Joaquin Phoenix Stars in 'C'mon C'mon' - Watch the Emotional Trailer

Lady Gaga and Tony Bennett are teaming up one last time. On Tuesday, the singers released a trailer for their Cole Porter tribute album, Love For Sale, which is a follow-up to their 2014 album, Cheek to Cheek.

Lady Gaga and Tony Bennett are teaming up one last time.

The new stars of the Broadway musical Jagged Little Pill have been announced ahead of the show’s reopening next month!

EXCLUSIVE: Deadline has just heard that A24 had set theatrical release dates for their fall film festival critically acclaimed titles, C’mon C’mon from Mike Mills on Nov. 19, and Sean Baker’s Red Rocket on Dec. 3.

Zak Hardaker - 7: Did a superb job organising the line defence while it was under pressure. Safe under the high ball. Should have scored at the end.

Everyone speaks in the same struggling-to-be-sensitive manner in C’mon C’mon, a film of intelligence and insight that nonetheless remains a low-key and sometimes frustrating study of big city short-fallers.

Ed Sheeran is back with a wild new music video!

announcing last year that the Broadway show would be filmed for Netflix, has debuted its first trailer, giving audiences the first look at the upcoming stage production. From director Christopher Ashley and writers Joe DiPietro and David Bryan, tells the story about a young royal thrust onto the world stage.

racked up more than 2.2. million views within an hour.“I was wary of a new Matrix film — but after watching this trailer I am all in,” tweeted fan Joe Crann, pretty much summing up the positive reaction of the viral masses.Now, 18 years after the third “Matrix” film, the whole gang is back together.

Joaquin Phoenix and Gaby Hoffmann get the black-and-white treatment in “C’mon C’mon”.

Ethan Shanfeld A24 released a trailer for “C’mon C’mon,” which premiered at the Telluride Film Festival and will open in theaters later this year.Helmed by Mike Mills, the Oscar-winning director behind “20th Century Women,” the films stars Joaquin Phoenix as Johnny, a middle-aged radio journalist who, when left to take care of his nephew (Woody Norman), embarks on a trip across the country to interview kids, asking them what they think about their lives and where the world is headed.Rounding

Five years have passed since Mike Mills‘ last film, “20th Century Women,” had its world premiere at the 2016 New York Film Festival. Mills returns this year with his new movie, “C’mon C’mon,” and given its lead actor, it’s bound to be one of the most anticipated films at NYFF this year.

review of the film at Telluride last week, described it as an “intergenerational dialogue turned heartening dramedy” in which the adult characters are as lost as their younger counterparts and in which the future generation retains a bit of hopefulness despite the bleak future today’s adults have left them with. The first trailer gives a taste of that melancholy dialogue, but more prominently the crisp and beautiful black and white cinematography from “Marriage Story” DP Robbie Ryan.

Clayton Davis If there’s a film that screened in the mountains at the Telluride Film Festival, and grew legs with attendees, it was Mike Mills’ “C’mon C’mon” starring Joaquin Phoenix, Gaby Hoffmann and Woody Norman. The A24 feature debuted at the famous Chuck Jones theater on the fest’s opening day, which has become a bit of a good luck charm since movies like “Lady Bird” (2017) and the best picture-winning “Moonlight” (2016) played in that coveted slot.

Jodie Comer is taking on a new role!

K.J.

The trailer for the upcoming movie Belfast has been revealed!

Peter Debruge Chief Film CriticIf filmmaker Miranda July hadn’t gotten there first, “The Future” would have made a fine title for fellow director (and husband) Mike Mills’ latest feature, “C’mon C’mon,” a small, soft-spoken yet casually profound family drama in which a subdued, post-“Joker” Joaquin Phoenix plays a middle-aged radio journalist who travels the country interviewing kids, asking what they think about their lives and where the world is headed.It shouldn’t really surprise that the

th Century Women” and “Beginners,” but now there’s the formal melancholy of black-and-white cinematography (by Robbie Ryan, “Marriage Story”) and the story of a minor and his impromptu guardian.For this psychologically textured effort, Mills careens with the tale of a 9-year-old boy with a hyperactive mind, his burdened mother, and his uncle-turned–temporary putative father.