‘Kneecap’ Review: Irish Rap Group Flips the Finger at British Imperialism in Wonderfully Offbeat Docudrama

David Benedict Enraged by the British government charging the standard 15% sales tax on tickets for Live Aid, Bob Geldof (Craige Els) bullies his way into a meeting with Prime Minister Margaret Thatcher (sparky Julie Atherton). Ever intransigent, she responds with dialogue lifted from Bernie Taupin and Elton John’s “I’m Still Standing” before they argue with each other unexpectedly as a rap.

This backfired! Monday’s episode of The Bachelor is getting BLASTED online over a date viewers think was done to please some producer’s “fetish.” Jeez!

The War On Drugs have shared details of a UK and European tour – set to kick off later this year. Find ticket details below.Announced today (February 13), the new run of dates will see the Grammy Award-winning Philadelphia band head across the pond for a series of live shows this Summer.All taking place in July, the tour kicks off with three performances in the UK, which are followed by two remaining dates in Europe.To launch the tour, Adam Granduciel and co.

Kanye West is stirring things up and can’t keep Taylor Swift‘s name out of his mouth. The rapper has referred to the “Bejeweled” singer in “Carnival,” which is from the Vultures 1 album he released with Ty Dolla $ign.

How am I laughing so uncontrollably at a play about Mary Todd Lincoln?Yes, Abraham Lincoln’s wife is the subject of this riotous new comedy at the Lucille Lortel Theatre, written by and starring Cole Escola, that definitely does not aim to teach your anything or challenge your brain cells. Rather, the campy “Oh, Mary!” is too busy daring your lungs to stay full of air for more than a few seconds.

EXCLUSIVE: Goodfellas has acquired world sales rights for Emilio Estevez’s The Way: Chapter 2, reuniting the actor-director with the cast members of his original 2010 hit, father Martin Sheen, Yorick Van Wageningen and James Nesbitt.

It’s January and whilst most are focused on awards season being in full swing, it is also the start of festival season. Right now the fortieth edition of Sundance is underway, and while THN can’t be there in person, we will be bringing you a round up of what we have been able to access virtually. First up for review is the rather eccentric Krazy House from Dutch duo Steffan Haars and Flip Van der Kuli.Krazy House screens as part of the Midnight strand of programming, which embraces films with an affinity for the macabre or weird.

In the ‘80s, everyone was scared of Satanists. You know, the whole Satanic Panic era.

The Goldfinger ( or maybe just ‘Goldfinger’) where Tony Leung is re-teaming with Andy Lau and director and screenwriter Felix Chong for the first time since the Infernal Affairs movies. The film is described as a crime movie and will reportedly be set in the 1980s.Simon Yam, Philip Keung, Alex Fong Chung-sun, Charlene Choi, Chin Ka-lok, and Carlos Chan are also among the cast.The synopsis is as follows: Set in the 1980s, the film depicts cut-throat machinations between Hong Kong’s jostling business elites amidst the backdrop of the tail end of British colonial rule. It tells the story of the rise and bust of a fictional Hong Kong company called Jiali Group, following the travails of its chairman Cheng Yiyan through 15 years of investigations by the Independent Commission Against Corruption as murders are committed, billions in market value evaporate and millions are spent on litigation fees.No release date as yet for this one but we’ll keep you posted.

Filmmakers have parsed the zombie genre from seemingly every angle possible. George A.

There are just a few hours to go until the all-important final of The Traitors after an entertaining second series. Tonight (January 26) viewers will find out if the remaining Traitors, Harry and Andrew, will be victorious and steal the money, or if the final Faithfuls, Evie, Jaz and Mollie, will suss them out in time to win the prize pot.

Annika Pham Banijay Benelux’s Belgian banner Jonnydepony has set rising star Willem De Schryver from Netflix’s YA hit show” High Tides” (“Knokke Off”) for the title role of “I Was a Cop in the 80s,” ordered by Amazon Prime Netherlands and Flemish streamer Streamz. The period crime drama in development will be pitched by seasoned showrunner Philippe De Schepper (“Arcadia,” “Missing Persons Unit”), co-writer Bas Adriaensen and producer Helen Perquy (“Tabula Rasa”) as part of a Focus on Flanders at Göteborg’s forthcoming TV Drama Vision (Jan. 30-31).

The Armed have announced a 2024 UK and European tour which is set to begin this summer.The band will kick off their tour with a performance at Barcelona’s Primavera Sound Festival on May 30. From there, Tony Wolski and co.

Filmmaker Asmae El Moudir, making her feature directorial drama, starts her non-fiction film “The Mother Of All Lies” as a modest family chronicle—an elevated home video of sorts. It is soon clear, though, that she has much more on her mind because the actual subject of her inquiry is the collective amnesia around a seminal event that changed Morocco forever, the 1981 Casablanca bread riots.

EXCLUSIVE: The Ford Foundation is coming through for documentary filmmakers in a big way.  

Some movies are Irish. “Kneecap” is Ireland.

Owen Gleiberman Chief Film Critic I will never forget the first time I saw Devo. It was October 14, 1978, and my college roommates and I were watching “Saturday Night Live.” The band, which I had never heard of (I would guess that was true of 98 percent of the people watching the show), came on in their yellow jumpsuits, stiff and mechanical, swiveling like angry androids as they performed their brutalist robo version of “(I Can’t Get No) Satisfaction.” When the song ended, one of the band members shot up his hand in what looked kind of like a Hitler salute.

It starts innocuously enough. “Krazy House,” the English-language debut of Dutch filmmakers Steffen Haars and Flip van der Kuil, launches with a ‘90s family sitcom parody that ribs their cheese and cringe.

Brianna Ghey's mother has branded her daughter's killers as 'cowards' as she said it was a 'massive relief' knowing they are to be locked up for a long time.

Siddhant Adlakha Modeled on a late-’80s/early-’90s American family sitcom — which soon transitions to a midnight splatterfest — the tongue-in-cheek Dutch production “Krazy House” has all the transgressive stylings of a 15 year-old’s Reddit post on an atheism forum in 2010. Directors Steffen Haars and Flip van der Kuil offer ideas of subversion that feel both long-outdated in concept and completely dull in execution, to the point that merely describing the film feels irresponsible, lest its premise accidentally lure curious viewers to the cinema.