‘John Wick’ Franchise Crosses $1 Billion Globally

attack on the US Capitol on Jan. 6, 2021.According to court documents reviewed by The Post, Johnston, 54, was arrested in California. He is charged with obstruction of officers during civil disorder, which is a felony, and several misdemeanors, including entering a restricted building and engaging in disruptive conduct with intent to impede government business.On March 4, 2021, the FBI tweeted photos of a man, allegedly Johnston, at the Jan.

John Wick: Chapter 4 crashes straight in at Number 1 on the Official Film Chart.

Rebecca Rubin Film and Media Reporter Disney’s perennial hit “Frozen” is saying “let it go” to its spot as the second-biggest animated film in history. Over the weekend, Universal’s “The Super Mario Bros. Movie” hit $1.3 billion at the worldwide box office, enough to bump the original adventures of royal sisters Anna and Elsa ($1.28 billion) to the No. 3 spot. But the kingdom of Arendelle still reigns supreme in terms of all things computer-generated. The sequel “Frozen II” was even bigger than the original and stands as the highest-grossing animated movie of all-time with a mighty $1.45 billion. (Disney’s 2019 remake of “The Lion King,” which earned a staggering $1.65 billion, is technically computer-generated, but the studio has categorized the movie as live-action. Thus, it doesn’t have a place on the list of top-animated movies.)

• Take a look at some other unexpected famous photographers: 30 celebrities who also take picturesIn case you didn't already know, we reported last year that Major League Baseball (MLB) legend Randy Johnson in fact has a double life as photographer. Following his retirement from professional baseball pitching, Johnson says he always had a passion for photography, and now has a very different career as a wildlife, travel, and concert photographer – with his own studio too.

's return on Starz, ET has the exclusive look at new images of season 2 featuring stars Ophelia Lovibond as editor Joyce Prigger and Jake Johnson as publisher Doug Renetti as well as series newcomer Elizbeth Perkins, who joins the cast as Constance. The deeper look at the upcoming episodes for the series created by Ellen Rapoport also gives viewers a sneak peek at the rest of the main ensemble for the workplace comedy, including Idara Victor as Tina, Jessica Lowe as Bambi, Lennon Parham as Shelly and Oscar Montoya as Richie.Picking up after the events of season 1, continues to follow Joyce, the earnest young feminist who first joined forces with Doug, a low-rent publisher, to launch the first erotic magazine for women, as they grapple with their unexpected success, a new influx of money, increased fame and new temptations that may prove challenging to navigate. As Starz puts it, they'll be put in situations «that either of them know how to handle.»Of course, the new episodes see the unexpected duo reuniting despite the two parting ways, with Joyce taking control of and Doug's company, Bottom Dollar Publication, seemingly in ruins by the end of the first installment.Meanwhile, the rest of the staff all appeared to be headed in different directions, with Tina getting accepted to multiple business school programs, Shelly deciding to stay with her husband, Lenny (Rich Sommer), and Richie turning down Doug's offer as the publication's new art director.But as the new images show, the staff has seemingly come back together to support 's newfound success, while Bambi and Shelly appear to be caught in a compromising position, suggesting the spark between those two hasn't faded. When Parham spoke to ET about Shelly and Bambi's

In a studio overlooking Manhattan’s Fifth Avenue, Rian Johnson is strapped to a lie detector machine. Next to him at the controls sits Natasha Lyonne, twiddling the device’s knobs with all the sinister intent of a supervillain. This photoshoot tableau is, of course, ripped right from the Meet the Parents Ben Stiller-Robert De Niro interrogation scene. Next, in an homage to the pithiest of TV detective tropes, Lyonne will pose at a typewriter, fake-talking into a rotary-dial phone. The visual nod this time goes to Angela Lansbury as Jessica Fletcher in Murder, She Wrote.

Kyle Bowser Recent news reports suggest Paramount Global may be considering a sale of its cable channel BET. Further reports identify media moguls Tyler Perry, Byron Allen, Sean “Diddy” Combs and a partnership comprised of Shaquille O’Neil, 50 Cent, and Kenya Barris as prospective buyers of the platform, which was originally created to offer programing targeted toward Black viewers. Each of these potential suitors is more than worthy of the opportunity to helm such a significant portal of Black imagery. Still, a greater agenda raises additional considerations and a distinctive option for ownership. Founded by Robert L. Johnson in 1980, BET has been a primary hub for Black-themed content since its inception. Johnson sold the cable channel to Viacom in 2001 for $3 billion, resulting in an infusion of capital and infrastructure expansion, to include the addition of BET+ and BET Her. The broadcast schedule is populated with original scripted and unscripted programming, as well as acquired off-net fare, with daily viewership currently hovering near 1.7 million and annual ad revenues exceeding $215 million. While the mere existence of BET has demonstrated the power of the Black economy, its celebration of Black culture further highlights its prominence and influence.

Brent Lang Executive Editor The return of John Wick, its popular hit man franchise, helped lift quarterly earnings at Lionsgate, enabling the company to best expectations. For the three-month period ending on March 31, revenues at Lionsgate increased 16.7% to $1.1 billion. The company also reported an operating loss of $49.6 million, which was slightly better than the $50.4 million in losses it logged in the year-ago period.  There was also a net loss attributable to Lionsgate shareholders of $96.8 million or 42 cents net loss per share. Adjusted net income attributable to Lionsgate shareholders in the quarter was $49.2 million or 21 cents in adjusted earnings per share. Lionsgate’s film business did much of the heavy lifting. The studio segment reported revenue of $823.6 million, an increase of 25% from the prior-year quarter, with the movie portion of that haul increasing by 85%. That was due to the success of “John Wick: Chapter 4,” a blockbuster sequel starring Keanu Reeves as the titular avenger, as well as the release of two modest hits in the faith-based drama “Jesus Revolution” and the Gerard Butler action-thriller “Plane.” It also helped off-set declines in Lionsgate’s television business, which the company said was the result of “timing” of when its shows are licensed or hit the airwaves.

Lionsgate again came in above market expectations as it reported results for its fiscal fourth quarter Thursday. It once more topped $1.1 billion in revenue, a 17% year-to-year jump, with $17 million in net income, for adjusted earnings per share of $0.21.

Warwick Thornton is no stranger to La Croisette. His debut feature, “Samson and Delilah,” won the Camera d’Or at the 2009 Cannes Film Festival, where his latest feature, “The New Boy,” just had its premiere.  READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch “The New Boy” never gives its protagonist, the titular New Boy, a name.

Keanu Reeves has been a part of so many successful movies over the years, but by the sounds of it he just missed out on joining a new blockbuster.

Aussie filmmaker Warwick Thornton joked that Cate Blanchett “elbowed” her way into his crafty sixth feature, The New Boy, as he introduced the pic at Deadline’s Cannes Studio shortly before its festival premiere.

The John Wick movie franchise has officially reached the billion mark!

Warwick Thornton is a master maker of images. The first frames of The New Boy – a sweep of dusty ground; a flash of a small boy on a policeman’s back, strangling him; a pre-war telegraph pole, all drenched in the searing white midday light of the desert – create a collage of inland Australia, a world of open spaces. The boy is duly pulled off of the policeman, put in a sack and delivered in the dark to a mission; a nun opens the door to receive the delivery. At that point, the gallery of Thornton’s frame becomes a series of golden brown interiors that could have come from Rembrandt, except that they are peopled with Indigenous boys – Lost Boys, as Sister Eileen (Cate Blanchett) describes them to God – and the trio of adults who look after them. 

Fueled by the strong performance of John Wick: Chapter 4, Lionsgate’s John Wick franchise has crossed the $1B mark at the worldwide box office. The Keanu Reeves-led series’ total take to date now stands at $1,011,319,297 global.

EXCLUSIVE: Kellan Lutz (Twilight), Neal McDonough (Minority Report), and Mila Harris (No Exit) have signed on to star in The December Cross, with Archstone Entertainment securing world sales rights and Joshua Harris and Jon Gosier of FilmHedge financing.

Dakota Johnson, Jodie Turner-Smith and Elizabeth Olsen were just a few of the stars to attend the Gucci 2024 Cruise fashion show at the Gyeongbokgung Palace on Tuesday (May 16) in Seoul, South Korea.

Naman Ramachandran The London Action Festival has revealed a packed program for its second edition. Highlights of the first round of programming that has been unveiled include: Anatomy Of A Set Piece where The Raid franchise creator Gareth Evans and others to be announced will break down chosen set pieces from their works; a screening of “The Raid 2” + Q&A with Evans; The Showrunner’s Story, where, in association with World Productions, “Bodyguard” and ‘Line of Duty” Jed Mercurio creator will explore the work of a showrunner in the creation and production of shows; and The Villains of John Wick, in association with Lionsgate, where Mark Dacascos (Zero in “John Wick: Chapter 3 – Parabellum”) and Scott Adkins (Killa in “John Wick: Chapter 4”) – two of the most memorable villains from across the $425 million box office smash-hit John Wick franchise will discuss their work.

ANOHNI and The Johnsons have announced a new album, ‘My Back Was A Bridge For You To Cross’, along with the single ‘It Must Change’.As per a press release, ANOHNI shared that Marvin Gaye’s ‘What’s Going On’ was heavy on her mind while creating her sixth full-length effort.“That was a really important touchstone in my mind,” the artist explained. “Some of these songs respond from the present day to global and environmental concerns first voiced in popular music over 50 years ago.”ANOHNI began working on ‘My Back Was A Bridge For You To Cross’ in 2022 with soul producer Jimmy Hogarth (Amy Winehouse, Duffy, Tina Turner).