and India. From Bangladesh, Iqbal H. Chowdhury’s “The Wrestler” sees an old fisherman challenge a wrestling champion to combat, and in “The Stranger” Biplob Sarkar tells a coming-of-age, gender-identity tale. From Japan, Mori recounts the events of the Great Kanto earthquake in “September 1923,” while Yamamoto Akira delves into profound and shocking love in “After the Fever.” New Currents’ Korean contributions come from Lee Jong-su, whose “Heritage” tracks a man who opts out of military service and his supervisor, and Sohn Hyun-lok, whose “That Summer’s Lie” blurs truth and fiction in memories of a past romance. India’s Rajesh S.

The box office results are in and Sony’s racing movie “Gran Turismo” won the weekend over “Barbie”, after all.

Brent Lang Executive Editor “Barbie” and “Gran Turismo” are both claiming victory at the box office in a showdown that has a lot to do with movie accounting and shifting definitions of the meaning of an opening weekend. Warner Bros., which backed “Barbie,” is claiming that the film won the weekend for the fifth time, earning $15.1 million over last Friday, Saturday and Sunday. However, Sony, which produced “Gran Turismo,” is claiming that its film topped box office charts with $17.4 million.