Korea Box Office: ‘Exhuma’ Hits $80 Million, Scores Seventh Weekend Win

J. Kim Murphy “Challengers” netted a $6.2 million opening day from 3,477 North American theaters, a figure that includes $1.9 million from preview screenings. Amazon MGM Studios‘ love-triangle drama is set to match industry projections for a $15 million debut.

Patrick Frater Asia Bureau Chief Korean comedy action film “The Roundup: Punishment” destroyed all competition in local theaters on its Wednesday opening day. The film earned $4.92 million from 821,000 ticket sales, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a crushing 97% share of the day’s theatrical market. Including a smattering of previews over the latest weekend, the film finished Wednesday with a cumulative of $5.26 million earned from 862,000 spectators. Earlier, it was reported that the film had broken the Korean record for advanced ticket sales.

Patrick Frater Asia Bureau Chief HYBE Corp., the biggest corporation in the South Korean pop music scene, has begun an audit into ADOR, the label responsible for K-pop act NewJeans. HYBE says that executives at the majority-owned subsidiary mya be attempting to break away from the conglomerate. “HYBE invoked the right to audit CEO Min Hee-Jin and top executives of its subsidiary label ADOR, called them to summon a shareholder meeting and sent an official letter to ask CEO Min to step down,” HYBE said in a statement emailed to Variety. Media sources in Korea have reported that the audit targets Min and one of her deputies and that computer assets have been seized and face-to-face statements already taken. They also report that HYBE suspects Min and her deputy to have circulated confidential information to outsiders in a possible bid to attract investors who would allow ADOR to gain its independence from the parent company. ADOR was founded in 2021 as a HYBE subsidiary and is currently 18% owned by Min, a renown hit-maker in the Korean music industry.

Naman Ramachandran Studiocanal’s Amy Winehouse biopic “Back to Black” stayed atop the U.K. and Ireland box office for the second consecutive weekend with £1.8 million ($2.3 million), according to numbers from Comscore. The film now has a running total of £6.3 million.

Patrick Frater Asia Bureau Chief “East Bay,” a dark comedy film starring “Fresh Off the Boat” and “Crazy Rich Asians” star Constance Wu, has been picked up for North American distribution and world sales by Level 33 Entertainment. The film won the audience award last year at the Cinequest Film and Creativity festival in San Jose. Level 33 plans to release it next month in North American theaters, ahead of a later digital outing. Wu portrays a close friend of a man who feels let down by his immigrant parents and, after a string of personal and professional humiliations, is forced to accept that he is a failure.

Patrick Frater Asia Bureau Chief ‘Kung Fu Panda 4’ retained its lead at the top of the South Korean box office on what was the quietest cinema-going weekend in more than a year. The animated franchise movie held up reasonably. It maintained a nearly 44% market share, dropped only 32% week-on-week and was untroubled by competition from new releases. The film earned $1.91 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Patrick Frater Asia Bureau Chief Fantasy action movie “Godzilla x Kong: The New Empire” retook the top spot at the mainland China box office from Studio Ghibli animation title “The Boy and the Heron” during the latest weekend. “Godzilla x Kong” recorded earnings of $7.3 million (RMB51.5 million) between Friday and Sunday, a 32% week-on-week drop, according to data from consultancy firm Artisan Gateway. But it returned to the top spot on the box office charts in its fourth weekend of release and overtook “The Boy and the Heron” in the process.

Patrick Frater Asia Bureau Chief Amazon’s free-of charge, ad-supported streaming platform that is only available in India, miniTV, is expanding its reach within the country. It is adding 200 shows for regional audiences and speakers of Tamil and Telugu. The new line-up of dubbed titles includes marquee and fan-favourite Hindi originals including “Hunter- Tootega Nahi Todega,” “Physics Wallah,” action-packed patriotic series “Rakshak- India’s Braves,” and young romance series “Highway Love.” Hollywood titles dubbed into Tamil and Telugu will include library titles “Twilight,” “Now You See Me,” the “Hunger Games” series, the “Step Up” franchise films and “Red.” miniTV will also upload Korean, Turkish and Mandarin shows dubbed in Tamil and Telugu languages.

Patrick Frater Asia Bureau Chief While multiple Korean TV series have connected with global audiences, Japan’s production committees, terrestrial broadcasters and talent agencies have kept their TV industry tightly focused on a local market. Anime and variety have long remained the Japanese TV industry’s best-known exports, while the premium end of the spectrum has largely escaped Japanese producers.

Patrick Frater Asia Bureau Chief Disney has confirmed that Korean webtoon-to-screen adaptation “Low Life” is poised to begin production. When valuable treasure is discovered off the coast of Korea, the country’s biggest degenerates come crawling out of the woodwork in the hope of striking it big. Word spreads after a fisherman got lucky and kept a piece of the booty for himself.

Patrick Frater Asia Bureau Chief Oscar-winning Japanese animated fantasy “The Boy and the Heron” held on to top spot at the mainland China box office to record a second weekend win. The film, which opened triumphantly on April 3, in time for a family-oriented long weekend, fell steeply in its second, non-holiday, frame. It earned $12.8 million (RMB90.6 million), according to data from consultancy firm Artisan Gateway.

Patrick Frater Asia Bureau Chief “Kung Fu Panda 4” took top spot at the South Korean box office becoming the film that finally pushed aside local champion “Exhuma,” which had dominated for seven consecutive weeks. But it was an understated victory, rather than a triumphant one, and the exhibition industry’s $5.6 million nationwide haul was among the lowest scoring weekends this year. “Kung Fu Panda 4” earned $2.81 million between Friday and Sunday with a 50.1% market share. Over its full five day run since a Wednesday opening, it enjoyed a $5.96 million total. “Exhuma” slipped to second place in its eight weekend of release.

J. Kim Murphy The box office is united behind “Civil War.” A24‘s dystopian thriller earned$10.7 millionfrom 3,838 locations across its opening day and preview screenings, putting itself on track for a debut of around $26 million. The debut figure represents the highest opening day gross ever for A24, besting the $5.1 million earned by 2018’s “Hereditary” in its first screenings.

Patrick Frater Asia Bureau Chief Korea’s second largest generalist film event the Jeonju International Film Festival has set eight fiction films by first or second-time feature directors, for its main competition. They are “Cu Li Never Cries,” by Pham Ngoc Lan; “Junkyard Dog,” by Jean-Baptiste Durand, “La Palisiada,” by Philip Sotnychenko; “My Endless Numbered Days,” by Shaun Neo; “Oxygen Station,” by Ivan Tymchenko; “Practice,” by Laurens Perol; “The Major Tones,” by Ingrid Pokropek; and “The Permanent Picture,” by Laura Ferres. Additionally, two documentary features also compete: “After the Snowmelt,” directed by Lo Yi-Shan and “Kix,” by Balint Revesz and David Mikulan. The COVID-pandemic continues to affect filmmaking and festival selection, organizers said. “Even films planned to be made beforehand had to extend their production period due to the pandemic, and many works highlighted the limitations of the production environments, such as smaller cast numbers and minimal locations,” said chief programmer Chun Jinsu. The festival runs May 1-10 in Jeonju, a major town on South Korea’s west coast.

Patrick Frater Asia Bureau Chief Rights to “I, The Executioner,” which will premiere as a Midnight Screening at the Cannes Film Festival this year, have been picked up by South Korea’s CJ ENM. The crime-action film directed by Ryu Seung-wan (also written Ryoo Seung-wan) is a sequel to Ryu’s 2015 hit “Veteran” and in Korea goes by the title “Veteran 2.” Few details of the story have yet been disclosed, but CJ describes the film as “combining Ryu’s trademark action with observations and messages about social change.” Ryu last year enjoyed major box office success with crime comedy “Smugglers.” Hwang Jung-min, who recently enjoyed box office success in “12.12: The Day,” reprises his role from “Veteran.” He is joined in the sequel by Jung Hae-in (“Tune in for Love”) as a new member of the film’s Violent Crime Investigation Squad. “I, The Executioner” was produced by Filmmaker R & K, the production shingle owned by Ryu and his wife Kang Hae-jung, with CJ ENM as financier and local and international distributor. CJ ENM expects to give the film a theatrical release in South Korea at an unspecified date in the second half of the year. The original “Veteran” had its international premiere in a sidebar of the 2015 Toronto festival, was named best film at the Sitges genre festival in Spain.

Patrick Frater Asia Bureau Chief Oscar-winning Japanese animation film “The Boy and the Heron” earned a chart-topping $34.9 million between Friday and Sunday at the mainland China box office. Over its full five-day opening run, it took an even more spectacular $73 million. China was the last major territory to play the Studio Ghibli-produced fantasy in cinemas – it released in its native Japan in July and is imminently headed to streaming in many other territories – but that did not stop Chinese audiences from lapping it up. While most films release in China on a Friday, “The Boy and the Heron” was given a Wednesday outing in order to capture momentum from the Thursday-to-Saturday Qingming public holiday. Consultancy firm Artisan reports that it earned RMB248 million ($34.9 million) over the conventional Friday-to-Sunday weekend.

Patrick Frater Asia Bureau Chief Oscar-winning Japanese animation “The Boy and the Heron” opened its wings in mainland Chinese theaters in midweek and soared to the top of the box office. Data from multiple local tracking sources show the Miyazaki Hayao-directed fantasy-adventure accounting for more than half of all cinema revenues on both Wednesday and Thursday. On Wednesday it garnered $13.8 million, according to estimates from Ent Group. By 6.30pm on Thursday, ticket sales firm Maoyan was showing the title as having grown its two-day running total to RMB254 million or $35.2 million. While films mostly open on Fridays in China, “The Boy and the Heron” was given a Wednesday outing in order to play into the three-day Qingming public holiday.

Patrick Frater Asia Bureau Chief YG Entertainment, the firm behind K-pop sensation Blackpink, has appointed Yang Min-seok as its new, sole CEO. The younger brother of company founder Yang Hyun-sun, he was previously joint CEO with Hwang Bo-kyun. The announcement was made shortly after YG’s annual shareholder meeting that closed the books on a year in which revenues climbed 65% to $430 million. The firm, which recently denied that it had paid $30 million to retain its position with Blackpink (but saw the girl group’s individual members sign personal representation contracts with other agencies) is busily launching BabyMonster, another all-female act that is seen in some circles as a successor to Blackpink. BabyMonster, which was formed late last year through reality TV show “Last Evaluation 2023,” is a seven part group with members from Korea, Thailand and Japan.

Patrick Frater Asia Bureau Chief BBC Studios is launching ‘BBC Kids’ in Korea as a monthly subscription service on Genie TV Kids Land, a dedicated IPTV service for young children, in collaboration with telecoms and internet service provider KT. Through the partnership, BBC Studios Asia will bring a wide range of children’s content to Korean audiences, in one place for the first time. The service will feature a mix of content in English language as well as a variety of popular titles dubbed into Korean for the first time.

Patrick Frater Asia Bureau Chief Spooky Korean drama film “Exhuma” held on at the top of the local box off ice chart for the sixth consecutive weekend. It saw off challenges from significant newcomers “Troll Factory” and “Godzilla X Kong: The New Empire.” The Choi Min-sik-starring “Exhuma” dropped 32% week-on-week to record $3.08 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).