Anneliese van der Pol has been active in the entertainment industry for more than two decades, but she no longer has an agent and can’t find one to represent her right now.
06.02.2024 - 11:25 / thehollywoodnews.com
It’s January and whilst most are focused on awards season being in full swing, it is also the start of festival season. Right now the fortieth edition of Sundance is underway, and while THN can’t be there in person, we will be bringing you a round up of what we have been able to access virtually. First up for review is the rather eccentric Krazy House from Dutch duo Steffan Haars and Flip Van der Kuli.Krazy House screens as part of the Midnight strand of programming, which embraces films with an affinity for the macabre or weird.
Krazy House certainly fits the brief as even long after viewing, the audience will be wondering exactly what it is that they have watched. Initially setup with the trappings of a 90s family sitcom, Krazy House slowly morphs into something more extreme. By the end, it is hard to work out exactly how events ended up where they are, but it’s a curiously compelling journey.
The family at the centre of Krazy House are the Christian family, consisting of stay at home dad, Bernie (Nick Frost), bread-winning wife, Eve (Alicia Silverstone), boy-crazed daughter, Sarah (Gaite Jansen), and science nerd son, Adam (Walt Klink). Christian by both name and faith, Bernie is an especially devout man and tries to infuse the same passion for the lord into his family. He even insists upon them wearing matching Jesus sweaters, which forms an early glimpse of friction between faithful Bernie and science-minded Adam.
They are a recognisable sitcom family unit, albeit with a few additional flourishes. Krazy House adheres closely to the sitcom format. There is the inclusion of cheesy opening titles and an overuse of audience participation.
Anneliese van der Pol has been active in the entertainment industry for more than two decades, but she no longer has an agent and can’t find one to represent her right now.
Justin Timberlake has announced a series of UK and European dates as part of his upcoming ‘The Forget Tomorrow’ world tour – find details below.The news comes alongside the release of the latest song from his upcoming album ‘Everything I Thought It Was’. Following on from ‘Selfish’ and ‘Sanctified’, Timberlake has now shared the track ‘Drown’, which you can check out below.
Olivia Rodrigo is celebrating her 21st birthday! The singer and musician celebrated the milestone alongside her closest friends, including fellow musicians and actors like Tate McRae, Iris Apatow, Conan Gray, the Kid Laroi, and more. Jenna Ortega and Olivia Rodrigo Disney days: Remembering their featuring song ‘Legendary’Olivia Rodrigo and Louis Partridge confirm relationship with a passionate kissA post shared by Olivia Rodrigo (@oliviarodrigo)Rodrigo shared a post showing her celebrating the occasion in a black dress with a plunging neckline. She accesorized the look with some jewelry, red lipstick, and with her hair pinned up.
Pamela Anderson Backs EarthDay365 Channel
The War On Drugs have shared details of a UK and European tour – set to kick off later this year. Find ticket details below.Announced today (February 13), the new run of dates will see the Grammy Award-winning Philadelphia band head across the pond for a series of live shows this Summer.All taking place in July, the tour kicks off with three performances in the UK, which are followed by two remaining dates in Europe.To launch the tour, Adam Granduciel and co.
Keanu Reeves’ band Dogstar have shared details of a tour of the UK and Europe – set to kick off this summer. Find ticket details below.The ‘90s alt-rock trio – comprising vocalist Bret Domrose, drummer Rob Mailhouse and bassist Keanu Reeves – are set to embark on a series of 13 headline shows across the continent later this summer.The live dates will commence at the end of May, when the band kick off with a slot at La Sala Teatro in Madrid, Spain on May 30, followed by a gig in Paris on June 2 – taking place at La Cigale.
Although they have been around forever, slasher movies are still met with a lot of snobbery from some genre fans. These films are often viewed as nothing more than gratuitous violence with disposable characters, weak plots, and watery visuals. Over the years there has been the occasional innovation, but the sub-genre remains a source of negativity for some. Writer and director Chris Nash seeks to change opinion with In a Violent Nature.As slasher movies go, In a Violent Nature truly is innovative.
As the latest feature from writers/directors Fernanda Valadez and Astrid Rondero (“Identifying Features”) draws to a close, it’s hard to ignore the starkness, pacing, and tone overall; this is hardly the sort of film one puts on as any sort of a palate cleanser. While superbly well-made, beautifully shot, and comprised of a cast firing on all cylinders in terms of acting ability, to make it through “Sujo” is akin to a slight exercise in endurance, though not without a noticeable crescendo as the film chugs along.
EXCLUSIVE: WTFilms has snapped up international sales rights for Dutch directorial duo Steffan Haars and Flip Van Der Kuil’s English-language debut Krazy House following its world premiere at Sundance.
By now, it should be evident that each passing year brings with it advancements in technology, landing anywhere on an imaginary graph containing the likes of the latest smartphone to a car that can brew a mean cup of coffee. One area that’s been hovering over the whole of humanity for far longer than a need for a house that dictates a grocery list is that of the afterlife; pondering what happens after each and every one of us shuffle off this mortal coil remains, quite possibly, an everlastingly unanswerable question, but for those left behind in the wake of a loved one’s passing, a more pressing matter would be the manner in which one deals with said loss, and how best to move on.
“Reinas,” the latest from director Klaudia Reynicke, is a quiet but vivid tale of summer days in Lima, Peru. The script, which Reynicke co-wrote with Diego Vega, depicts a family drama against a backdrop of political chaos.
The Armed have announced a 2024 UK and European tour which is set to begin this summer.The band will kick off their tour with a performance at Barcelona’s Primavera Sound Festival on May 30. From there, Tony Wolski and co.
Scotland captain Andy Robertson is in line to end his three-and-a-half month injury hell against Norwich this weekend. The Liverpool left-back is in contention to start Sunday’s FA Cup clash at Anfield - 15 weeks after after he was crocked against Spain.
The International Film Festival Rotterdam (IFFR) opens this evening with New Zealand director Jonathan Olgilvie’s coming-of-age tale Head South set against the late 1970s, post-punk music culture of his home city of Christchurch.
EXCLUSIVE: The Ford Foundation is coming through for documentary filmmakers in a big way.
It starts innocuously enough. “Krazy House,” the English-language debut of Dutch filmmakers Steffen Haars and Flip van der Kuil, launches with a ‘90s family sitcom parody that ribs their cheese and cringe.
Wave to Earth have announced the Asia and Europe legs of their upcoming 2024 ‘flaws and all’ world tour.Today (January 24), Wave to Earth revealed the the first 13 dates of their brand-new 2024 ‘flaws and all’ world tour. It will kick off in Asia on March 18 with a concert in Hong Kong, before the band head to Taipei and Tokyo in the same week.Thereafter, the trio will bring their 2024 ‘flaws and all’ world tour to Europe, starting with a show in Milan, Italy on March 28.
Siddhant Adlakha Modeled on a late-’80s/early-’90s American family sitcom — which soon transitions to a midnight splatterfest — the tongue-in-cheek Dutch production “Krazy House” has all the transgressive stylings of a 15 year-old’s Reddit post on an atheism forum in 2010. Directors Steffen Haars and Flip van der Kuil offer ideas of subversion that feel both long-outdated in concept and completely dull in execution, to the point that merely describing the film feels irresponsible, lest its premise accidentally lure curious viewers to the cinema.
Every so often, a film comes along that, as if out of nowhere, leaves an unexpected impression and a need to find a moment to take in all that was witnessed fully; it’s a phenomenon that can come from any genre, any type of project, any filmmaker or subject, from battles in a galaxy far, far away to the intricate life story of a media tycoon. Sometimes, the smallest forms of art end up being the most effective, with “Sugarcane” a perfect example of how to draw in an audience to the film’s powerful message with moments as shocking as any entry into the world of horror.
Viaplay‘s Central and Eastern European production division Paprika Studios has exited the Scandinavian media group.