Korea Box Office: ‘Kung Fu Panda 4’ Retains Lead, as ‘Ghostbusters: Frozen Empire’ Melts

Patrick Frater Asia Bureau Chief “Takano Tofu” claimed double honors on the closing night of the Far East Film Festival in Udine, Italy. It won the Golden Mulberry audience award and the MyMovies Purple Mulberry award. Directed by Mihara Mitsuhiro, “Takano Tofu” is a melodrama about an elderly tofu-making craftsman, who is stuck in his ways but is also experimental and who is kindly, but whose stubbornness brings suffering on those around him.

EXCLUSIVE: DreamWorks Animation/Universal’s Kung Fu Panda 4 crossed the $500M mark globally this past weekend, reaching the milestone on a staggered release pattern that has worked well for the partners in the past (think Puss in Boots: The Last Wish). Through Wednesday, it’s at $324M international box office and $509M worldwide.

have been on a globetrotting press tour to get the word out about Italian director Luca Guadagnino’s original film, which opened in 3,477 locations in the US and Canada.“We’re obviously very, very happy with the number,” said Kevin Wilson, who heads theatrical distribution for Amazon Studios and MGM. “Looking at the audience who showed up, it’s really encouraging.

Challengers is No. 1!

Refresh for latest…: Universal/DreamWorks Animation’s Kung Fu Panda 4 has topped the half-century mark globally, now with $503.5M worldwide. Of that, $318.5M is from the international box office. Passing $500M makes KFP4, directed by Mike Mitchell (and co-directed by Stephanie Ma Stine), only the fourth animated title to the benchmark since 2020, joining Illumination’s The Super Mario Bros. Movie ($1.4B) and Minions: The Rise of Gru ($943M), and Sony/Marvel’s Spider-Man: Across the Spider-Verse ($691M).

Patrick Frater Asia Bureau Chief “The Roundup: Punishment,” the fourth film in the Don Lee-starring crime action franchise, earned $20.8 million between Friday and Sunday and punched out all competition at the South Korean box office. “Challengers,” which headed the box office this weekend in North America, with $15 million, opened fourth in Korea a 0.5% market share. “Punishment” accounted for a crushing 94% market share and collected its weekend haul from 2.92 million ticket sales, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). The film opened officially on Wednesday, when it scored $4.92 million, and followed that with a $3.25 million Thursday. Including the weekday takings and a smattering of previews from the previous weekend, the film finished Sunday with a cumulative of $29.3 million, earned from 4.25 million spectators. The stellar performance was the biggest opening this year, ahead of February’s “Exhuma,” a spooky drama that earned $14.5 million on its February first weekend and picked up pace in its second week. Giant screen systems provider, Imax reports that “Punishment” earned $770,000 of its Korean score from just 24 screens.

Patrick Frater Asia Bureau Chief Korean comedy action film “The Roundup: Punishment” destroyed all competition in local theaters on its Wednesday opening day. The film earned $4.92 million from 821,000 ticket sales, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a crushing 97% share of the day’s theatrical market. Including a smattering of previews over the latest weekend, the film finished Wednesday with a cumulative of $5.26 million earned from 862,000 spectators. Earlier, it was reported that the film had broken the Korean record for advanced ticket sales.

The Roundup: Punishment, the fourth film in the blockbuster Korean franchise, has set a new all-time opening day presales record in its home market. Releasing there today, the crime actioner that stars and is executive produced by Ma Dong-seok (aka Don Lee), had amassed over 834,000 ticket reservations as of Wednesday morning local time, accounting for 95.5% of all sales, according to local reports. 

Patrick Frater Asia Bureau Chief HYBE Corp., the biggest corporation in the South Korean pop music scene, has begun an audit into ADOR, the label responsible for K-pop act NewJeans. HYBE says that executives at the majority-owned subsidiary mya be attempting to break away from the conglomerate. “HYBE invoked the right to audit CEO Min Hee-Jin and top executives of its subsidiary label ADOR, called them to summon a shareholder meeting and sent an official letter to ask CEO Min to step down,” HYBE said in a statement emailed to Variety. Media sources in Korea have reported that the audit targets Min and one of her deputies and that computer assets have been seized and face-to-face statements already taken. They also report that HYBE suspects Min and her deputy to have circulated confidential information to outsiders in a possible bid to attract investors who would allow ADOR to gain its independence from the parent company. ADOR was founded in 2021 as a HYBE subsidiary and is currently 18% owned by Min, a renown hit-maker in the Korean music industry.

Naman Ramachandran Studiocanal’s Amy Winehouse biopic “Back to Black” stayed atop the U.K. and Ireland box office for the second consecutive weekend with £1.8 million ($2.3 million), according to numbers from Comscore. The film now has a running total of £6.3 million.

Patrick Frater Asia Bureau Chief “East Bay,” a dark comedy film starring “Fresh Off the Boat” and “Crazy Rich Asians” star Constance Wu, has been picked up for North American distribution and world sales by Level 33 Entertainment. The film won the audience award last year at the Cinequest Film and Creativity festival in San Jose. Level 33 plans to release it next month in North American theaters, ahead of a later digital outing. Wu portrays a close friend of a man who feels let down by his immigrant parents and, after a string of personal and professional humiliations, is forced to accept that he is a failure.

remained the top film in theaters in its second week of release, according to studio estimates Sunday.The A24 election-year gamble, the indie studio’s biggest budgeted film yet, took in $11.1 million in ticket sales at 3,929 theaters over the weekend.The $50 million film, set in a near-future US in which Texas and California have joined in rebellion against a fascist president, has grossed $44.9 million in two weeks.Its provocative premise – and A24’s marketing, which included images of US cities ravaged by war – helped keep “Civil War” top of mind for moviegoers.But it was a painfully slow weekend in theaters – the kind sure to add to concern over what’s thus far been a down year for Hollywood at the box office.Year-to-date ticket sales are down almost 20% compared to last year, according to Comscore.Going into the weekend, Universal Pictures’ “Abigail,” a critically acclaimed R-rated horror film about the daughter of Dracula, had been expected to lead ticket sales.It came in second with $10.2 million in 3,384 theaters.That was still a fair result for a film that cost a modest $28 million to make.

Patrick Frater Asia Bureau Chief Fantasy action movie “Godzilla x Kong: The New Empire” retook the top spot at the mainland China box office from Studio Ghibli animation title “The Boy and the Heron” during the latest weekend. “Godzilla x Kong” recorded earnings of $7.3 million (RMB51.5 million) between Friday and Sunday, a 32% week-on-week drop, according to data from consultancy firm Artisan Gateway. But it returned to the top spot on the box office charts in its fourth weekend of release and overtook “The Boy and the Heron” in the process.

J. Kim Murphy It’s a close contest at the domestic box office, with the opening day gross of Universal’s ballerina vampire film “Abigail” leading Lionsgate’s fellow new release “The Ministry of Ungentlemanly Warfare” and the second frame of A24’s dystopian thriller “Civil War.” “Abigail” earned $4 million from 3,384 theaters across its opening day and preview screenings, making it the top performer of the weekend so far.

Variety reported.In second place was Guy Ritchie’s “The Ministry of Ungentlemanly Warfare,” which saw $3.7 million in sales in its debut. The Post said the director “chooses fun over facts” in the fictionalized World War II story.

Patrick Frater Asia Bureau Chief Amazon’s free-of charge, ad-supported streaming platform that is only available in India, miniTV, is expanding its reach within the country. It is adding 200 shows for regional audiences and speakers of Tamil and Telugu. The new line-up of dubbed titles includes marquee and fan-favourite Hindi originals including “Hunter- Tootega Nahi Todega,” “Physics Wallah,” action-packed patriotic series “Rakshak- India’s Braves,” and young romance series “Highway Love.” Hollywood titles dubbed into Tamil and Telugu will include library titles “Twilight,” “Now You See Me,” the “Hunger Games” series, the “Step Up” franchise films and “Red.” miniTV will also upload Korean, Turkish and Mandarin shows dubbed in Tamil and Telugu languages.

Patrick Frater Asia Bureau Chief While multiple Korean TV series have connected with global audiences, Japan’s production committees, terrestrial broadcasters and talent agencies have kept their TV industry tightly focused on a local market. Anime and variety have long remained the Japanese TV industry’s best-known exports, while the premium end of the spectrum has largely escaped Japanese producers.

Patrick Frater Asia Bureau Chief Disney has confirmed that Korean webtoon-to-screen adaptation “Low Life” is poised to begin production. When valuable treasure is discovered off the coast of Korea, the country’s biggest degenerates come crawling out of the woodwork in the hope of striking it big. Word spreads after a fisherman got lucky and kept a piece of the booty for himself.

Refresh for latest…: As it crossed the $1B international box office milestone this past weekend, Warner Bros again owned the frame with Godzilla x Kong: The New Empire and its third session haul of $33.7M from 71 markets. That was good for a 47% drop from the previous weekend and lifts the overseas cume to $278.6M and global to $436.6M. Meanwhile, WB and Legendary’s other major title in the marketplace, Dune: Part Two, now has a shot at getting to $700M worldwide.

Patrick Frater Asia Bureau Chief “Kung Fu Panda 4” took top spot at the South Korean box office becoming the film that finally pushed aside local champion “Exhuma,” which had dominated for seven consecutive weeks. But it was an understated victory, rather than a triumphant one, and the exhibition industry’s $5.6 million nationwide haul was among the lowest scoring weekends this year. “Kung Fu Panda 4” earned $2.81 million between Friday and Sunday with a 50.1% market share. Over its full five day run since a Wednesday opening, it enjoyed a $5.96 million total. “Exhuma” slipped to second place in its eight weekend of release.