The world of “John Wick” is expanding.
25.05.2023 - 20:19 / thewrap.com
Lionsgate again came in above market expectations as it reported results for its fiscal fourth quarter Thursday. It once more topped $1.1 billion in revenue, a 17% year-to-year jump, with $17 million in net income, for adjusted earnings per share of $0.21.
The studio also noted a net loss of $96.8 million versus an adjusted net income of $49.2 million.Wall Street’s optimism three months ago was tied to the studio’s comparatively strong theatrical slate, and the results mostly bore that out. “Jesus Revolution” and “Plane” were modest hits, with the latter Gerard Butler/Mike Coulter actioner spawning a sequel.
Meanwhile, “John Wick: Chapter 4” soared past $431 million worldwide, becoming Hollywood’s biggest R-rated release since “Joker” topped $1 billion in late 2019. However, only a week’s worth of that box office came in for the newly reported quarter — it debuted globally with $138 million and had passed $245 million worldwide by the end of its second weekend — since the movie opened on March 24.Analysts surveyed by Zacks Investment Research predicted $9704.9 million in revenue for the quarter, which would have been up 4.3% from the same quarter a year ago, and a penny in earnings per share, versus a quarterly loss of 6 cents per share a year ago.The stock closed Thursday at $10.17, nearly tied with its $10.98 share price a year ago but below the 52-week high of $11.96.“I’m pleased to report that we ended the fiscal year with another strong quarter,” said Lionsgate CEO Jon Feltheimer.
“Our content businesses performed well, our library again achieved record trailing 12-month revenue, and STARZ continues to be profitable while growing subscribers and executing successfully on its bundling and packaging strategy. We enter
.The world of “John Wick” is expanding.
Unlike many other franchises in popular media, the “John Wick” film franchise keeps growing in popularity. This year, we saw the fourth film, “John Wick: Chapter 4” outgross the first three films by a large margin and earn critical acclaim in the process.
The reaction to Boris Johnson’s abrupt exit from the UK Parliament where he was previously Prime Minister has been as polarised as you would expect of a politician who, according to his allies remained a unique election-winner and singlehandedly led the nation through Brexit and the Covid pandemic but, to his critics, signified deceit, corruption and all that is wrong with modern politics.
attack on the US Capitol on Jan. 6, 2021.According to court documents reviewed by The Post, Johnston, 54, was arrested in California. He is charged with obstruction of officers during civil disorder, which is a felony, and several misdemeanors, including entering a restricted building and engaging in disruptive conduct with intent to impede government business.On March 4, 2021, the FBI tweeted photos of a man, allegedly Johnston, at the Jan.
John Wick: Chapter 4 crashes straight in at Number 1 on the Official Film Chart.
• Take a look at some other unexpected famous photographers: 30 celebrities who also take picturesIn case you didn't already know, we reported last year that Major League Baseball (MLB) legend Randy Johnson in fact has a double life as photographer. Following his retirement from professional baseball pitching, Johnson says he always had a passion for photography, and now has a very different career as a wildlife, travel, and concert photographer – with his own studio too.
's return on Starz, ET has the exclusive look at new images of season 2 featuring stars Ophelia Lovibond as editor Joyce Prigger and Jake Johnson as publisher Doug Renetti as well as series newcomer Elizbeth Perkins, who joins the cast as Constance. The deeper look at the upcoming episodes for the series created by Ellen Rapoport also gives viewers a sneak peek at the rest of the main ensemble for the workplace comedy, including Idara Victor as Tina, Jessica Lowe as Bambi, Lennon Parham as Shelly and Oscar Montoya as Richie.Picking up after the events of season 1, continues to follow Joyce, the earnest young feminist who first joined forces with Doug, a low-rent publisher, to launch the first erotic magazine for women, as they grapple with their unexpected success, a new influx of money, increased fame and new temptations that may prove challenging to navigate. As Starz puts it, they'll be put in situations «that either of them know how to handle.»Of course, the new episodes see the unexpected duo reuniting despite the two parting ways, with Joyce taking control of and Doug's company, Bottom Dollar Publication, seemingly in ruins by the end of the first installment.Meanwhile, the rest of the staff all appeared to be headed in different directions, with Tina getting accepted to multiple business school programs, Shelly deciding to stay with her husband, Lenny (Rich Sommer), and Richie turning down Doug's offer as the publication's new art director.But as the new images show, the staff has seemingly come back together to support 's newfound success, while Bambi and Shelly appear to be caught in a compromising position, suggesting the spark between those two hasn't faded. When Parham spoke to ET about Shelly and Bambi's
In a studio overlooking Manhattan’s Fifth Avenue, Rian Johnson is strapped to a lie detector machine. Next to him at the controls sits Natasha Lyonne, twiddling the device’s knobs with all the sinister intent of a supervillain. This photoshoot tableau is, of course, ripped right from the Meet the Parents Ben Stiller-Robert De Niro interrogation scene. Next, in an homage to the pithiest of TV detective tropes, Lyonne will pose at a typewriter, fake-talking into a rotary-dial phone. The visual nod this time goes to Angela Lansbury as Jessica Fletcher in Murder, She Wrote.
Lionsgate said today it’s partnered with Quentin Tarantino for distribution rights to three of the director’s iconic films – Kill Bill Volumes I & II and Jackie Brown.
Brent Lang Executive Editor The return of John Wick, its popular hit man franchise, helped lift quarterly earnings at Lionsgate, enabling the company to best expectations. For the three-month period ending on March 31, revenues at Lionsgate increased 16.7% to $1.1 billion. The company also reported an operating loss of $49.6 million, which was slightly better than the $50.4 million in losses it logged in the year-ago period. There was also a net loss attributable to Lionsgate shareholders of $96.8 million or 42 cents net loss per share. Adjusted net income attributable to Lionsgate shareholders in the quarter was $49.2 million or 21 cents in adjusted earnings per share. Lionsgate’s film business did much of the heavy lifting. The studio segment reported revenue of $823.6 million, an increase of 25% from the prior-year quarter, with the movie portion of that haul increasing by 85%. That was due to the success of “John Wick: Chapter 4,” a blockbuster sequel starring Keanu Reeves as the titular avenger, as well as the release of two modest hits in the faith-based drama “Jesus Revolution” and the Gerard Butler action-thriller “Plane.” It also helped off-set declines in Lionsgate’s television business, which the company said was the result of “timing” of when its shows are licensed or hit the airwaves.
Warwick Thornton is no stranger to La Croisette. His debut feature, “Samson and Delilah,” won the Camera d’Or at the 2009 Cannes Film Festival, where his latest feature, “The New Boy,” just had its premiere. READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch “The New Boy” never gives its protagonist, the titular New Boy, a name.
Aussie filmmaker Warwick Thornton joked that Cate Blanchett “elbowed” her way into his crafty sixth feature, The New Boy, as he introduced the pic at Deadline’s Cannes Studio shortly before its festival premiere.
The John Wick movie franchise has officially reached the billion mark!
Warwick Thornton is a master maker of images. The first frames of The New Boy – a sweep of dusty ground; a flash of a small boy on a policeman’s back, strangling him; a pre-war telegraph pole, all drenched in the searing white midday light of the desert – create a collage of inland Australia, a world of open spaces. The boy is duly pulled off of the policeman, put in a sack and delivered in the dark to a mission; a nun opens the door to receive the delivery. At that point, the gallery of Thornton’s frame becomes a series of golden brown interiors that could have come from Rembrandt, except that they are peopled with Indigenous boys – Lost Boys, as Sister Eileen (Cate Blanchett) describes them to God – and the trio of adults who look after them.
Fueled by the strong performance of John Wick: Chapter 4, Lionsgate’s John Wick franchise has crossed the $1B mark at the worldwide box office. The Keanu Reeves-led series’ total take to date now stands at $1,011,319,297 global.
Rebecca Rubin Film and Media Reporter “John Wick” is officially a billion-dollar franchise. Ticket sales for Lionsgate’s Keanu Reeves-led action series have surpassed $1 billion at the worldwide box office, with its tally standing at $1.011 billion across four films. It was carried across the coveted milestone by “John Wick: Chapter 4,” which is now the highest grossing with $425 million to date. The latest entry, which is the most expensive with its $100 million price tag, opened in March to $73.5 million, notching a new domestic franchise record. “John Wick” is one of the rare franchises that has gotten more successful with each installment. The first movie tapped out with $86.1 million in 2014 but it became a sleeper hit on home entertainment, while the 2017 sequel ended its run with $174.3 million. 2019’s “Parabellum,” which is the highest grossing entry prior to “Chapter 4,” left the big screen with $328.3 million globally.
Dakota Johnson, Jodie Turner-Smith and Elizabeth Olsen were just a few of the stars to attend the Gucci 2024 Cruise fashion show at the Gyeongbokgung Palace on Tuesday (May 16) in Seoul, South Korea.
Naman Ramachandran The London Action Festival has revealed a packed program for its second edition. Highlights of the first round of programming that has been unveiled include: Anatomy Of A Set Piece where The Raid franchise creator Gareth Evans and others to be announced will break down chosen set pieces from their works; a screening of “The Raid 2” + Q&A with Evans; The Showrunner’s Story, where, in association with World Productions, “Bodyguard” and ‘Line of Duty” Jed Mercurio creator will explore the work of a showrunner in the creation and production of shows; and The Villains of John Wick, in association with Lionsgate, where Mark Dacascos (Zero in “John Wick: Chapter 3 – Parabellum”) and Scott Adkins (Killa in “John Wick: Chapter 4”) – two of the most memorable villains from across the $425 million box office smash-hit John Wick franchise will discuss their work.
EXCLUSIVE: Lionsgate is launching sales in Cannes on thriller Boneyard, the true crime thriller starring Curtis “50 Cent” Jackson and Oscar winner Mel Gibson.